Sint Lucas Antwerpen
School
/
MunichJewelleryWeek2023
Published: 14.10.2024
- Website Sint Lucas Antwerpen
- Website Jewellery Department
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- Mail:
- ludovik.colpaertkdg.be
- Management:
- Ludovik Colpaert
The Jewelry Design & Goldsmithing department of Sint Lucas Antwerpen approaches jewelry from the perspective of the relation between the individual and the object. Jewels are not only worn for their decorative qualities but also express how people give shape to their lives. A jewel can function as a social sign, as an expression of human vanity, as a repository of personal memories, or as an artistic means for the maker.
The department pays close attention to jewelry’s underlying purposes and explores its characteristics. By explicitly relating the discipline to social sciences like sociology, theology, material anthropology, or ‘design cultures’, students learn how to establish connections between jewelry and current trends in science, economics, culture, and society.
A complex and fast-changing world needs people that can handle creative processes. To be able to meet this complexity, it is necessary to be independent, to formulate your own positions, and to remain true to yourself. The department is aware of this reality and that is why it focuses primarily on the development of the students’ identity. We not only impart an attitude of responsibility and an investigative mindset to students, but we also teach them to trust their instincts.
For students to be able to respond appropriately to the issues of our times, the department will confront them with the various facets of the discipline in its entirety. The curriculum is intentionally thematic: a team of permanent lecturers determines the content and organization of the curriculum. Several guest lecturers are also involved in each project, whether practitioners or theorists. Through discussion and dialogue, these lecturers stimulate the students’ learning process; they teach them how to connect theory and practice, whereby students literally ‘grasp’ the theory hands-on.
Each project starts out from a specific context. That can be a target group or a social phenomenon, a collaboration with companies or interaction with other disciplines, or it can proceed from the functional or inherent aspects of jewels. Knowledge of jewelry archetypes such as the locket or the wedding band is highly valued. Students learn to respond to these jewelry archetypes in a contemporary way.
Acquiring new techniques and handling different materials are also part of the project. Technique and material are indissolubly linked to image and content. In this way students also explore technical aspects from the perspective of content and learn how to generate ideas and how to realize them in a short time.
Students carefully document important stages in the work process by making use of various media such as photography and film. The presentation and documentation of works are developed at length in the conclusion of the project.
Thanks to this thematic methodology, students very naturally link their own design process to different work methods and research strategies. It ultimately involves a ‘total experience’ composed of both reflection and intuition. The training imparts different frameworks, but the student is free to choose. An academic training implies that students find their own criteria and can work independently. This helps develop an open attitude thanks to which graduates can work with others and find their own way in the world.
A complex and fast-changing world needs people that can handle creative processes. To be able to meet this complexity, it is necessary to be independent, to formulate your own positions, and to remain true to yourself. The department is aware of this reality and that is why it focuses primarily on the development of the students’ identity. We not only impart an attitude of responsibility and an investigative mindset to students, but we also teach them to trust their instincts.
For students to be able to respond appropriately to the issues of our times, the department will confront them with the various facets of the discipline in its entirety. The curriculum is intentionally thematic: a team of permanent lecturers determines the content and organization of the curriculum. Several guest lecturers are also involved in each project, whether practitioners or theorists. Through discussion and dialogue, these lecturers stimulate the students’ learning process; they teach them how to connect theory and practice, whereby students literally ‘grasp’ the theory hands-on.
Each project starts out from a specific context. That can be a target group or a social phenomenon, a collaboration with companies or interaction with other disciplines, or it can proceed from the functional or inherent aspects of jewels. Knowledge of jewelry archetypes such as the locket or the wedding band is highly valued. Students learn to respond to these jewelry archetypes in a contemporary way.
Acquiring new techniques and handling different materials are also part of the project. Technique and material are indissolubly linked to image and content. In this way students also explore technical aspects from the perspective of content and learn how to generate ideas and how to realize them in a short time.
Students carefully document important stages in the work process by making use of various media such as photography and film. The presentation and documentation of works are developed at length in the conclusion of the project.
Thanks to this thematic methodology, students very naturally link their own design process to different work methods and research strategies. It ultimately involves a ‘total experience’ composed of both reflection and intuition. The training imparts different frameworks, but the student is free to choose. An academic training implies that students find their own criteria and can work independently. This helps develop an open attitude thanks to which graduates can work with others and find their own way in the world.
