Universiteit Stellenbosch University
School
Published: 16.10.2024
- Mail:
- ct
sun.ac.za - joanisun.ac.za
- mariambibisun.ac.za
- Management:
- Carine Terreblanche, Joani Groenewald, Mariambibi Khan
The Creative Jewellery and Metal Design Division of the Visual Arts Department provides students with a comprehensive education in jewellery design and manufacture. Our approach to teaching is centred around combining theory with practical and technical training, allowing students to gain a well-rounded understanding of the field.
Vision: School Video
The Creative Jewellery and Metal Design Division (JDD) form part of the Visual Arts Department (VAD) at the University of Stellenbosch has been a leader in the field of jewellery design and manufacture for 55 years. As South Africa's oldest tertiary facility dedicated to this discipline, the JDD has a long-standing tradition of fostering critical thinking and skill development among students. Our vibrant, interdisciplinary environment encourages exchange of ideas and cross-fertilization between different art forms, disciplines, departments, and faculties on campus.
Our curriculum is designed to cultivate both creative thinking and technical mastery in jewellery design. We believe that jewellery has the power to communicate and represent various aspects of identity, culture, politics, and more, and our students are taught to explore and harness these potentials in their own designs. Utilizing a broad range of approaches, concepts, and media, each student has the opportunity to develop their own unique voice and style in the field.
At the JDD, we are passionate about educating jewellery design as a critical discipline that allows students to reflect on the world around them and translate their ideas into wearable works of art. Whether students are interested in making a statement, critiquing society, or simply exploring their own artistic vision, the JDD provides a supportive and enriching environment for them to do so.
Our approach:
Our curriculum is designed to encompass both the visual conceptual design component and the technical execution of jewellery. We strongly emphasize critical thinking and the development of unique and innovative design ideas. Our course consists of both traditional and emerging technologies, and we encourage students to explore and incorporate these technologies into their own work. In addition, we believe that it is important for students to understand the socio-cultural implications of their work, and to gain a deep understanding of historical and contemporary developments in jewellery design and technique. We foster a learning environment that nurtures individual design interests, sensitivities, and skills, and encourages students to think critically about their discipline.
Our graduates are equipped with the knowledge, skills, and critical thinking abilities necessary to establish and promote unique South African jewellery design traditions, and to make their mark on the world of jewellery design. With a solid foundation in design principles and visual language and mastery of various techniques, our students are empowered to push the boundaries of their creativity and to create works of wearable art that communicate and stimulate thought.
The Department is committed to fostering a multidisciplinary approach to contemporary art and design. As part of the course, students are expected to conceptualize ideas, master two- and three-dimensional design processes, and become fluent in various design methods, including drawing and three-dimensional model-making. Innovative, experimental thinking and originality of design are paramount.
Teachers:
Carine Terreblanche, Coordinator of the Creative Jewellery and Metal Design Division.
Joani Groenewald, Lecturer in Creative Jewellery and Metal Design Division.
Mariambibi Khan, Lecturer in Creative Jewellery and Metal Design Division.
Selection of national and international visiting artists and lecturers:
Estela Saez Vilanova (Netherlands), Johanna Dahm (Switzerland), Lauren Kalman (USA), Daniel Kruger (Germany), Karin Seufert (Germany), Geraldine Fenn (South Africa).
Contact:
Carine Terreblanche - ct@sun.ac.za
Joani Groenewald - joani@sun.ac.za
Mariambibi Khan - mariambibi@sun.ac.za
The Creative Jewellery and Metal Design Division (JDD) form part of the Visual Arts Department (VAD) at the University of Stellenbosch has been a leader in the field of jewellery design and manufacture for 55 years. As South Africa's oldest tertiary facility dedicated to this discipline, the JDD has a long-standing tradition of fostering critical thinking and skill development among students. Our vibrant, interdisciplinary environment encourages exchange of ideas and cross-fertilization between different art forms, disciplines, departments, and faculties on campus.
