Cristina Celis
Jeweller
Published: 14.01.2021
hotmail.comNeckpiece: In My Viens, 2020
Pigmented glazed stoneware, rubber cord, brass magnetic clasp.
8 x 6 x 3 cm
From series: Tincal Challenge. Jewellery and Anatomy
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Neckpiece: Linear, 2020
Pigmented stoneware, industrial steel chain.
13 x 5 x 5 cm
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Neckpiece: Knotted, 2020
Pigmented glazed stoneware, industrial steel chain, gilded sterling clasp.
13 x 5 x 6 cm
From series: Brazil Jewellery Week
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Neckpiece: Effervescence, 2019
Pigmented glazed stoneware, gold foil, rubber string.
20 x 8 x 55 cm
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Neckpiece: Effervescence, 2019
Pigmented glazed stoneware, gold foil, rubber string.
20 x 8 x 55 cm
On body.
© By the author. Read Klimt02.net Copyright.
Neckpiece: Connect, 2019
Pigmented stoneware, industrial steel chain, gilded sterling clasp.
14 x 9 x 7 cm
From series: Growth and Evolution
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Neckpiece: Semi and Circle, 2019
Pigmented stoneware, industrial brass chain.
8 x 8 x 50 cm
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Neckpiece: Communicating Vessels, 2019
Pigmented glazed stoneware, oxidized sterling chain.
13 x 3 x 50 cm
© By the author. Read Klimt02.net Copyright.
Neckpiece: Communicating Vessels, 2019
Pigmented glazed stoneware, oxidized sterling chain.
13 x 3 x 50 cm
On body.
© By the author. Read Klimt02.net Copyright.
Brooch: Afloat, 2019
Pigmented glazed stoneware, sterling pin back.
8 x 8 x 4 cm
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Hand Piece: Time Game, 2017
Glazed and pigmented porcelain, sterling ring, sand.
8 x 5 x 5 cm
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Hand Piece: Time Game, 2017
Glazed and pigmented porcelain, sterling ring, sand.
8 x 5 x 5 cm
On body.
© By the author. Read Klimt02.net Copyright.
Neckpiece: Mi Tierra, 2017
Glazed local clay, oxidized silver chain.
6 x 4 x 2 cm
From series: La Frontera
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Neckpiece: Dactilar, 2017
Modeled high-temperature porcelain, 24k gold leaf, silver.
3 x 2.5 x 1 cm
Photo by: Fransisco Velázquez
From series: La Frontera
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Neckpiece: Dactilar, 2017
Modeled high-temperature porcelain, 24k gold leaf, silver.
3 x 2.5 x 1 cm
Photo by: Fransisco Velázquez
From series: La Frontera
Detail view.
© By the author. Read Klimt02.net Copyright.
Born in Mexico, Celis graduated in Industrial Design from the Universidad Iberoamericana and the Royal College of Art in London. The artist has been part of the teaching community at the Anahuac University, the Autonomous Metropolitan University, the Tecnológico de Monterrey, and Taller Tierra y Plata. Her work has been exhibited in various museums and galleries in Mexico, United States, Belgium, France, Spain, China, Brazil, Latonia, Portugal, and Argentina. She is a founding member of the Contemporary Jewelry collective "Sin Título", focused on the promotion of Contemporary Jewelry in Mexico.
Statement
In my work, the power of the handmade and its unlimited possibility for experimentation becomes something relevant and extremely important. Clay is the perfect material for this. My thought, through touch, is immortalized by fire.I believe the act of creation touches the core of our being and speaks to us directly and personally. The process from fragments and memories in our mind, to our fingers and straight to the person who for the first time sees it complete, listens to it, touches it, and finally holds the link of our collective soul by wearing it.
CV 
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