Glasgow School of Art
School
Published: 18.10.2024
Our school is one of design and making, equally committed to what is an affirmative creative process of production and consideration of all media, objects and artefacts across a range of locations and/or scales. The process of designing, discussing, and making work in our studios engages our senses and is a rich tactile material experience for all our disciplines.
Our reasons for decorating the body are wide-ranging and complex. Historically, people have expressed themselves through relatively superficial body adornment to extremely sophisticated symbols as a means of communicating the concept of position, rank, status, etc.
Contemporary studio jewellers continue to challenge perceived boundaries and use the artefact as a way of defining a personal response to social and cultural issues such as gender, relationships politics, and the environment. Similarly, silversmiths explore this interaction between fine metalworking and ideas, through the vehicle of the functional domestic object.
The Department embraces this diversity through informed debate and discussion. It encourages students to develop a personal approach to the research and development of lively design solutions together with a knowledge of traditional and cutting-edge technology and skill acquisition.
Whether they intend to enter the broad-based jewellery and silverware industries, pursue personal expression through the gallery market or continue in academia, students will develop their skills in a supportive and confident Department.
The Silversmithing and Jewellery programme aims to provide a broad, balanced programme covering aspects of body adornment and fine metalworking from the development of original design concepts through to the finely crafted finished work. The course embraces as broad an approach to silversmithing and jewellery as possible, from designing for the mainstream jewellery or silverware industries to the pursuit of very personal works intended for gallery exposure.
A strong emphasis is placed on the development of individual craft and design skills that increasingly allow each student the freedom to pursue and realise ideas in appropriate media. Consequently, we actively encourage exploration of a wide range of materials through project work. The course centres its basic technical studies, however, in the area of fine metalworking, providing students with the experience of working in gold and silver as well as other metals.
Staff / Management
Professor Stephen Bottomley - Head of the School of Design.
Anna Gordon - Head of the Silversmithing and Jewellery Department and Programme Leader.
Andrew Lamb, Marianne Anderson, Michael Pell & Silvia Weidenbach - Lecturers.
The staff of the department, as practising designer/makers/researchers, continually review new developments in the field, evaluate the place of silversmithing and jewellery in changing international cultural environments, and respond to technological advances in design and manufacture. The programme is supported by guest lectures, field trips, professional practice workshops, live projects, themed department exhibitions, and seminar/study groups.
The Glasgow School of Art was founded over 160 years ago. As one of the oldest art and design institutions in the UK, GSA's history reflects the changing nature of art, design, and architecture practice and education from the 19th century to the present day and is the only small specialist art institution in Scotland.
>> Check here the 2024 S&J Catalogue
>> Check here the 2023 S&J Catalogue
>> Check here the 2022 S&J Catalogue
>> Check here the 2021 S&J Catalogue
>> Check here the 2020 S&J Catalogue
>> Check here the 2019 S&J Catalogue
Contemporary studio jewellers continue to challenge perceived boundaries and use the artefact as a way of defining a personal response to social and cultural issues such as gender, relationships politics, and the environment. Similarly, silversmiths explore this interaction between fine metalworking and ideas, through the vehicle of the functional domestic object.
The Department embraces this diversity through informed debate and discussion. It encourages students to develop a personal approach to the research and development of lively design solutions together with a knowledge of traditional and cutting-edge technology and skill acquisition.
Whether they intend to enter the broad-based jewellery and silverware industries, pursue personal expression through the gallery market or continue in academia, students will develop their skills in a supportive and confident Department.
The Silversmithing and Jewellery programme aims to provide a broad, balanced programme covering aspects of body adornment and fine metalworking from the development of original design concepts through to the finely crafted finished work. The course embraces as broad an approach to silversmithing and jewellery as possible, from designing for the mainstream jewellery or silverware industries to the pursuit of very personal works intended for gallery exposure.
A strong emphasis is placed on the development of individual craft and design skills that increasingly allow each student the freedom to pursue and realise ideas in appropriate media. Consequently, we actively encourage exploration of a wide range of materials through project work. The course centres its basic technical studies, however, in the area of fine metalworking, providing students with the experience of working in gold and silver as well as other metals.
Staff / Management
Professor Stephen Bottomley - Head of the School of Design.
Anna Gordon - Head of the Silversmithing and Jewellery Department and Programme Leader.