Our curriculum is designed to cultivate both creative thinking and technical mastery in jewellery design. We believe that jewellery has the power to communicate and represent various aspects of identity, culture, politics, and more, and our students are taught to explore and harness these potentials in their own designs. Utilizing a broad range of approaches, concepts, and media, each student has the opportunity to develop their own unique voice and style in the field.
At the JDD, we are passionate about educating jewellery design as a critical discipline that allows students to reflect on the world around them and translate their ideas into wearable works of art. Whether students are interested in making a statement, critiquing society, or simply exploring their own artistic vision, the JDD provides a supportive and enriching environment for them to do so.
Our approach:
Our curriculum is designed to encompass both the visual conceptual design component and the technical execution of jewellery. We strongly emphasize critical thinking and the development of unique and innovative design ideas. Our course consists of both traditional and emerging technologies, and we encourage students to explore and incorporate these technologies into their own work. In addition, we believe that it is important for students to understand the socio-cultural implications of their work, and to gain a deep understanding of historical and contemporary developments in jewellery design and technique. We foster a learning environment that nurtures individual design interests, sensitivities, and skills, and encourages students to think critically about their discipline.
Our graduates are equipped with the knowledge, skills, and critical thinking abilities necessary to establish and promote unique South African jewellery design traditions, and to make their mark on the world of jewellery design. With a solid foundation in design principles and visual language and mastery of various techniques, our students are empowered to push the boundaries of their creativity and to create works of wearable art that communicate and stimulate thought.
The Department is committed to fostering a multidisciplinary approach to contemporary art and design. As part of the course, students are expected to conceptualize ideas, master two- and three-dimensional design processes, and become fluent in various design methods, including drawing and three-dimensional model-making. Innovative, experimental thinking and originality of design are paramount.
Teachers:
Carine Terreblanche, Coordinator of the Creative Jewellery and Metal Design Division.
Joani Groenewald, Lecturer in Creative Jewellery and Metal Design Division.
Mariambibi Khan, Lecturer in Creative Jewellery and Metal Design Division.
Selection of national and international visiting artists and lecturers:
Estela Saez Vilanova (Netherlands), Johanna Dahm (Switzerland), Lauren Kalman (USA), Daniel Kruger (Germany), Karin Seufert (Germany), Geraldine Fenn (South Africa).
Contact:
Carine Terreblanche - ct@sun.ac.za
Joani Groenewald - joani@sun.ac.za
Mariambibi Khan - mariambibi@sun.ac.za
Courses
BA Visual Arts (Creative Jewellery and Metal Design)
15Jan2025 - 15Dec2028DEADLINE: 31/Jul/2024
Application
Tags: Design , CriticalThinking , Technics
Management person: Carine Terreblanche
Applications close on the following dates:
- 31 July 2024: Applications for getting into the University.
- 2 September 2024: Applications to get into the Visual Arts Department with a portfolio for the undergraduate programme.
Please note that no late applications will be considered.
Detail on the course structure:
The Visual Arts Department at Stellenbosch University offers a comprehensive education for aspiring jewellery designers and metal artists. The 4-year BA in Creative Jewellery and Metal Design program emphasizes both the conceptual and technical aspects of jewellery design, preparing students to be well-rounded and versatile in their craft.
Undergraduate studies
The first-year course curriculum has been carefully crafted to introduce students to the diverse range of study streams offered by the department, with the aim of promoting an interdisciplinary way of thinking about their artistic practice. This foundational knowledge will serve students well not only throughout their degree but also as they progress in their careers beyond graduation.
The curriculum covers a wide range of subjects, including jewellery design, production techniques, metal techniques, drawing, computer-aided design (CAD), photography, visual studies, and gemology. This broad range of subjects ensures that students have a solid understanding of both traditional and modern techniques and are equipped to adapt to the latest technological advancements in the field.
