Sondra Sherman

Jeweller

Published: 17.04.2018

Sondra Sherman

: 1722 Pentuckett Ave.
CA 92104 - San Diego
UNITED STATES

: Website Sondra Sherman

Mail:: sshermanmail.sdsu.edu

Sondra Sherman
Neckpiece: ChickenLittle, 2018
Steel, digital print on aluminum, sterling, silk thread.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: DTLA, 2018
Steel, digital print on aluminum, sterling silver.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: TacosMassageKeepClear, 2018
Steel, digital print on aluminum, sterling.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: WesternInnSanMarino, 2018
Steel, digital print on aluminum, sterling silver.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: PalmTreesVolvo, 2018
Steel, digital print on aluminum, sterling silver.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: DTLA II, 2018
steel, digital print on aluminum, sterling, silk thread.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: AmericasTireChevrolet, 2016
Steel, digital print on aluminum, sterling silver.
20 x 1 x 35 cm
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: 405NSantaAnaLongBeach, 2016
Steel, digital print on aluminum, sterling.
20 x 1 x 35 cm
Photo by: Luna Perri
From series: Upside Down in Paradise
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Rorschach Corsage-Belladonna II, 2015
Steel, 750 au
15.5 x 3.8 x 10 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Rorschach Corsage: Belladonna II, 2015
Steel, 750 au
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages

Angle view

Sondra Sherman
Brooch: Rorschach Corsage-Belladonna II, 2015
Steel, 750 au
15.5 x 3.8 x 10 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages

Back view

Sondra Sherman
Brooch: Rorschach Corsage: Papaver Somniferum, 2015
Steel
15.5 x 2.54 x 7.5 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Rorschach Corsage: Papaver Somniferum, 2015
Steel
15.5 x 2.54 x 7.5 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages

Angle view

Sondra Sherman
Brooch: Rorschach Corsage: Papaver Somniferum, 2015
Steel
15.5 x 2.54 x 7.5 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages

Back view

Sondra Sherman
Brooch: Rorschach Corsage: Valeriana II, 2015
Steel
15.5 x 3.8 x 10 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Rorschach Corsage: Valeriana II, 2015
Steel
15.5 x 3.8 x 10 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages

Angle view

Sondra Sherman
Brooch: Rorschach Corsage: Valeriana II, 2015
Steel
15.5 x 3.8 x 10 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages

Back view

Sondra Sherman
Brooch: Rorschach Corsage: St John's Wort, 2015
Steel
13.5 x 2.54 x 9.5 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Rorschach Corsage Belladonna I, 2013
Steel
10 x 4 x 10.5 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Rorschach Corsage: True Happiness, 2013
Steel, nail polish
9 x 5 x 9 cm
Photo by: Luna Perri
From series: Anthophobia II: Rorschach Corsages
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Flowers and Still Life, 2010
925Ag
9 x 1.5 x 9 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Flowers and Still Life, 2010
925Ag, vintage book
17 x 2 x 25 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Pendant: Listen_the_Wind!, 2010
925Ag
8.5 x 1 x 5.7 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Pendant: Listen_the_Wind!, 2010
925ag, vintage book
15 x 3 x 11 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Found Subjects
Brooch: Sumpf und Wasserpflanzen, 2010
Steel, 925ag, 750au, zirconia, synthetic fire opal, mother of pearl
6 x 1.5 x 7 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: Sumpf und Wasserpflanzen in altered book, 2010
Steel, 925ag, 750au, zirconia, synthetic fire opal, mother of pearl, vintage book
11.5 x 2.5 x 16.5 cm
Photo by: Perri. Luna
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: The Horse, 2010
Cu, enamel, 925Ag, 750Au
20 x 1 x 20 cm
Photo by: Perri. Luna
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Neckpiece: The Horse, 2010
Cu, enamel, 925ag, 750au , vintage book
18 x 2 x 25 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Necklace: Great Ideas of Science, 2010
925 Ag, silk thread, vintage book
2.4 x 2 x 11 cm
Photo by: Luna Perri
From series: Found Subjects
© By the author. Read Klimt02.net Copyright.