Elise Hoebeke
Bracelet: Bracelet en brique, 2022
Brick
7.2 x 7.2 x 1.5 cm
From series: Transmutation d’une brique
© By the author. Read Klimt02.net Copyright.
Estimated price: 140 €
Bracelet: Bracelet en brique, 2022
Brick
7.2 x 7.2 x 1.5 cm
From series: Transmutation d’une brique
© By the author. Read Klimt02.net Copyright.
Estimated price: 140 €
Elise Hoebeke
Object: Première phase, 2022
Brick
18 x 8.5 x 5 cm
From series: Transmutation d’une brique
© By the author. Read Klimt02.net Copyright.
Estimated price: 125 €
Object: Première phase, 2022
Brick
18 x 8.5 x 5 cm
From series: Transmutation d’une brique
© By the author. Read Klimt02.net Copyright.
Estimated price: 125 €
Elise Hoebeke
Object: Quatrième Phase Précieuse, 2022
Red gemstone
18 x 8.5 x 5 cm
From series: Transmutation d’une brique
© By the author. Read Klimt02.net Copyright.
Estimated price: 220 €
Object: Quatrième Phase Précieuse, 2022
Red gemstone
18 x 8.5 x 5 cm
From series: Transmutation d’une brique
© By the author. Read Klimt02.net Copyright.
Estimated price: 220 €
Kaouter Zair
Print: For in them you shall see…, 2022
Paper
29.7 x 42 cm
Photo by: Sarah-Dona Manev
From series: The history of why: A love letter to the unlucky opal
© By the author. Read Klimt02.net Copyright.
Print: For in them you shall see…, 2022
Paper
29.7 x 42 cm
Photo by: Sarah-Dona Manev
From series: The history of why: A love letter to the unlucky opal
© By the author. Read Klimt02.net Copyright.
Kaouter Zair
Ring: POV, 2022
Silver rings, inkjet on transparent paper
Variable dimensions
Photo by: Sarah-Dona Manev
From series: The history of why: A love letter to the unlucky opal
© By the author. Read Klimt02.net Copyright.
Ring: POV, 2022
Silver rings, inkjet on transparent paper
Variable dimensions
Photo by: Sarah-Dona Manev
From series: The history of why: A love letter to the unlucky opal
© By the author. Read Klimt02.net Copyright.
Kaouter Zair
Piece: Glittering together, 2022
Cabochon cut opal, Emerald cut opal
0.7 x 0.3 cm
Photo by: Kaouter Zair
From series: The history of why: A love letter to the unlucky opal
© By the author. Read Klimt02.net Copyright.
Piece: Glittering together, 2022
Cabochon cut opal, Emerald cut opal
0.7 x 0.3 cm
Photo by: Kaouter Zair
From series: The history of why: A love letter to the unlucky opal
© By the author. Read Klimt02.net Copyright.
Cleo Van Woensel
Piece: 250m Of Curb Chain – Skirt and Shirt, 2018
Silver-plated link chain, textile.
Skirt: 60 x 45 x 1 cm, Shirt: 65 x 85 x 1 cm
Photo by: Sam De Herdt
From series: 250m Of Curb Chain
© By the author. Read Klimt02.net Copyright.
Piece: 250m Of Curb Chain – Skirt and Shirt, 2018
Silver-plated link chain, textile.
Skirt: 60 x 45 x 1 cm, Shirt: 65 x 85 x 1 cm
Photo by: Sam De Herdt
From series: 250m Of Curb Chain
2018 MA Graduate.
© By the author. Read Klimt02.net Copyright.
Cleo Van Woensel
Piece: 250m Of Curb Chain - Jacket, 2018
Silver-plated link chain, textile.
70 x 90 x 1 cm
Photo by: Sam De Herdt
From series: 250m Of Curb Chain
© By the author. Read Klimt02.net Copyright.
Piece: 250m Of Curb Chain - Jacket, 2018
Silver-plated link chain, textile.
70 x 90 x 1 cm
Photo by: Sam De Herdt
From series: 250m Of Curb Chain
Detail view
2018 MA Graduate.
© By the author. Read Klimt02.net Copyright.