The faculty of dedicated lecturers and visiting designers and critics bring a wealth of experience and diverse perspectives to the program. This fosters a dynamic and engaging learning environment where students are challenged to think critically and reflect on their own work. This exposure to diverse perspectives also provides students with a global perspective, enabling them to develop a unique and original voice in their work.
At the core of the program is the pursuit of creating jewellery with content and meaning. The program emphasizes the importance of understanding the historical, sociocultural, and contextual influences that give shape and power to jewellery today. This understanding, combined with technical skills and design training, allows students to create meaningful and impactful jewellery that tells a story and resonates with audiences.
Overall, the BA in Creative Jewellery and Metal Design at Stellenbosch University is a comprehensive program that prepares students for a successful career in the jewellery, metal and the art industry.
Final-year students are expected to submit a self-motivated, independent and visually and conceptually coherent body of work for their final practical examination.
Requirements for application for admission to the programme BA Visual Arts 2025
Study Level: Undergraduate
Study Mode: Full-time
Course Length: 4 years full-time
Tuition fees: For a personalized quote, please follow this link.
Teacher: Carine Terreblanche , Joani Groenewald , Mariambibi Khan
MA Visual Arts
01Mar2025 - 26Mar2026DEADLINE: 30/Nov/2024
Application
Tags: Design , CriticalThinking , Technics
Management person: Ledelle Moe
The Department of Visual Arts at Stellenbosch University offers a master in visual arts (MAVA) and a master in visual studies (MAVS). These programmes offer an opportunity for specialised postgraduate research in studio production and theory within the broader areas of visual communication design, illustration, jewellery design, and fine art.
The programme promotes the development of the student’s particular interests, skills, and ideas, and students are expected to conduct independent practical and theoretical research of an advanced and in-depth (postgraduate) standard which reflects a critical awareness of a contemporary South African context.
The MA in Visual Arts programme encourages research that is practice-based in its methodology, thus research wherein the relationship between practice and theory is dialogical and interrelated, not only in the research process but also in the final presentation of the research project
Get in touch: The Course Leader would be happy to discuss any questions you have about the course. For further information, or to book an appointment, please email: ledelle@sun.ac.za
Study Level: Postgraduate.
Study Mode: Full time. Course Length: 1-year full time.
Tuition fees: MA: For a personalised quote, please follow the link.
Teacher: Carine Terreblanche , Joani Groenewald
Events 
Lindie CrousNecklace: Ascot Openin’ Day, 2023
Resin, nylon cord, silver
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Estimated price: 180 €
Chelsea GeversNecklace: Orange Picking, 2023
Resin, cotton cord, silver plant material
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Estimated price: 180 €
Carla KriegNecklace: Never Odd Nor Even., 2023
Resin, Oxidized Silver & Cotton Cord
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Estimated price: 180 €
Amy NoyceNecklace: Kogelbaai, 2023
Resin, cotton cord, silver plant material
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Estimated price: 180 €
Anya RobinsonNecklace: Transparent Exposure, 2023
Silver, polymer clay, resin, cotton cord
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Estimated price: 150 €
Necklace: Lichen whispers, 2023
Resin, leather cord, silver plant material
190
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Brooch: Untitled, 2020
Silver, UV pigment, clay.
14 x 6 x 25 cm
Photo by: Joani Groenewald
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Necklace: Ode to my piano, 2020
Wood, leather cord, silver, cubic zirconia.
5 x 3 x 9 cm
Photo by: Joani Groenewald
From series: Wearable objects
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Earrings: Song in G-Major, 2020
Silver, cotton thread, silicone.
4 x 0.3 x 7 cm
Photo by: Joani Groenewald
From series: Visualizing the Auditory
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Necklace: Phloem, 2020
Citrine, polymer clay, plant material, silk cord.
1.8 x 5 x 6 cm
Photo by: Joani Groenewald
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Necklace: Symbiosis, 2020
Cubic zirconia, silver, plant material, silk cord.
5 x 6 x 60 cm
Photo by: Joani Groenewald
From series: Interconnected
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Necklace: Untitled, 2020
Silver, 3D printed plastic.
