Gesellschaft für Goldschmiedekunst
- Edited by:
- Gesellschaft für Goldschmiedekunst
- Edited at:
- Hanau
- Edited on:
- 2020
Selected Artist for the Friedrich Becker Prize 2020.
I create flamboyant, sculptural and wearable pieces that combine ambivalent aspects of appeal and repulsion. Jewellery that attracts attention, pieces that catch the eye and demand self-confidence and conviction to wear, thus challenging the boundaries of what constitutes jewellery.
My work unsettles the borderline between beautiful and ugly in order to tease the perception of the beholder and to evoke reactions. I find it exciting and thrilling to trigger curiosity and challenge viewers to engage and discover, while simultaneously leaving space for individual interpretation. I believe that provoking this playful inquisitiveness is of value to us because it stimulates and originates distinct conditions, which in turn allow for experiences that we would not be exposed to otherwise.
The aesthetic qualities of my ambiguous jewellery are based on an organic form-vocabulary and the introduction of innovative materials and techniques, which I combine and contrast with my traditional goldsmithing skills. An open approach and material-based research, spontaneity and the dynamics that come from intuitive working processes enable me to develop a range of elements, which are then combined to create the compositions of my vibrant work. / Katharina Moch
I create flamboyant, sculptural and wearable pieces that combine ambivalent aspects of appeal and repulsion. Jewellery that attracts attention, pieces that catch the eye and demand self-confidence and conviction to wear, thus challenging the boundaries of what constitutes jewellery.
My work unsettles the borderline between beautiful and ugly in order to tease the perception of the beholder and to evoke reactions. I find it exciting and thrilling to trigger curiosity and challenge viewers to engage and discover, while simultaneously leaving space for individual interpretation. I believe that provoking this playful inquisitiveness is of value to us because it stimulates and originates distinct conditions, which in turn allow for experiences that we would not be exposed to otherwise.
The aesthetic qualities of my ambiguous jewellery are based on an organic form-vocabulary and the introduction of innovative materials and techniques, which I combine and contrast with my traditional goldsmithing skills. An open approach and material-based research, spontaneity and the dynamics that come from intuitive working processes enable me to develop a range of elements, which are then combined to create the compositions of my vibrant work. / Katharina Moch
Artist list
Katharina Moch
Gesellschaft für Goldschmiedekunst
- Edited by:
- Gesellschaft für Goldschmiedekunst
- Edited at:
- Hanau
- Edited on:
- 2020
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Pearl Necklace 1 by Eva Fernandez Martos
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Marges Pearls 2 by Eva Fernandez Martos
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Herman Hermsen: Traveling Path. An interview by Quittenbaum Gallery
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Greetings from Ukraine. A video documentary on how design and jewelry can forge national identity and resistance by ZLR ...
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Experts Talk
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Ringing II a Performance by Neringa Poskute-Jukumiene
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Wrecking Globe by Eden Herman Rosenbaum
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Craft as Political Art. A Conversation with Loukia Richards
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Helena Lehtinen Lecture at ENSA Limoges
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Sigurd Bronger. Torsten and Wanja Söderberg's prize 2012
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Jewel Rotterdam 2022
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Iris Bodemer Construction Pendants Nr. 2, 6, 7, 8
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Craving the essentials. Interview with Robert Smit by CODA Museum
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Shape of Nature. Selected Artist Documentary 2021
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Extranalities 6: Mechanorganic by Timothy Information Limited