Larissa Cluzet
Object: A reliable object - the stamp, 2018
Brass
8 x 1 x 1 cm
Photo by: Manu De Caluwe
© By the author. Read Klimt02.net Copyright.
Estimated price: 280 €
Object: A reliable object - the stamp, 2018
Brass
8 x 1 x 1 cm
Photo by: Manu De Caluwe
2018 MA Graduate.
© By the author. Read Klimt02.net Copyright.
Estimated price: 280 €
Larissa Cluzet
Object: A reliable object - the metric seed, 2018
Carob seed, gemstone box, carob wood.
5.2 x 5/2 x 6 cm
Photo by: Manu De Caluwe
© By the author. Read Klimt02.net Copyright.
Estimated price: 260 €
Object: A reliable object - the metric seed, 2018
Carob seed, gemstone box, carob wood.
5.2 x 5/2 x 6 cm
Photo by: Manu De Caluwe
2018 MA Graduate.
© By the author. Read Klimt02.net Copyright.
Estimated price: 260 €
Liesbet Bussche
Installation: Seeking Shimmer: the Antwerp Diamond District, 2016
Adhesive letters, paper, photoprint.
84.1 x 59.4 cm
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Installation: Seeking Shimmer: the Antwerp Diamond District, 2016
Adhesive letters, paper, photoprint.
84.1 x 59.4 cm
© By the author. Read Klimt02.net Copyright.
Liesbet Bussche
Installation: Blueprint of an Entire Jewellery Collection in 11 pieces, 2016
Paper, blueprint
84.1 x 59.4 cm
© By the author. Read Klimt02.net Copyright.
Installation: Blueprint of an Entire Jewellery Collection in 11 pieces, 2016
Paper, blueprint
84.1 x 59.4 cm
© By the author. Read Klimt02.net Copyright.
Fan Wang
Bracelet: Return, 2016
Wood, lasercut, brass.
20 x 10 x 5 cm
Photo by: Fan Wang
© By the author. Read Klimt02.net Copyright.
Bracelet: Return, 2016
Wood, lasercut, brass.
20 x 10 x 5 cm
Photo by: Fan Wang
© By the author. Read Klimt02.net Copyright.
Fan Wang
Necklace: Return, 2016
Wood, lasercut.
50 x 25 x 20 cm
Photo by: Fan Wang
© By the author. Read Klimt02.net Copyright.
Necklace: Return, 2016
Wood, lasercut.
50 x 25 x 20 cm
Photo by: Fan Wang
© By the author. Read Klimt02.net Copyright.
Sangji Yun
Body piece: Shi-gan, 2016
Paper
22 x 9 x 4 cm
From series: The passage of time
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Body piece: Shi-gan, 2016
Paper
22 x 9 x 4 cm
From series: The passage of time
© By the author. Read Klimt02.net Copyright.
Sangji Yun
Body piece: Shi-gan, 2016
Paper
22 x 9 x 4 cm
From series: The passage of time
© By the author. Read Klimt02.net Copyright.
Body piece: Shi-gan, 2016
Paper
22 x 9 x 4 cm
From series: The passage of time
© By the author. Read Klimt02.net Copyright.
Lynn Hofmann
Body piece: VUCA, 2016
Copper, suction cups.
45 x 15 x 2 cm
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Body piece: VUCA, 2016
Copper, suction cups.
45 x 15 x 2 cm
© By the author. Read Klimt02.net Copyright.
Lynn Hofmann
Head piece: VUCA, 2016
Plastics.
20 x 15 x 13 cm
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Head piece: VUCA, 2016
Plastics.
20 x 15 x 13 cm
© By the author. Read Klimt02.net Copyright.
Eline Willemarck
Object: As we ever see but do not observe, 2014
Latex
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Object: As we ever see but do not observe, 2014
Latex
© By the author. Read Klimt02.net Copyright.
Eline Willemarck
Print: As we ever see but do not observe, 2014
Paper
© By the author. Read Klimt02.net Copyright.
Print: As we ever see but do not observe, 2014
Paper
© By the author. Read Klimt02.net Copyright.
Eline Willemarck
Master graduation show 2014
Photograph by: Roger Laute
Master graduation show 2014
Photograph by: Roger Laute
© By the author. Read Klimt02.net Copyright.
Charlotte Van de Velde
Bracelet: Nine bracelets, 2013
Various clasps
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Bracelet: Nine bracelets, 2013
Various clasps
© By the author. Read Klimt02.net Copyright.
