Lydia Hirte
Jeweller
Published: 02.02.2026
t-online.de
Bio
Lydia Hirte was exposed to author's jewellery during her internship with a master of silversmithing. Following the renowned jewellery design programme at Pforzheim University, she quickly realised that she preferred to explore materials that were not yet well-represented in jewellery, and move away from traditional approaches. During her studies, she worked with Japanese paper on wire and even sausage strings. Lydia then became a freelance jewellery designer. To be more efficient in her experimentation, she decided to work with cost-effective models made from bristol card. In a moment of play with a bundle of these forms, she accessed a new creative space in which paper showed a stunning amount of deformation when under tension.Statement
My artistic work with drawing cards mainly revolves around spatiality, direction, and movement. I am always aiming to link wearability with sculptural form. While working with the material, I use both its flexibility and stability. It is essential for me to generate resistance and feel the physical power of this bundled material. This determines my research and artistic search.CV 
On sale at
Events
Publications
.png "In Contrast. Annual Members' Exhibition.")
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Karl Fritsch
Island Bay, New Zealand -
Elizabeth Shaw
Brisbane, Australia -
Eunhee Cho
Seoul, South Korea -
Beppe Kessler
Amsterdam, Netherlands -
Julia Boix-Vives
Eindhoven, Netherlands -
Gabrijela Kozarić Budiša
Zagreb, Croatia -
May Gañán
Madrid, Spain -
Jill Herlands
New York, United States -
Peter Schilling
Somerville, United States -
Carmen López
Sevilla, Spain -
Mira Kim
Vancouver, Canada -
Katerina Glinou
Athens, Greece -
Elvira Cibotti
Buenos Aires, Argentina -
Babette von Dohnanyi
Hamburg, Germany -
Eva Van Kempen
Amsterdam, Netherlands
