Klara Brynge
Published: 19.11.2018
gmail.comNecklace: Waves, 2016
Silver, linen thread.
Photo by: Klara Brynge
© By the author. Read Klimt02.net Copyright.
Necklace: At sea, 2017
Silver, cotton thread.
Photo by: Klara Brynge
© By the author. Read Klimt02.net Copyright.
Brooch: Land, 2017
Silver.
Photo by: Klara Brynge
© By the author. Read Klimt02.net Copyright.
Brooch: Waves III, 2018
Silver.
Photo by: Klara Brynge
© By the author. Read Klimt02.net Copyright.
Necklace: Waves II, 2016
Silver, linnen, cord.
7 x 0.1 x 22 cm
Photo by: Klara Brynge
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Klara BryngeBrooch: Untitled, 2012
Silver
9 x 6,5 cm
From project ALLA, curated by Hanna Hedman and Rut Malin Barklund.
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Klara BryngeNeckpiece: Untitled, 2010
Silver, cotton
15 x 45 cm
© By the author. Read Klimt02.net Copyright.
Klara BryngeBrooch: Untitled, 2011
Silver, gold
6 x 4 cm
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Klara BryngeNeckpiece: To Sea Yonder, 2009
Silver, cotton
15 x 40 cm
From project: To Sea Yonder
© By the author. Read Klimt02.net Copyright.
Klara BryngeNeckpiece: To Sea Yonder, 2009
Silver, cotton
7 x 40 cm
From project: To Sea Yonder
© By the author. Read Klimt02.net Copyright.
Klara BryngeNeckpiece: To Sea Yonder, 2009
Silver, cotton
22 x 35 cm
From project: To Sea Yonder
© By the author. Read Klimt02.net Copyright.
Klara BryngeNeckpiece: To Sea Yonder, 2009
Silver, cotton
20 x 20 cm
From project: To Sea Yonder
© By the author. Read Klimt02.net Copyright.
Statement
The distant and the near has a meating point. An object can be small but appear large, as if you are very far away from it even though you hold it in your hand. You can also imagine looking into a vast little world. A horizon within.I use silversmithing as a method to explore the material. It can appear as both hard and raw, yet pliable, soft, organic and moving.
By using the hammer I make translations of the quick lines from drawings into thesilversheet to create surface and to give shape to physical qualities of the material. The pieces are wearable jewelry and also themselves as individual, sculptural objects.
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