Lorena Lazard
Jeweller
/
Klimt02MemberSelectedSchmuck2017
Published: 27.03.2020
- Mail:
- lorenalazard33
gmail.com
Brooch: Absence 2, 2020
Iron. enamel.
6.5 x 9.5 x 1 cm
Photo by: Paolo Gori
From series: Absence
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Brooch: Absence 2, 2020
Iron. enamel.
6.5 x 9.5 x 1 cm
Photo by: Paolo Gori
From series: Absence
Alternative view.
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Brooch: Absence 1, 2020
Iron, enamel.
6 x 10 x 0.7 cm
Photo by: Paolo Gori
From series: Absence
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Brooch: In the beginning 11, 2020
Iron, soil from the artist garden and from around the world, name, pigments, epoxy.
8 x 8 x 1 cm
Photo by: Paolo Gori
From series: n the beginning
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Brooch: In the beginning 10, 2020
Iron, soil from the artist garden and from around the world, name, pigments, epoxy.
7 x 10.5 x 1.5 cm
Photo by: Paolo Gori
From series: In the beginning
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Brooch: In the beginning 9, 2020
Iron, sterling silver, enamel.
5 x 6.7 x 1.5 cm
Photo by: Paolo Gori
From series: In the beginning
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Brooch: In the Beginning 1, 2019
Soil from the artist garden, Iron, enamel, epoxy, reflecting beads.
9 x 7 x 1.5 cm
Photo by: Paolo Gori
From series: In the Beginning
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Brooch: In the Beginning 2, 2019
Soil from the artist garden, Iron, pure silver, polymer clay, enamel, epoxy, pigments, reflecting beads.
9 x 11.5 x 1 cm
Photo by: Paolo Gori
From series: In the Beginning
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Brooch: In the Beginning 3, 2019
Soil from the artist garden, Iron, enamel, epoxy, reflecting beads.
8.7 x 7 x 1 cm
Photo by: Paolo Gori
From series: In the Beginning
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Brooch: In the Beginning 4, 2019
Soil from the artist garden, Iron, enamel, epoxy, pigments.
6.7 x 9.2 x 1 cm
Photo by: Paolo Gori
From series: In the Beginning
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Brooch: In the Beginning 5, 2019
Soil from the artist garden, Iron, enamel, epoxy, pigments.
6.4 x 9 x 0.7 cm
Photo by: Paolo Gori
From series: In the Beginning
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Brooch: In the Beginning 6, 2019
Soil from the artist garden and from around the world, Iron, enamel, epoxy, pigments.
6.7 x 9.2 x 1 cm
Photo by: Paolo Gori
From series: In the Beginning
© By the author. Read Klimt02.net Copyright.
Brooch: In the Beginning 7, 2019
Soil from the artist garden and from around the world, Iron, enamel, epoxy, pigments.
6.2 x 9.5 x 1 cm
Photo by: Paolo Gori
From series: In the Beginning
© By the author. Read Klimt02.net Copyright.
Brooch: In the Beginning 8, 2019
Soil from the artist garden and from around the world, Iron, enamel, epoxy, pigments.
6. x 7 x 1.5 cm
Photo by: Paolo Gori
From series: In the Beginning
© By the author. Read Klimt02.net Copyright.
Brooch: Revelando Luz 2, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
5.5 x 6.3 x 2 cm
Photo by: Paolo Gori
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Brooch: Revelando Luz 4, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
8.5 x 9 x 1.5 cm
Photo by: Paolo Gori
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Brooch: Revelando Luz 5, 2018
Epoxy, soil from the artist garden, tumbaga.
3 x 6 x 2 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Revelando Luz 6, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
7 x 7 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Revelando Luz 7, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
8.5 x 10.5 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Revelando Luz 8, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
3.5 x 9.5 x 1 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Revelando Luz 9, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
2.5 x 4 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Tierra V, 2018
Iron, enamel, egapac, polymer clay, soil from Mexico, soil from the USA, thread.
5 x 5.5 x 3 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Tierra VI, 2018
Iron, enamel, egapac, polymer clay, soil from Mexico, soil from the USA.
7.5 x 5.5 x 2.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Tierra VII, 2018
Iron, enamel, egapac, polymer clay, soil from Mexico, soil from the USA.
4 x 5.5 x 2.8 cm
Photo by: Paolo Gori
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Brooch: Malaj, 2018
Epoxy, pigment, soil from the artist garden, tumbaga.