Andrew Lamb, Marianne Anderson, Michael Pell & Silvia Weidenbach - Lecturers.
The staff of the department, as practising designer/makers/researchers, continually review new developments in the field, evaluate the place of silversmithing and jewellery in changing international cultural environments, and respond to technological advances in design and manufacture. The programme is supported by guest lectures, field trips, professional practice workshops, live projects, themed department exhibitions, and seminar/study groups.
The Glasgow School of Art was founded over 160 years ago. As one of the oldest art and design institutions in the UK, GSA's history reflects the changing nature of art, design, and architecture practice and education from the 19th century to the present day and is the only small specialist art institution in Scotland.
>> Check here the 2024 S&J Catalogue
>> Check here the 2023 S&J Catalogue
>> Check here the 2022 S&J Catalogue
>> Check here the 2021 S&J Catalogue
>> Check here the 2020 S&J Catalogue
>> Check here the 2019 S&J Catalogue
Dominika Kupcova
Brooch: Green twist brooch, 2017
Laser cut card, spray paint, sterling silver, steel pin.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Brooch: Green twist brooch, 2017
Laser cut card, spray paint, sterling silver, steel pin.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Lesley McAlpine
Object: Untitled, 2017
Silver and oxidised silver.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Object: Untitled, 2017
Silver and oxidised silver.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Lydia Blackshaw
Necklace: Pink or Blue?, 2017
Sterling silver, acrylic perspex, acrylic paint.
Photo by: Lydia Blackshaw
© By the author. Read Klimt02.net Copyright.
Necklace: Pink or Blue?, 2017
Sterling silver, acrylic perspex, acrylic paint.
Photo by: Lydia Blackshaw
© By the author. Read Klimt02.net Copyright.
Iona Lundie
Object: Untitled, 2017
Oxidised silver, jesmonite.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Object: Untitled, 2017
Oxidised silver, jesmonite.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Nicolle Gavin
Brooch: Untitled, 2017
Sterling silver, citrine.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Brooch: Untitled, 2017
Sterling silver, citrine.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Vilune Skabickaite
Set: Untitled, 2017
Steel, silver, CZ stones.
Photo by: Andrew Moore
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Set: Untitled, 2017
Steel, silver, CZ stones.
Photo by: Andrew Moore
3 Brooches
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Miki Asai
Brooch: The Moment, 2017
Paper, Japanese lacquer, eggshell, seashell, silver, steel wire.
Photo by: Miki Asai
© By the author. Read Klimt02.net Copyright.
Brooch: The Moment, 2017
Paper, Japanese lacquer, eggshell, seashell, silver, steel wire.
Photo by: Miki Asai
© By the author. Read Klimt02.net Copyright.
Mara Balode
Necklace: Untitled, 2017
Acrylic, UV resin, nylon tread
Photo by: Mara Balode
© By the author. Read Klimt02.net Copyright.
Necklace: Untitled, 2017
Acrylic, UV resin, nylon tread
Photo by: Mara Balode
© By the author. Read Klimt02.net Copyright.
Andrew Fleming
Vessel: Ladles and pourer, 2017
Sterling silver.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Vessel: Ladles and pourer, 2017
Sterling silver.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Isla Christie
Earrings: Digital icons, 2017
Paper, silver, perspex.
Photo by: Christie Isla
© By the author. Read Klimt02.net Copyright.
Earrings: Digital icons, 2017
Paper, silver, perspex.
Photo by: Christie Isla
© By the author. Read Klimt02.net Copyright.
Aillie Anderson
Vessel: Trio of Textured Silver and Jesmonite Bowls, 2017
Silver
Photo by: Shannon Tofts
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Vessel: Trio of Textured Silver and Jesmonite Bowls, 2017
Silver
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Madeleine Holloway
Ring: Herb Garden Rings, 2017
Porcelain, silver.
2 x 4 cm
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Ring: Herb Garden Rings, 2017
Porcelain, silver.
2 x 4 cm
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Weimo Li
Ring: Untitled, 2017
Silver
3.2 x 2.6 x 3.2 cm
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Ring: Untitled, 2017
Silver
3.2 x 2.6 x 3.2 cm
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Hannah Lornie
Necklace: Untitled, 2017
Gold plated silver, thread.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Necklace: Untitled, 2017
Gold plated silver, thread.