Sondra Sherman
Brooch: FTDs: Nicotiana, 2009
Steel, nail polish.
11 x 6.3 x 1.8 cm
Photo by: Luna Perri
From series: FTDs
© By the author. Read Klimt02.net Copyright.

Sondra Sherman’s work explores the distinctive voice of jewelry and the psycho-social context of the body/wearer. Head of the Jewelry and Metalwork Program at San Diego State University, CA, previous teaching includes, SUNY New Paltz, Savannah College of Art + Design, and Rhode Island School of Design. Sherman received the Diplom degree (MFA) from the Academy of Fine Arts in Munich GERMANY, where she resided for 10 years. Awards include Individual Artist Fellowships from: the Louis Comfort Tiffany Foundation, Pennsylvania Council on the Arts, and the Mid-Atlantic Regional National Endowment for the Arts, as well as a Fulbright Scholarship for Study Abroad. Exhibited and published in Europe and the US, her work can be found in significant public and private collections including the The Museum of Art and Design, NY, the Los Angeles County Museum, and the Metropolitan Museum of Art, NY.

Statement

Statement series: Upside Down in Paradise

‘Upside Down in Paradise’ is a series of jewelry which explores imaging the natural and cultural landscape of Southern California. to express the poetic paradoxes found in the day to day of ‘California Dreamin’ as photographed or recorded from ‘the road’.
While ‘Upside Down in Paradise’ has a particular geographical reference, its subject is inherently universal- in the diversity of ethnicities and social histories which make up the culture of California, but also in the common experiences of (re)locating oneself in an unfamiliar place, or the perceptions developed while traveling through.

I have been collecting visual research for a few years; taking photographs and videos while traveling by car or train within SoCal. The viewpoint provided by traveling in climate controlled spaces of cars or trains, on the freeways or tracks, as they transect the natural landscape became a resonant framing device. As a relatively new resident of California coming from Northeastern U.S. urban environments, I can’t help but reflect on the history and socio-cultural conditions evident in the urban roadside scenery, especially in relation to the magnificent natural beauty. As an artist, I tend to see the potential metaphor in everything…

The vestigial glamour of the California idyll of the 1950’s and 60’s, palpable in the faded commercial signs, and architectural facades which punctuate the roadside with their gemstone-like shapes, and generous proportions, against the expansive blue sky inspire oversize jewelry with sun weathered surfaces. The cultural diversity visible in the urban landscape appears in the variety of elements of material, color and composition.

The imagery is distorted and fragmented reflecting the heightened awareness, continuous movement, and endless sky, sea, roadways, and … dreams- encountered when going to California in your mind.
The landscapes show no consistent relationship to the horizon, or gravity amplifying the surreal sense of detachment car culture provides. At times the freeway is a sea of cars; green interstate signs are floating clouds, and the freeway flyover brings the sense of a passing ship. The neckpieces translate those sensations as the passenger becomes the wearer – surrounded by the landscape-with a disorienting view.

Statement Artist

I have been involved in fine art since childhood, and was eventually drawn to jewelry by the inherent and socially interconnected meanings of personal adornment. I choose the limitations of jewelry in trade for its distinctive opportunity. Not professional opportunity, but a personal sociopolitical opportunity. Jewelry, even artists jewelry, through its mobility and psychological accessibility/presumed familiarity invites a broad audience to a conversation grounded in empathy.

It is my nature to ponder in making, (or perhaps it is simply my nature).
In various series of work, form language changes with any significant change of subject.
I explore something I am engaged by on multiple levels; personally and socially, emotionally and intellectually, over a series of pieces. Intuition inspires research which folds back into new intuitions taking material form. Perhaps starting as a painter left a mode of adding and subtracting, or maybe because I'm a Libra, or commitment phobic...I can't decide.

