Klara Brynge
Published: 18.02.2020
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- klarabrynge
gmail.com
Necklace: Waves XI, 2018
Silver, linen thread.
12 x 14 cm
Photo by: Klara Brynge
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Necklace: Land V, 2018
Silver, nylon thread.
10 x 11.5 cm
Photo by: Klara Brynge
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Necklace: Twin, 2018
Silver, hemp thread.
15 x 12 cm
Photo by: Klara Brynge
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Necklace: Waves X, 2018
Silver, nylon thread.
7 x 8 cm
Photo by: Klara Brynge
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Necklace: Waves Grid, 2018
Silver, linen thread.
6.5 x 7 cm
Photo by: Klara Brynge
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Necklace: Waves, 2016
Silver, linen thread.
Photo by: Klara Brynge
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Necklace: At sea, 2017
Silver, cotton thread.
Photo by: Klara Brynge
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Brooch: Land, 2017
Silver.
Photo by: Klara Brynge
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Brooch: Waves III, 2018
Silver.
Photo by: Klara Brynge
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Necklace: Waves II, 2016
Silver, linnen, cord.
7 x 0.1 x 22 cm
Photo by: Klara Brynge
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Brooch: Untitled, 2012
Silver
9 x 6,5 cm
From project ALLA, curated by Hanna Hedman and Rut Malin Barklund.
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Neckpiece: Untitled, 2010
Silver, cotton
15 x 45 cm
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Brooch: Untitled, 2011
Silver, gold
6 x 4 cm
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Neckpiece: To Sea Yonder, 2009
Silver, cotton
15 x 40 cm
From project: To Sea Yonder
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Neckpiece: To Sea Yonder, 2009
Silver, cotton
7 x 40 cm
From project: To Sea Yonder
© By the author. Read Klimt02.net Copyright.
Neckpiece: To Sea Yonder, 2009
Silver, cotton
22 x 35 cm
From project: To Sea Yonder
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Neckpiece: To Sea Yonder, 2009
Silver, cotton
20 x 20 cm
From project: To Sea Yonder
© By the author. Read Klimt02.net Copyright.
Statement
The distant and the near has a meating point. An object can be small but appear large, as if you are very far away from it even though you hold it in your hand. You can also imagine looking into a vast little world. A horizon within.I use silversmithing as a method to explore the material. It can appear as both hard and raw, yet pliable, soft, organic and moving.
By using the hammer I make translations of the quick lines from drawings into thesilversheet to create surface and to give shape to physical qualities of the material. The pieces are wearable jewelry and also themselves as individual, sculptural objects.
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