90 x 6 x 6 cm
Photo by: Joani Groenewald
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Necklace: Untitled, 2020
Wood, leather cord, silver, cubic zirconia.
6 x 4.5 x 2.5 cm
Photo by: Joani Groenewald
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Brooch: Untitled, 2020
Resin, silver, silk cord.
6 x 6 x 3 cm
Photo by: Joani Groenewald
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Necklace: Untitled, 2020
Resin, silver, silk cord, leather cord.
90 x 6 x 6 cm
Photo by: Joani Groenewald
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Brooch: Untitled, 2020
Enamel, bone, silver, resin, cubic zirconium.
6 x 6 x 2 cm
Photo by: Joani Groenewald
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Brooch: Untitled, 2020
Ceramic, plant material, silver, resin, cubic zirconium.
6 x 6 x 2 cm
Photo by: Joani Groenewald
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Neckpiece: Replaced with silicone, 2020
Silicone, silver, cubic zirconium, garnet beads, rutilated quartz.
85 x 6 x 6 cm
Photo by: Joani Groenewald
From series: Abjectifying the Female
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Brooch: Untitled, 2020
Glass, plant material, wood, silver, resin.
6 x 6 x 2 cm
Photo by: Joani Groenewald
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Brooch: Untitled, 2020
Ceramic, wood, silver, resin.
1.5 x 6 x 70 cm
Photo by: Joani Groenewald
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Brooch: Progression (top), 12 Months (bottom), 2020
Found object, porcelain, resin, silk cord, silver, cubic zirconium.
Photo by: Joani Groenewald
From series: Recovery
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Necklace: Ultimatum, 2020
Ceramic, silver, silk cord.
1.8 x 6 x 60 cm
Photo by: Joani Groenewald
From series: Mind-Body
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Neckpiece: Untitled, 2019
Wood, 3d printed plastic, silver cotton cord, cubic zirconia.
9 x 6 x 0.5 cm
Photo by: Hjalmar Bekker
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Neckpiece: Untitled, 2019
Wood, 3d printed plastic, silver cotton cord, cubic zirconia.
9 x 6 x 0.5 cm
Photo by: Hjalmar Bekker
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Neckpiece: Untitled, 2019
Silver, leather, cord.
1 x 5 x 10 cm
Photo by: Hjalmar Bekker
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Neckpiece: Untitled, 2019
Recycled plastic, plastic cord, cubic Zirconia.
2 x 4 x 60 cm
Photo by: Hjalmar Bekker
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Necklace: Untitled, 2019
Perspex, silver, leather cord.
14 x 6 x 2.5 cm
Photo by: Hjalmar Bekker
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Necklace: Untitled, 2019
Resin, silver, leather cord, seeds.
6 x 4.5 x 4.5 cm
Photo by: Hjalmar Bekker
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Neckpiece: Untitled, 2019
Silver, sand, leather cord.
8 x 18 x 0.1 cm
Photo by: Hjalmar Bekker
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Earrings: Untitled, 2019
Sand, silver.
0.1 x 8 x 1.5 cm
Photo by: Hjalmar Bekker
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Brooch: Untitled, 2019
Glass, silver.
2 x 4 x 60 cm
Photo by: Hjalmar Bekker
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Brooch: Untitled, 2019
Mica, silver.
1 x 30 x 25 cm
Photo by: Hjalmar Bekker
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Brooch: Untitled, 2019
Resin, paper, silver, steel wire.
1.8 x 7 x 4 cm
Photo by: Hjalmar Bekker
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Brooch: Untitled, 2019
Resin, paper, silver, steel wire.
8 x 1 x 4.5 cm
Photo by: Hjalmar Bekker
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Earrings: Blue Cape Chamomile, 2019
Wood, copper, enamel, silk, silver.
4 x 2 x 1 cm
Photo by: Hjalmar Bekker
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Neckpiece: Blue Cape Chamomile, 2019
Wood, copper, enamel, silk, silver.