I choose the subjects, methods and materials of the jeweler which challenge my commitment and amplify the authentic voice and context of jewelry. I am thus less interested in artworks about jewelry- than in jewelry that does, what jewelry does. I consider ‘wearability’ essential to the expressive power found in its dual nature; perceived privately/personally in relation to an individual - and as an object for public display.

So, does the wearer complete the jewelry or does the jewelry complete the wearer? I suggest it is reciprocal - changed by each other they venture out into the world, to start a conversation.

CV

Sonda Sherman, San Diego, U.S.A.

Education:
1990 Munich Academy of Fine Arts, Munich, Germany, Diplom Degree( MFA)
1980 Tyler School of Art, Temple University, Philadelphia, PA, B.F.A. Degree - Jewelry and Painting Concentrations

Professional Positions:
2006-San Diego State University, Associate Professor of Art-Head, Jewelry + Metalwork, San Diego, CA
2000-06 Rhode Island College, Associate Professor, Dept. Art –Metals, Foundations
1999-00 State University of New York at New Paltz, Visiting Assistant Professor, Dept. Art - Metals
1997-99 Savannah College of Art and Design, Faculty, Foundations, Metals and Jewelry, GA
1995-97 Rhode Island School of Design, Adjunct Faculty, Light Metals Department, Providence, RI
1996 Western Carolina University, Summer Faculty - Jewelry I + II, Cullowhee, NC
1995 Rhode Island School of Design, Guest Instructor - 'Jewelry as Souvenir', Providence, RI
1993 Ulrich Horndash "Geometrie", Painted Installation, Artist's Assistant , Salzburger Kunstverein, AUSTRIA
1992 Daniel Buren, Architectural Installation, Artist's Assistant, Hypo-bank Kongresszentrum, Germany


Solo / Duo Exhibitions:
2016 ‘Parallels’ :Jonathan Wahl and Sondra Sherman, Lamar Dodd Gallery, University of Georgia, USA
2016 ‘Found Subjects IV’, Houston Center for Contemporary Craft, TX
2014 ‘Found Subjects III’ Hunterdon Art Museum, Clinton, NJ
2012 'Found Subjects', Philadelphia Art Alliance, PA
2010 'Appellations' (with Gail Roberts), La Jolla Athenaeum, La Jolla, CA
2009 'F.T.D.s', VdV Gallery, San Francisco, CA
2007 ‘Anthophobia: Fear of Flowers’ SOFA Chicago, Sienna Gallery, Lenox, MA
2005 ‘Seven Types of Ambiguity’, Sienna Gallery, Lenox, MA
2002 ‘Relocating Natures’, Susan Cummins Gallery, Mill Valley, CA
1999 ‘Hidden Agender’, Susan Cummins Gallery, Mill Valley, CA
1997 ‘Sondra Sherman: New Work’, Joanne Rapp Gallery, Scottsdale, AZ
1997 'Cascades' Jewelerswerk Galerie, Washington, DC
1996 'All That's Precious' Jewelerswerk Galerie, Washington, DC
1995 'Conation / Cognition' Mobilia Gallery, Cambridge, MA

