Mari Ishikawa : Jewellery & Photography, Where does the parallel world exist?
Published: 17.12.2015
- Text by:
- Monika Fahn, Otto Künzli, Jorunn Veiteberg, Gabriella Zaharias-Doff
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2016
- Technical data:
- 144 page, Colour, ca.150 Jewellery images, ca.30 Photos, 17 x 25 cm, Englisch, Capitalband, Colour
- ISBN / ISSN:
- 978-3-89790-462-0
- Price:
- from 29.80 €
- Order:
- Arnoldsche Art Publishers
The present publication includes jewellery and photographs from the artist spanning the period from 1999 until today. This work shows clearly that beauty surrounds us in the seemingly banal. It invites us to accept the invitation and look more closely on our next walk outdoors, because only then, will we become aware of the natural beauty and richness of our environment.
The jewellery of Ishikawa is mysterious and transports us to another world.
She uses plants are as symbols of the constant renewal of life and transforms them from the ephemeral into the permanent.
Mari Ishikawa uses silver casts from nature as a basis for her jewellery. With this technique she is able to emulate the textures of lichens, leaves and flowers and combined with other materials, which have their own history, she creates a new and completely different world-the parallel world.
When viewing her moonlight or black and white photographs of nature, one can see a poetic connection with her jewellery. There images stir up stories and memories, requiring us to take pause and consider our natural environment.
She uses plants are as symbols of the constant renewal of life and transforms them from the ephemeral into the permanent.
Mari Ishikawa uses silver casts from nature as a basis for her jewellery. With this technique she is able to emulate the textures of lichens, leaves and flowers and combined with other materials, which have their own history, she creates a new and completely different world-the parallel world.
When viewing her moonlight or black and white photographs of nature, one can see a poetic connection with her jewellery. There images stir up stories and memories, requiring us to take pause and consider our natural environment.
- Text by:
- Monika Fahn, Otto Künzli, Jorunn Veiteberg, Gabriella Zaharias-Doff
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2016
- Technical data:
- 144 page, Colour, ca.150 Jewellery images, ca.30 Photos, 17 x 25 cm, Englisch, Capitalband, Colour
- ISBN / ISSN:
- 978-3-89790-462-0
- Price:
- from 29.80 €
- Order:
- Arnoldsche Art Publishers
-
Joaquim Capdevila. New jewellery in Barcelona
-
Sonja Duò-Meyer. Ceramics
-
Gioielli in Fermento Master Collection
-
Daniel Kruger: On Camp Ceramics and Other Diversions. Ceramic 1984-2005
-
Preziosa 2009. Cutting the mirror. An aesthetic lexicon
-
Preziosa 2013. Un Certain Regard
-
Preziosa 2007-08. Timetales, Jewellery as a representation of reflections on Time
-
Preziosa 2005. A new concept of preciousness. Material, source of creative inspiration
-
Findings by Manon Van Kouswijk
-
Schmuck als urbaner Prozess. Artistic Interventions in Urban Space. Documentation of a Research Project
-
Hibernate, Helena Lehtinen, Eija Mustonen and Tarja Tuupanen
-
On Collecting. Documents on Contemporary Crafts No. 4
-
Tone Vigeland. Jewellery, Objects, Sculpture
-
David Bielander. Twenty Years. 2016-1996
-
Doris Betz, Jewellery and Drawing