5 x 3 x 9 cm
Photo by: Hjalmar Bekker
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Ring: Untitled, 2018
Silver, thread, salt crystals, steel wire.
Photo by: Hjalmar Bekker
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Brooch: Untitled, 2018
Sterling silver, plastic, steel.
6 x 3 x 4.5 cm
Photo by: Hjalmar Bekker
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Neckpiece: Untitled, 2018
Perspex, leather, garnet, silver, steel.
3.9 x 2.7 x 2.4 cm
Photo by: Hjalmar Bekker
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Neckpiece: Involvement, 2018
Perspex, leather, sterling silver, embroidery thread.
24 x 17 cm
Photo by: Hjalmar Bekker
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Neckpiece: Hybrid Pendant 4, 2018
Wood, resin, leather, quartz, silver.
10 x 7 cm
Photo by: Hjalmar Bekker
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Neckpiece: Untitled, 2018
Concrete, leather, silver, steel.
14 x 14 x 2 cm
Photo by: Hjalmar Bekker
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Brooch: Untitled, 2018
Silver, citrine, silk cocoons, thread, steel.
5 x 1.5 x 60 cm
Photo by: Naleen Venter
From series: Silkworm Cocoons
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Neckpiece: Untitled, 2017
Sterling silver, glass.
15 x 2 x 60 cm
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Brooch: Triple, Dribble 1, 2, 3, 2017
Resin, silver, steel.
3.9 x 2.7 x 2.4 cm
From series: Triple Dribble
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Neckpiece: Devine femininity, 2017
Oxidized silver and black velt with rutile quartz.
50 x 5 x 48 cm
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Neckpiece: Obedient Eve, 2017
Sterling silver, copper, black metal paint.
55 x 6 x 4 cm
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Neckpiece: Blue Bower Bird, 2017
Brass, London Topaz, nickel, patina.
14 x 14 x 2 cm
Photo by: Kelly Maughan
From series: Bower Bird
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Neckpiece: Untitled, 2017
Silver, recycled materials, synthetic coral, fluorescent paint.
5 x 1.5 x 60 cm
Photo by: Kelly Maughan
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Brooch: Void Fragmentation, 2017
Sterling silver (925), enamel, steel pin, animal horn, rutile quartz, rose quartz.
24 x 17 cm
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Brooch: Untitled, 2017
Silver, copper, enamel, amber, quartz, steel wire.
10 x 7 cm, 10 x 7 cm
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Neckpiece: Network vanity, 2017
Smooth cast plastic, silk string, cubic zirconia, sterling silver.
20 x 25 cm
From series: n.v.t
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Neckpiece: Untitled, 2017
Carved wood, silk string, silver leaf, sterling silver.
15 x 20 cm
From series: n.v.t.
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Neckpiece: Uncontained, 2017
Leather, sterling silver.
20.5 x 31 x 2 cm
From series: Despair
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Neckpiece: Apathy, 2017
Leather, moss agate, sterling silver, crocheted steel wire.
18 x 18 x 7 cm
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Body piece: 2E+3E=18, 2017
Reclaimed Imbuia wood, leather, copper.
120 x 25 x 3 cm
Photo by: Hjalmar Bekker
From series: Object(s)
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Brooch: 9B, 2017
Reclaimed Imbuia wood, leather.
15 x 20 x 3 cm
Photo by: Hjalmar Bekker
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Neckpiece: Pap bakkie, 2017
Sterling silver, copper, ceramic, Tourmaline.
20 x 42 x 5 cm
From series: Recollection
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Set: In skerwe, 2017
Sterling silver, ceramic, citrine.
7 x 4 cm, 7 x 3 cm
From series: Recollection
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Brooch: Big Red, 2015
Silver, pvc piping.
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Necklace: Hide and Seek III, 2015
Silver, garnet, fabric.
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Neckpiece: Lock it up, 2015
Silver, garnets.
