Maria Cristina Bellucci
Jeweller
Published: 25.02.2019
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- mcristinabellucci
gmail.com
Ring: 15 ring 1, 2019
Coloured pencils.
Photo by: Maria Cristina Bellucci
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Bracelet: 16 bra 1, 2019
Coloured pencils.
Photo by: Maria Cristina Bellucci
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Ring: 17 ring 8, 2017
Coloured pencils, wood, silver.
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Cufflinks: 10 cuff 1, 2017
Silver, colored pencils.
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Cufflinks: 10 cuff 2, 2017
Silver, colored pencils.
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Cufflinks: 10 cuff 3, 2017
Silver, colored pencils.
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Ring: 12 r a72, 2017
Silver, coloured pencils.
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Ring: 10 ring 4, 2017
Silver, coloured pencils.
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Piece: network 1, 2017
Silver, gold.
Ring or pendant.
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Ring: 15 ring 5, 2017
Coloured pencils, wood.
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Ring: 14 ring 1, 2016
Coloured pencils, wood.
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Ring: 14 ring 2, 2017
Coloured pencils, wood.
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Ring: 14 ring 5, 2016
Coloured pencils, wood.
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Ring: 14 ring poi, 2016
Coloured pencils, wood.
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Ring: 14 r, 2016
Coloured pencils, wood.
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Necklace: 15 neck 1, 2016
Colored pencils, wood.
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Necklace: 15 neck 2, 2016
Colored pencils, wood.
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Necklace: 15 neck 3, 2016
Colored pencils, plastic.
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Maria Cristina BellucciRing: Sphere ring, 2013
Coloured pencils, elastic
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Maria Cristina BellucciBracelet: 13 sketch bra 1, 2013
Silver, coloured pencils
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Maria Cristina BellucciNecklace: 14 dodecahedron 1, 2014
Felissimo coloured pencils, elastic
Lenght: 92 cm; pendant: 8 cm
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Maria Cristina BellucciBracelet: 12 bracelet ball, 2012
Colored pencils
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Maria Cristina BellucciNecklace: 12 neck 4, 2012
Colored pencils
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Maria Cristina BellucciBracelet: 12 bracelet 2, 2012
Coloured pencils
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Maria Cristina BellucciBracelet: 12 bracelet 5, 2012
Coloured pencils
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Maria Cristina BellucciNecklace: 12 necklace 2, 2012
Coloured pencils
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Maria Cristina BellucciNecklace: 12 necklace 3, 2012
Coloured pencils, silver
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Maria Cristina BellucciRing: 11 r 3, 2011
Coloured pencils
Selected for “The 7th CHEONGJU International Craft Competition”
There was a request we need to meditate on the lesson craft have two pillars: usefulness (necessity) and artistry (beauty). So we CICB will try to re-read the usefulness as an essence of craft based on the truth, ‘craft in a daily lift here and now’. This theme includes an aesthetic usefulness beyond the implemental usefulness.
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Maria Cristina BellucciBracelet: 10 bracelet 2, 2011
Coloured pencils
Selected for “The 7th CHEONGJU International Craft Competition”
There was a request we need to meditate on the lesson craft have two pillars: usefulness (necessity) and artistry (beauty). So we CICB will try to re-read the usefulness as an essence of craft based on the truth, ‘craft in a daily lift here and now’. This theme includes an aesthetic usefulness beyond the implemental usefulness.
© By the author. Read Klimt02.net Copyright.
Bracelet: Egg, 2010
Silver, coloured pencils
Awarded at: Enjoia’t Awards 2011
Awarded at: ADI ( Association for Industrial Design in Italy ), 2009
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Maria Cristina BellucciRing: Ring 3, 2010
Coconut, coloured pencils
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Maria Cristina BellucciRing: Ring 2, 2010
Ebony, coloured pencils
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Maria Cristina BellucciRing: Ring 6, 2009
Ebony, coloured pencils
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Maria Cristina BellucciRing: R3, 2007
Silver, coloured pencils
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Maria Cristina BellucciRing: Ring 1, 2009
Silver, coloured pencils
2,9 x 2,5 x 0,6 cm
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Maria Cristina BellucciRing: Ring 5, 2009
Silver, coloured pencils, ebony
5 x 3 x 1,2 cm
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Maria Cristina BellucciRing: Sphere, 2007
Coloured pencils, silver
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Maria Cristina BellucciRing: Untitled, 2010
Bread, epoxy resin, ebony
7 x 4.5 x 2.8 cm.
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Maria Cristina BellucciRing: Untitled, 2010
Bread, epoxy resin, ebony
5.5 x 4.5 x 1.5 cm
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Maria Cristina BellucciRing: Untitled, 2010
Bread, epoxy resin, ebony
7.5 x 2.5 x 2.5 cm
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Maria Cristina BellucciRing: Untitled, 2010
Bread, epoxy resin, ebony
7.8 x 4 x 2.5 cm
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Maria Cristina BellucciNecklace: Untitled, 2010
Bread, epoxy resin, tomato, silver
Pendant 4.5 x 5.5 x 3 cm
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Maria Cristina BellucciNecklace: Untitled, 2010
Bread, epoxy resin, tomato, silver
Pendant 6 x 7 x 2 cm
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Statement
For several years I worked as theatre costume and accessories maker, creating also a wide range of jewellery for stage use. I developed a strong interest for contemporary jewellery and I dedicated myself to it. What characterized my early work was the use of very thin metal sheets and wires, experimenting with hollowness and fullness. In later work, I started using even thinner metal sheets, as if working with paper sheets, creating pieces that were voluminous and light at the same time. My more recent work is characterized by having more solid looking elements and also by the introduction of color, not previously explored.CV 
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