Tarja Tuupanen

Jeweller

Published: 06.08.2018

News!

14 new pieces from object to jewellery consisting of readymade marble tableware or marble powder mainly, the stone has always been the primary material for Tarja.

Tarja Tuupanen

: Lautalantie 11
54230 - Nuijamaa
FINLAND

: Website Tarja Tuupanen; Instagram Tarja Tuupanen

Mail:: tarjatarjatuupanen.com

Phone:: +358-41-4324973

Tarja Tuupanen
Object: Baking Pin, 2017
Used marble, baking pins.
124 x 6.5 x 6.5 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Object: Bun, 2017
Marble powder.
14 x 14 x 5 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2017
Readymade marble tableware, velour sticker, steelwire, brass.
20 x 3 x 75 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2017
Readymade marble tableware, brass.
9 x 8 x 2 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Viirit (=Pennants), 2017
Readymade marble tableware, brass, silk.
14 x 15 x 0.7 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Made In Taiwan I, 2017
Readymade marble tableware, brass.
11 x 0.7 x 5.5 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Made In Taiwan II, 2017
Readymade marble tableware, brass.
12 x 0.5 x 5 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2016
Readymade marble tableware, velour sticker, steel wire, brass.
5x5x10 cm (stonepart), length of the necklace 45 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Serie of brooches, 2016
Readymade marble tableware, brass.
15 x 2 x 2 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2016
Readymade marble tableware, brass.
10 x 2 x 10 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2016
Readymade marble tableware, brass.
5 x 2 x 15 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Object: Craft & Tradition, 2014
Used marble baking pin, marble powder.
50 x 7 x 7 cm, area of powder ca 40 x 40 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Object: Untitled, 2017
Readymade marble tableware, table top, marble powder.
diameter 60 cm, height 7-9 cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2015
Ready-made marble tableware, brass
14 x 5 x 2cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2015
Ready-made marble tableware, velour sticker, steelwire, brass
11 x 6 x 5cm; lenght: 48cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2014
Ready-made marble tableware, velour sticker, steelwire, brass
12 x 5 x 5cm; lenght: 48cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2014
Ready-made marble tableware, brass
13 x 13 x 1,5cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2014
Ready-made marble tableware, brass
13 x 13 x 1,5cm
Photo by: Lassi Rinno

Back view

Tarja Tuupanen
Necklace: Untitled, 2015
Ready-made marble tableware, velour sticker, steelwire, brass
12 x 9 x 5cm; lenght: 48cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2014
Ready-made marble tableware, brass
13 x 13 x 1,5cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2014
Ready-made marble tableware, brass
13 x 13 x 1,5cm
Photo by: Lassi Rinno

Back view

Tarja Tuupanen
Necklace: Untitled, 2015
Ready-made marble tableware, velour sticker, steelwire, brass
12 x 5 x 4,5cm ; lenght: 45cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2015
Ready-made marble tableware, velour sticker, steelwire, brass
13 x 7 x 4cm; lenght: 45cm
Photo by: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready made marble tableware, brass
13 x 13 x 2 cm
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready made marble tableware, brass
16 x 6 x 1 cm
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready made marble tableware, velour sticker, brass
15 x 16 x 3 cm
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready-made marble tableware, brass
3 x 14 x 1,5cm
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready-made marble tableware, brass
3 x 16 x 1,5 cm
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready-made marble tableware, brass, velour sticker
6 x 15 x 1 cm (one piece)
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Notions of skill, 2013
Ready-made marble tableware, brass, velour sticker
7 x 16 x 1 cm
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Notions of skill, 2013
Ready-made marble tableware, velour sticker, steelwire
stonepart: 9 x 8,5 x 6,5 cm; length of the necklac
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Notions of skill, 2013
Ready-made marble tableware, velour sticker, steelwire
stonepart: 11 x 8 x 6 cm; length of the necklace:
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2014
Ready-made marble tableware, velour sticker, steelwire
stonepart 11 x 6,5 x 6,5-3,5 cm; length of the nec
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Necklace: Untitled, 2014
Ready-made marble tableware, velour sticker, steelwire
stonepart 10 x 6 x 4-5 cm; length of the necklace:
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Ring: Notions of skill, 2013
Ready-made marble tableware, brass
10 x 5 x 0,7 cm (biggest)
Photo: Lassi Rinno
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2011
Cacholong, silver
14.5 x 11 x 1.5 cm
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2011
Cacholong, silver
10 x 9 x 2.5 cm
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2011
Cacholong, silver
11.5 x 8.8 x 3 cm
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2011
Cacholong, silver
15.5 x 6 x 1 cm (one stonepiece)
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Installation: Untitled, 2011
Slate, gilded silver
10 x 8 x 1 cm (one stonepiece)
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Faces, 2011
Cacholong, silver
10 x 7 x 8 cm
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2010
Cacholong, silver
14,5 x 7 x 5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2010
Cacholong, silver
12 x 1,1 x 5,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2010
Cacholong, silver
6 x 9,5 x 1,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
8 x 12 x 4,5 cm
photo: Ulla Paakkunainen
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
11,5 x 10 x 1 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
125,x 10,5 x 0,7 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
6,8 x 5 x 1-2 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
6,5 x 9,5 x 0,7 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
12 x 7,7 x 0,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
12,5 x 8,5 x 0,9 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
9 x 7,5 x 0,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2009
Cacholong, silver
11 x 6,8 x 0,4 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Anonymous, 2008
Cacholong, silver
ø 5 cm 7 each
serie of 7 pieces
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Potraits, 2008
Cacholong, silver
9 x 5 x 0,4 cm (one)
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Potrait, 2007
Cacholong, silver
7,2 x 6 x 0,8-1,4 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Potrait, 2007
Cacholong, silver
7 x 5,5 x 1,5-2,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2008
Cacholong, silver
6,5x 11 x 0,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Blanco, 2008
Cacholong, silver
10 x 10 x 1-2,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2008
Cacholong, silver
8,5 x 8,5 x 0,7 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Two whites, 2008
Cacholong, silver
9 x 6,2 x 0,5 cm (left) 10 x 6,5 x 1 cm (right)
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: Untitled, 2008
Marble, pearlsilk, silver
20 x 7 x 1,5 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: untitled, 2008
Marble, pearlsilk, silver
20 x 9 x 1 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen
Brooch: untitled, 2008
Marble, pearlsilk, silver
22 x 7 x 1 cm
photo: Kimmo Heikkilä
© By the author. Read Klimt02.net Copyright.