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Alexandra Myles
Cutlery: Silver Spoons, 2017
Silver
Photo by: Shannon Tofts
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Cutlery: Silver Spoons, 2017
Silver
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Paula Sloan
Object: Candlestick 1, 2017
Silver
13 x 26 x 21 cm
Photo by: Andrew Neilson Photography
© By the author. Read Klimt02.net Copyright.
Object: Candlestick 1, 2017
Silver
13 x 26 x 21 cm
Photo by: Andrew Neilson Photography
© By the author. Read Klimt02.net Copyright.
Emma Strathdee
Brooch: Explosion, 2017
Silver, steel wire.
12 x 15 cm
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Brooch: Explosion, 2017
Silver, steel wire.
12 x 15 cm
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Paula Treimane
Brooch: Untitled, 2017
Silver, wood.
Photo by: Paula Treimane
© By the author. Read Klimt02.net Copyright.
Brooch: Untitled, 2017
Silver, wood.
Photo by: Paula Treimane
© By the author. Read Klimt02.net Copyright.
Glasgow School of Art. Silversmithing and Jewellery 2015
Jonathan Boyd
2015
This year Jonathan Boyd, lecturer at the Glasgow School of Art, interviewed all out graduating students asking them about their ideas and processes so a wider audience could understand the narratives and themes that drive them.
© By the author. Read Klimt02.net Copyright.
Jonathan Boyd
2015
This year Jonathan Boyd, lecturer at the Glasgow School of Art, interviewed all out graduating students asking them about their ideas and processes so a wider audience could understand the narratives and themes that drive them.
© By the author. Read Klimt02.net Copyright.
Paul Adie
Brooch: Fruit from the Wasteland III, 2015
Steel.
13.5 x 6 x 3 cm
Photo by: Paul Adie
Artist in residence at Glasgow School of Art 2015.
© By the author. Read Klimt02.net Copyright.
Brooch: Fruit from the Wasteland III, 2015
Steel.
13.5 x 6 x 3 cm
Photo by: Paul Adie
Artist in residence at Glasgow School of Art 2015.
© By the author. Read Klimt02.net Copyright.
Mona Darling
Brooch: Wrapped, 2014
Silver and Plastic
Artist in residence at Glasgow School of Art 2014-15
© By the author. Read Klimt02.net Copyright.
Brooch: Wrapped, 2014
Silver and Plastic
Artist in residence at Glasgow School of Art 2014-15
© By the author. Read Klimt02.net Copyright.
Anna, Gordon
Brooches: Ikebana
Oxidised silver, mother of pearl, rock crystal, gold
© By the author. Read Klimt02.net Copyright.
Helen, Marriott
Candlesticks: To Light A Table Top
Silver
© By the author. Read Klimt02.net Copyright.
Jonathan, Boyd
Bracelet: An Endless Rant On Craft
Oxidised silver
© By the author. Read Klimt02.net Copyright.
Marianne, Anderson
Brooches: Untitled
Oxidised silver, gold, mother of pearl, garnet
© By the author. Read Klimt02.net Copyright.
Jane, Harrison
Necklace: Untitled, 2012
Diverse materials
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Daniela, Corda
Object: Brain Washer, 2011
Diverse materials
© By the author. Read Klimt02.net Copyright.
-
K2 Academy of Contemporary Jewellery
London, United Kingdom -
Düsseldorf University of Applied Sciences, Peter Behrens School of Arts, New Craft Object Design
Düsseldorf, Germany -
HDK-Valand Academy of Art and Design
Gothenburg, Sweden -
Pocosin Arts School of Fine Craft
Columbia, United States -
Lalabeyou Jewellery School
Madrid, Spain -
Cranbrook Academy of Art
Bloomfield Hills, United States -
Hochschule Trier
Idar Oberstein, Germany -
Alchimia Contemporary Jewellery School
Florence, Italy -
Le Arti Orafe
Florence, Italy -
Glasgow School of Art
Glasgow, United Kingdom -
Universiteit Stellenbosch University
Stellenbosch, South Africa -
The Goldsmiths’ Centre
London, United Kingdom -
Sint Lucas Antwerpen
Antwerp, Belgium -
HEAR, Haute École des Arts du Rhin
Strasbourg, France -
PXL-MAD School of Arts
Hasselt, Belgium