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Necklace: Secrets and whispers II, 2015
Silver, garnets.
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Neckpiece: The Veil, 2015
Silver, garnets.
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Necklace: Untitled, 2016
Silver, tourmaline, plastic, leather.
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Brooch: Untitled, 2015
Silver, resin, bone.
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Neckpiece: Untitled, 2015
Silver, resin, thread, bone.
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Brooch: Untitled, 2015
Silver, resin, bone.
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Necklace: Untitled, 2016
Silver, plastic, enamel paint, cotton cord.
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Neckpiece: Untitled, 2016
Silver, leather cord.
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Neckpiece: Untitled, 2016
Silver, embroidery work, fabric.
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Head piece: Untitled, 2014
Platinum, pearls, wood
Winner PlatAfrica 2014
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Earrings: Untitled, 2014
Platinum
Merit Award PlatAfrica 2014
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Pendant: Untitled, 2014
Platinum, Silk thread
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Pendant: Untitled, 2014
Platinum, string
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Pendant: Untitled, 2014
Platinum, Silk thread
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Brooch: Untitled, 2014
Silver, Brass, Steel, Enamel
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Brooch: Untitled, 2014
Silver, glass, artificial grass, found object
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Head piece: Untitled
Silver, Brass, coral, tigers eye
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Pendant: Untitled
Silver, Brass, Copper, Enamel, found objects
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Brooch: Untitled, 2014
Stockings, found objects, steel wire, stuffing
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Brooch: Untitled
Stockings, steel wire, stuffing
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Brooch: Untitled
Stockings, found object, steel, silver wire, stuffing
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Brooch: Untitled, 2010
Silicone breast implant, sterling silver
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Ring: Untitled, 2010
Silk worm cocoons, eggs, glass, sterling silver, gold
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Necklace: Untitled, 2011
Hairdye samples, sterling silver
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Ring: Untitled, 2011
Kombucha, sterling silver
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Necklace: Untitled, 2011
Cow Intestine, resin, sterling silver
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Neckpiece: Blood Transfusion, 2022
PVA pipe, silver, resin
Photo by: Joani Groenewald
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Estimated price: 360 €
Bangle: We are still chained, 2022
PVA plastic, patinated copper, cubic zirconium
Photo by: Joani Groenewald
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Estimated price: 100 €
Necklace: Untitled, 2022
Pencil shavings, resin, silver, leather, cord
Photo by: Joani Groenewald
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Neckpiece: Entangled, 2022
Angora hair (mohair), sterling silver & pumpkin seeds
Photo by: Joani Groenewald
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Estimated price: 180 €
Brooch: Nesting, 2022
Paper, seeds, silver
Photo by: Joani Groenewald
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Estimated price: 100 €
Brooch: Enchanted Forest, 2022
Glass, paint, wood, silver, cubic zirconium
Photo by: Joani Groenewald
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Estimated price: 170 €
Neckpiece: Construct, 2020
Glass, silver, cubic zirconium, charcoal.
1.8 x 7 x 4 cm
Photo by: Joani Groenewald
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- Mail:
- ctsun.ac.za
- joanisun.ac.za
- mariambibisun.ac.za
- Management:
- Carine Terreblanche, Joani Groenewald, Mariambibi Khan
-
HEAR, Haute École des Arts du Rhin
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EASD València
Valencia, Spain -
State University of New York at New Paltz
New Paltz, United States -
Hochschule Trier
Idar Oberstein, Germany -
Cranbrook Academy of Art
Bloomfield Hills, United States -
China Academy of Art
Hangzhou, China -
West Dean College
Chichester, United Kingdom -
IED Istituto Europeo di Design
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London, United Kingdom -
Design Werkstatt
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School of Jewellery. Birmingham City University
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LAB University of Applied Sciences
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Le Arti Orafe
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PXL-MAD School of Arts
Hasselt, Belgium -
Central Saint Martins, BA (Hons) Jewellery Design
London, United Kingdom