5 x 8.5 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Raíz 1, 2017
Iron, enamel, egapac, polymer clay, soil from the artist garden.
6 x 7 x 2.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Raíz 2, 2017
Iron, enamel, polymer clay, soil from the artist garden, plastic.
8 x 4 x 3.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Tierra IV, 2018
Iron, plastic wrap, polymer clay, enamel, soil from USA and Mexico.
4 x 5.5 x 3.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: De la Tierra 8, 2017
Iron, plastic wrap, polymer clay, powder coating, soil from the artist garden.
7.5 x 4 x 3.5 cm
Photo by: Bertha Herrera
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Brooch: De la Tierra 7, 2017
Iron, plastic wrap, polymer clay, powder coating, soil from the artist garden.
5.5 x 6 x 1.5 cm
Photo by: Bertha Herrera
© By the author. Read Klimt02.net Copyright.
Brooch: De la Tierra 1, 2015
Iron, polymer clay, plastic wrap, powder coating, soil from the artist garden.
5 x 5 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Pendant: De la Tierra, 2015
Iron, polymer clay, powder coating, thread, soil from the artist garden.
13 x 8 x 2 cm
Photo by: Paolo Gori
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Brooch: De la Tierra 6, 2016
Iron, galvanized steel, powder coating, soil from the artist garden.
8 x 7 x 3 cm
Photo by: Paolo Gori
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Pendant: Tierra I, 2013
Soil from San Isidro USA, soil from Tijuana Mexico., iron, polymer clay, plastic wrap, thread.
6 x 4 x 3.5 cm
Photo by: Paolo Gori
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Pendant: Tierra II, 2013
Soil from San Isidro USA, soil from Tijuana Mexico, iron, polymer clay, plastic wrap, thread.
8 x 8 x 5.5 cm
Photo by: Paolo Gori
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Pendant: Vetas 2, 2014
Iron, copper, plastic wrap, polymer clay, sand, reflecting beads.
Photo by: Paolo Gori
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Brooch: En la Ciudad de México, 2015
Iron, Image transfer in polymer clay of antique and modern maps of Mexico City, mica
11.5 x 9.5 x 0.5 cm
Photo by: Paolo Gori
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Pendant: En el Centro de la Ciudad de México, 2015
Iron, Image transfer in polymer clay of antique and modern maps of Mexico City, mica.
10 x 9.5 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Pendant: Acanthus Mollis 12, 2015
Iron, Image transfer in polymer clay, copper, powder coating, mica.
11.5 x 10 x 1.5 cm
Photo by: Paolo Gori
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Brooch: Acanthus Mollis 11, 2015
Iron, Image transfer in polymer clay.
9 x 8 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Pendant: Acanthus Mollis 10, 2014
Iron, Image transfer in polymer clay, 14 K gold, sterling silver.
10 x 10 x 1 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Acanthus Mollis 9, 2014
Iron, Image transfer in polymer clay
8 x 9.5 x 2.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Pendant: Acanthus Mollis 8, 2013
Iron, Image transfer in polymer clay, soil.
8 x 9.5 x 3 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Acanthus Mollis 7, 2013
Iron, Image transfer in polymer clay, enamel, copper.
6.3 x 8.5 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Lorena LazardPendant: Acanthus Mollis 5, 2012
Sterling silver, copper, shibuichi, 18kt bimetal gold, iron, image transfer in polymer clay, acrylic
11.5 x 11.5 x 0.5 cm
Photo by: Paolo Gori
On model
Back view
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Pendant: Acanthus Mollis 5, 2012
Sterling silver, copper, shibuichi, 18kt bimetal gold, iron, image transfer in polymer clay, acrylic
11.5 x 11.5 x 0.5 cm
Photo by: Paolo Gori
Back view
Back view
© By the author. Read Klimt02.net Copyright.
Pendant: Acanthus Mollis 5, 2012
Sterling silver, copper, shibuichi, 18kt bimetal gold, iron, image transfer in polymer clay, acrylic
11.5 x 11.5 x 0.5 cm
Photo by: Paolo Gori
Back view
© By the author. Read Klimt02.net Copyright.