Group Exhibitions (selected):
2016 ‘Shadow Themes’, RR Gallery, curators Marjorie Simon, Biba Schutz, New York, NY
2016 ‘Lack: The Art of Surface’, Crafts Council Gallery, Munich, Germany
2015 ‘Black on Black’, Manchester Art Gallery, curator Jo Bloxham, Manchester, United Kingdom
2015 ‘From Here and There’, Burg Gebichstein, curator Daniel Kruger, Halle, Germany
2014 Unique by Design: Contemporary Jewelry in the Donna Schneir Collection, Metropolitan Museum of Art, NY
2014 ‘Writing and Objects’, Crafts Council Gallery, Munich, Germany
2013 ‘Schmuck 2013’ International Handwerksmesse, Munich, Germany
2013 ‘Allied Craftsman Today’ Mingei International Museum, San Diego, CA
2011 'DUBH: Dialogues in Black, American Irish Historical Society, NY
2009 'Different Tempers', Center for Craft, Creativity, and Design, NC
2007 'Craft in America’ Portland Museum of Contemporary Craft , Portland OR (traveling)
2007 ‘Glasswear’ Toledo Museum of Art, Toledo, OH (traveling)
2007 ‘Edges of Grace: Provocative, Uncommon Craft’ The Fuller Craft Museum, Brockton, MA
2007 ‘Challenging the Chatelaine’ DesignMuseo, Helsinki, Finland (traveling)
2007 ‘Historical Connections’, Mobilia Gallery, Cambridge, MA
2003 ‘The Link to the Body’ 3rd Biennial of Contemporary Jewelry, Nimes, France
2002 ‘Schmuckszene’, International Handwerksmess, Munich, Germany
2002 ‘Schmuck 2002’ International Jewelry, The Dick Institute, Kilmarnock, Scotland
2002 ‘Von Wegen’ Schmuck aus Munchen, Deutsches Goldschmiedehaus,Hanau. Germany
2001 'A View By Two’ RISD Museum, Providence, RI
2001 ‘Micromegas’ BKV Gallerie, Munich, Germany
2001 ‘The Ring’ Mobilia Gallery, Cambridge, MA
2001 ‘Jewelry as an Object of Installation’, Susan Cummins Gallery, Mill Valley, CA
2000 ‘Five Woman in the Crafts’ Renwick Gallery of the National Museum of American Art,
2000 Smithsonian Institution, Washington, DC
2000 ‘Marked by Media’ , Bruce Gallery, Edinboro University of Pennsylvania (catalog)
2000 ‘Schonmachen’, Kunsthaus Kaufbeuren, Kaufbeuren GERMANY
2000 ‘A Closer Look’, James Howe Gallery, Kean University, Union, NJ
1999 ‘Re-thinking Jewelry’ San Fransisco Craft and Folk Art Museum, San Fransisco, CA (catalog)
1999 ‘The Shadow of Memory’, Susan Cummins Gallery, Mill Valley, CA
1999 ‘Brooching It Diplomatically; A Tribute to Madeline Albright Helen Drutt Gallery, Philadelphia, PA,
1999 Museum Het Kruithuis, s’Hertogenbosch, THE NETHERLANDS, Museum of Applied Art and Design,
1999 Helsinki, Finland, American Craft Museum, NY, The Contemporary Museum, Honolu, Hawaii (catalog)
1997 'Transfigurations1997:Nine Contemporary Metalsmiths' The University of Akron, OH
1997 '3 Generations; Mentors, Teachers, and Students' Mobilia Gallery, Cambridge, MA
1996 'Jewelry in Europe and America: New Times, New Thinking' Crafts Council Gallery, London, England
1996 National Museum & Gallery Cardiff, Wales
1996 'Signals: Late Twentieth-Century American Jewelry', Cranbrook Art Museum, Bloomfield Hills, MI
1996 Montreal Museum of Decorative Arts, Montreal, Canada
1996 'Jewelry at the Castle' Kasino Salzburg, Salzburg, Austria
1996 'Schmuckszene' International Handwerksmesse, Munich, Germany (catalog)
1996 'Issues and Intent - Contemporary American Metalwork' Susan Cummins Gallery, Mill Valley, CA
1994 'One-of-a-Kind: American Art Jewelry Today' Mobilia Gallery, Cambridge, MA
1993 'Munich Goldsmiths 93' Stadtmuseum Muenchen, Munich, Germany (catalog)
1993 'Gothic Affinities-Five Artists Working in the Crafts Tradition' Hicks Art Center, Philadelphia, PA

Awards & Residencies:
2016 Upside Down in Paradise Faculty Research Grant, San Diego State University
2015 Black Faculty Research Grant, San Diego State University
2010 Found Subjects Faculty Research Grant, San Diego State University
2008 Abstracting Craft Faculty Research Grant, San Diego State University
2007 Anthophobia Faculty Research Grant, San Diego State University
2005 Artist Fellowship, Rhode Island Council on the Arts
2002 Artist Fellowship, Rhode Island Council on the Arts
2001 Symposion 01 Okresni museum, Ceskeho raje, Turnov, Czech Republic
2001 Emerging Artists Fellowship ,Louis Comfort Tiffany Foundation,
1990 Artist Fellowship, Pennsylvania Council on the Arts
1989 Regional Visual Arts Fellowship, Mid-Atlantic / NEA
1988 Fulbright Scholarship, Grant for Study Abroad