Charlotte Van de Velde
Master graduation show 2014
Photograph by: Roger Laute
Master graduation show 2014
Photograph by: Roger Laute
© By the author. Read Klimt02.net Copyright.
Saskia Van der Gucht
Object: All My Homes. Muggenberglei, 2014
Concrete
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Object: All My Homes. Muggenberglei, 2014
Concrete
© By the author. Read Klimt02.net Copyright.
Saskia Van der Gucht
Master graduation show 2014
Photograph by: Roger Laute
Master graduation show 2014
Photograph by: Roger Laute
© By the author. Read Klimt02.net Copyright.
Saskia Van der Gucht
Object: Study, 2013
Brick, jewellery packaging
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Object: Study, 2013
Brick, jewellery packaging
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Charlotte Van de Velde
Print: True fakes print, 2014
Printed paper
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Print: True fakes print, 2014
Printed paper
© By the author. Read Klimt02.net Copyright.
Octave Van de Weghe
Master graduation show 2014
Photograph by: Roger Laute
Master graduation show 2014
Photograph by: Roger Laute
© By the author. Read Klimt02.net Copyright.
Sandra Buyck
Piece: Reflection of the inner soul Facetted fox, 2014
Photographic print on aluminum
Mask
© By the author. Read Klimt02.net Copyright.
Piece: Reflection of the inner soul Facetted fox, 2014
Photographic print on aluminum
Mask
© By the author. Read Klimt02.net Copyright.
Sandra Buyck
Piece: Reflection of the inner soul Blurred nightlife, 2014
Photographic print on aluminum
Mask
© By the author. Read Klimt02.net Copyright.
Piece: Reflection of the inner soul Blurred nightlife, 2014
Photographic print on aluminum
Mask
© By the author. Read Klimt02.net Copyright.
Sandra Buyck
Piece: Reflection of the inner soul Iris, 2014
Photographic print on aluminum
Mask
© By the author. Read Klimt02.net Copyright.
Piece: Reflection of the inner soul Iris, 2014
Photographic print on aluminum
Mask
© By the author. Read Klimt02.net Copyright.
Sandra Buyck
Master graduation show 2014
Photograph by: Roger Laute
Master graduation show 2014
Photograph by: Roger Laute
© By the author. Read Klimt02.net Copyright.
Charlotte Van de Velde
Photograph: Collecting, 2013
Print
© By the author. Read Klimt02.net Copyright.
Photograph: Collecting, 2013
© By the author. Read Klimt02.net Copyright.
Robin Dehous
Piece: Medallion, 2013
Box with hidden gems
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Piece: Medallion, 2013
Box with hidden gems
© By the author. Read Klimt02.net Copyright.
Charlotte Van de Velde
Necklace: Collecting, 2013
Diverse materials
© By the author. Read Klimt02.net Copyright.
Necklace: Collecting, 2013
Diverse materials
© By the author. Read Klimt02.net Copyright.
- Website Sint Lucas Antwerpen
- Website Jewellery Department
- Facebook Sint Lucas Antwerpen
- Instagram Sint Lucas Antwerpen
- Vimeo Sint Lucas Antwerpen
- Facebook Videos Sint Lucas Antwerpen
- Research Sint Lucas Antwerpen
- Mail:
- ludovik.colpaertkdg.be
- Management:
- Ludovik Colpaert
-
EASD València
Valencia, Spain -
State University of New York at New Paltz
New Paltz, United States -
Hochschule Trier
Idar Oberstein, Germany -
Cranbrook Academy of Art
Bloomfield Hills, United States -
China Academy of Art
Hangzhou, China -
West Dean College
Chichester, United Kingdom -
IED Istituto Europeo di Design
Milan, Italy -
The Goldsmiths’ Centre
London, United Kingdom -
Design Werkstatt
Freiburg, Germany -
School of Jewellery. Birmingham City University
Birmingham, United Kingdom -
LAB University of Applied Sciences
Lappeenranta, Finland -
Le Arti Orafe
Florence, Italy -
PXL-MAD School of Arts
Hasselt, Belgium -
Central Saint Martins, BA (Hons) Jewellery Design
London, United Kingdom -
Pocosin Arts School of Fine Craft
Columbia, United States