Pendant: Acanthus Mollis 4, 2012
Sterling silver, copper, shibuichi, 18kt bimetal gold, iron, image transfer in polymer clay, acrylic
7.4 x 6.3 x 1.3 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Acanthus Mollis 3, 2012
Sterling silver, copper, shibuichi, 18kt bimetal gold, iron, image transfer in polymer clay, acrylic
6.7 x 7.7 x 0.8 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Brooch: Acanthus Mollis 2, 2012
Sterling silver, copper, 18kt bimetal gold, iron, image transfer in polymer clay, acrylic
6.8 x 6.8 x 2.7 cm
Photo by: Paolo Gori
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Brooch: Estudio Botánico 4, 2011
Sterling silver, Bimetal 22K gold, image transfer in polymer clay.
6.3 x 6.3 x 0.7 cm
Photo by: Paolo Gori
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Brooch: Estudio Botánico 3, 2011
Sterling, 22k Bimetal-Gold, Image Transfer in Polymer Clay
6.3 x 6.3 x 0.7 cm
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Brooch: Estudio Botánico 2, 2011
Sterling, 22k Bimetal-Gold, Image Transfer in Polymer Clay
6.4 x 6.4 x 0.8 cm
© By the author. Read Klimt02.net Copyright.
Brooch: Estudio Botánico 1, 2011
Sterling, 22k Bimetal-Gold, Image Transfer in Polymer Clay
7.8 x 5.5 x 1 cm
© By the author. Read Klimt02.net Copyright.
Brooch: Detalle, 2011
Iron, copper, image transfer in polymer clay.
8 x 6 x 1.5 cm
Photo by: Paolo Gori
© By the author. Read Klimt02.net Copyright.
Lorena Lazard is a Mexican artist. She studied contemporary jewelry in the USA and holds a Masters degree in sociology and a B.S. in Agronomy. Her work has been shown in Schmuck Munich, SOFA Chicago and Sieerad The Netherlands. As well as in various museums and galleries worldwide. Her work has been published in Metalsmith and Ornament magazine, and in several books including the 500 Lark books series. She has participated in various curatorial works including the latest in 2018 co-curating “La Frontera: Encounters Along the Border” at the MAD museum in NYC. She is the creator of the contemporary jewelry school “Atelier Lazard” and also teaches at the University CENTRO in Mexico City. Since 2017 she is part of the Connect Council of SNAG (Society of North America Goldsmith) representing Mexico.
Statement
I was born and raised in Mexico from the second generation of Jewish immigrants. I grew up surrounded by images and symbols which I couldn’t relate to. By combining traditional images and figurative elements from Mexican culture, in a contemporary form, I try to integrate a common ground between my past and my present.My work is an internal search from a religious and a secular sphere. Through my jewelry I question existence. I intend to do this by reflecting on the equilibrium of the opposites. The heart embraces the whole of existence, life and death, presence and absence, love and hate, good and evil, happiness and sadness, passion and despair, faith and disbelieve.
Acanthus Mollis
Through this body of work, I try to get closer to understand the infinite realities that existence is composed of. In doing so, I use one same image. I center my attention in the parts, shapes and lines that conform it. I segment the image to achieve details, each line, each shadow, each shape has significance both in an aesthetic and a conceptual sense, which intrigues and captivates me. Finally, each piece is a part of that reality.
Tierra
Through this body of work, I try to reflect on the path I must travel from chaos to order, in search for the equilibrium in my life.
Working with soil is an act full of symbolism and meaning. Soil stores memories, it gives me a sense of identity and belonging. It helps me understand who I am as an individual and as a member of a group, to which god I pray, what I think and feel, how I understand the world, where I come from, what I believe in and where I want to go.
Through soil, as a metaphor of the substance we human were created from, I try to understand the meaning of my existence.
Ausencia series (Absence)
I live in a country, Mexico, considered to be one of the riskiest countries in Latin America for women's safety, where 6 out of 10 women have faced a violent incident during their lifetime, and more than 40% have been victims of sexual assault.
A country, where it is increasingly common the use of the term femicide: murders committed against women, assassination motivated by misogyny and sexism.
Through these pieces, I want to reflect on the void that femicide leaves; an absence within each of us and within the whole society.
Absence, empty spaces that leave a print, a void in our souls. Negative spaces that are impossible to be filed; the reality that will never be able to be restored.
This absence is a reminder of the truth that can’t be erased and silenced. It reminds me of the loss of the present, the loss of all possibilities that could have been.
CV 
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