Public Collections:
Metropolitan Museum of Art, NY
Philadelphia Museum of Art
Smithsonian American Art Museum, Washington, DC
Los Angeles County Museum of Art
RISD Museum, Providence, RI
City Museum, Turnov, Czech Republic
Museum of Fine Arts, Boston
Museum of Art and Design, NY

Presentations:
2014 Indiana University, Artist Lecture/Workshop/Critiques Bloomington, IN
2013 Mingei International Museum, Artist Lecture, San Diego, CA
2012 University of the Arts, Artist Lecture, Philadelphia, PA
2009 San Diego Museum of Art, Artist Lecture, San Diego, CA
2009 State University of New York -New Paltz, Artist Lecture /Critques, New Paltz, NY
2009 University of Kansas-Lawrence, Hallmark Design Symposium lecture and Grad Critiques, Lawrence, KS
2008 University of Wisconsin - Madison, Artist Lecture /. Critiques, Madison, WI
2008 California State University-Long Beach, Artist Lecture /. Critiques Long Beach, CA
2008 'The Body as Site', workshop, Penland School of Crafts, Penland, NC
2008 'Abstracting Commemoration', Master's Workshop, Pratt Fine Arts Center,Seattle, WA
2006 The Fuller Craft Museum, Artist Lecture, Brockton, MA,
2006 Cranbrook Academy of Art, Artist Lecture / critiques, Bloomfield Hills, MI
2006 Tacoma Art Museum,‘The Language of Jewelry’ panel discussion, Seattle, WA
2006 Rhode Island School of Design, Artist Lecture / critiques, Providence, RI
2003 Myers School of Art, U. of Akron, OH, Artist Lecture / workshop
2003 University of Massachusetts at Dartmouth, New Bedford, MA, Artist lecture
2003 ‘Failed Telepathy’ Artist Lecture, Sculptural Objects Functional Art Expo, New York, NY
2003 Symposium ‘The Ring’, Mass. College of Art, presenter-discussant, Boston, MA
2003 ‘Dialogue on Contemporary Jewelry’, Rhode Island School of Design, presenter, panel, Providence, RI
2000 ‘Five Women in Craft’ Artist lecture, Renwick Gallery, National Museum of American Art,
2000 Smithsonian Institution, Washington, DC
1999 ‘Rethinking Jewelry’, San Francisco Craft and Folk Art Museum, panel discussion,
1999 Colorado Metalsmiths Conference, ‘Transcending Scale’, workshop / lecture, Salida, CO
1999 State University of New York, New Paltz, NY - Visiting Artist Workshop
1998 Penland School of Crafts, workshop ‘Jewelry as Souvenir’, Penland, NC
1998 Savannah College of Art and Design, GA, ‘Boxmaking for Objects’ Art Educators Forum
1997 Renwick Gallery of the National Museum of American Art, Washington, DC
1997 Renwick Alliance, Workshop - 'Box making for Jewelry', Washington, DC
1997 University of the Arts, Philadelphia, PA
1997 State University of New York, New Paltz, visiting artist lecture
1995 Rhode Island School of Design, Artist Lecture / critique, Providence, RI
1995 University of Massachusetts Dartmouth, New Bedford, MA
1995 University of the Arts, Philadelphia, PA – Artist Lecture / critique
1994 Sommerakademie Salzburg, Austria

Curatoiral Projects:
2005 ‘Alternatives: Materials / Means’, Bannister Gallery, Rhode Island College, Providence, RI (poster)
2003 ‘Evocative Objects’, Bannister Gallery, Rhode Island College, Providence RI (catalog)

On sale at

Events

Publications

Book: New Brooches: 400+ Contemporary Jewellery Designs. Estrada, Nicolas. Promopress: Barcelona, 2018

Book: From here and there. Jewellery Class University of Art and Design Halle. Jewellery Class University of Art and Design Halle: Halle, 2015

Book: Unique by Design: Contemporary Jewelry in the Donna Schneier Collection. Suzanne Ramljak. Metropolitan Museum of Art: 2014

Interview online publication: Judging a Book By Its Cover. Celine Browning. Art Jewelry Forum: 2014

Review: Found Subjects. Marjorie Simon. 2014
Metalsmith, Society of North American Goldsmiths, vol.34, #5

Book: Contemporary Jewelry in Perspective. Lark Books, an imprint of Sterling Publishing, Inc.: New York, 2013

Article: Look. Biba Schutz. 2012
Metalsmith, Society of North American Goldsmiths, vol.32, #1

Exhibition in Print: Fresh. 2011
Metalsmith: Society of North American Goldsmiths, vol.31, #4

Book: Jewelry by Artists: 1940 - 2000. 2010
Boston MFA publications

Book: The Compendium Finale of Contemporary Jewellery Makers. Darling Publications: Cologne, 2009

Book: 500 Pendants. Elizabeth Shypert. Lark Books: 2008

Book: Glasswear. Glass in Contemporary Jewelry. Ilse-Neuman, Ursula; Holzach, Cornelie; Page, Jutta-Annette. Arnoldsche: Stuttgart, 2007

Book: 500 Earrings. Alan Revere. Lark Books: 2007

Book: Challenging the Chatelaine. Drutt English: 2006
Helen and Aav, Marianne, Designmuseo, Helsinki

Magazine: Forum: Jewelers on Jewelry. 2006
Metalsmith: Society of North American Goldsmiths, vol.26, #5

Exhibition in Print: Re-framing Jewelry. Ellen Lupton. 2006
Metalsmith: Society of North American Goldsmiths,vol.26, #4

Review: Seven Types of Ambiguity. Andrea DiNoto. 2006
Metalsmith: Society of North American Goldsmiths, Fall

Book: 500 Brooches. Marjorie Simon. Lark Books: 2005

Book: 1000 Rings. Robert Ebendorf. Lark Books: 2004

Author-Curator’s Intro: Evocative Objects: Studio Metalsmithing and Jewelry. 2003

Review: Five Women in Craft. 2000
American Craft Magazine, winter

Magazine: Exhibition in Print. 2000
Metalsmith: Society of North American Goldsmiths, Fall

Review: Cascades. 1998
Metalsmith: Society of North American Goldsmiths Summer

Magazine: Keeping Vigil: Jewelry, Touch, and Physical Engagement. 1997
American Craft Magazine, Ramljak, Suzanne

Review: Transfigurations. 1997
The Beacon Journal

Magazine: Both/And: The Work of Sondra Sherman. Bruce Metcalf. 1997
Metalsmith: Society of North American Goldsmiths, winter

Review: Schmuck-Kunst im Schloss. 1997
Rare, Salzburger Nachtrichten, 1996

Book: Jewelry in Europe and America. RalphTurner. Thames and Hudson: 1996

Book: One of a Kind: American Art Jewelry Today. Susan Grant. Abrams: 1994

Risk and Reverence: Risk and Reverence. Daniel Jocz. 1994
Society of North American Goldsmiths

Review: Jugend Gestaltet. 1994
K.G, Kunst+Handwerk, Dusseldorf

Book: Munich Goldsmiths 93. Helmut Bauer. Stadtmuseum Munich: 1993

Book: Sondra Sherman: Anthophobia - Fear of Flowers. SG Press: Lenox, MA,

Book: Sondra Sherman: Found Subjects. SG Press: Lenox MA,

APPRECIATE

Sondra Sherman

: 1722 Pentuckett Ave.
CA 92104 - San Diego
UNITED STATES

: Website Sondra Sherman

Mail:: sshermanmail.sdsu.edu

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