Tarja Tuupanen has studied jewellery and stonework in Lappeenranta in South Carelia Polytechnic, Finland (BA 1999) and she graduated as MFA from Ädellab, Konstfack University College of Arts, Crafts and Design, (SE) in 2013. Since 1997 she has taken part in exhibitions internationally, both in group and solo shows. In addition, working as an artist, she has been active in the Finnish Jewellery Art Association to promote contemporary jewellery field and to develop the possibilities of artists. She has been working as a teacher both in Finland and abroad. Tuupanen is a member of the Hibernate-artist group.

Statement

Statement 2018
Stone has always been my main material as a jewellery artist, my practice is dominated by it. The relationship to it is so thorough that it becomes more than just a material to begin with. Whether the stone is in its natural form or industrially made item, it always has individual material character, cultural references, physical realities and value or status aspects which has to be considered and to get acquainted with. I work with stone.

Statement 2013
The background for the body of work is skill, the core concept within craft. The term is embedded in the craft field and loaded with values and preconceptions. How is it discussed today and what does it really mean to the maker? The traditional stone-working skill is my most precious tool; it is my fetish and my lifeline. My practice is dominated by one material — stone. The relationship to it is so thorough that it becomes more than just a material to begin with. Yet, what happens when this skill encounters ready-made marble tableware, tacky candleholders or salt shakers from the 80s or mass-produced items instead of raw material? How does it change the work, the values and the control of skills?

Statement 2004-2011
Stone is my main material as a jewellery artist. I have worked with it ten years, and still it offers me challenge and surprises. I love it for its versatility, and hate it for its limitations. Working with stone is slow and it suits me. I don´t want to romanticize it that the timetaking working process would be meditative or spiritual, but the slowness has its value and the concrete grinding work helps me think. In the first working years I disliked the stone for its heaviness and clumsyness, and I wanted to change these qualities to the opposite by pushing the material to its edge by making it as thin and light as possible. Nowdays I´m already asking what the stone wants to say.

The idea and the material go hand in hand, but sometimes the stone piece offers something you can´t pass, acolour change or a line or a structure. Then you have to change the original plan. Sometimes I search for these treasures to be used. And in the other hand there is always the need to control, need to do a perfect shape, a perfect oval.

The white cacholong has offered me the theme for some years. In the naturalmaterial there are all the white shades you can think of. When you look its whiteness long enough, you start to see some colours. This stone has the perfect athmosphere, it is minimalistic and quiet, stagnant but not boring, quite noble even. It looks soft and gentle, but it is not the truth. In a white stone all details show more clearly. In the sulek-burcu-emptiness-2015 there is content. Where is the limit of your expression or form, where is the limit in minimalism?

The white is waiting, it is silent, quiet and calm, it is clear and comforting, and frighteningly empty. Can ablanco portrait tell more than a photo? Is there something more to look at in white scenery than in the view from your balcony?
I do love the northernwinter, when everything is covered with snow. It is silent, quiet and calm. Clear and comforting and frighteningly empty.

CV

Tarja Tuupanen, 1973, Lieksa, Finland.

Education:
2013 MFA, Konstfack, Stockholm, Sweden
2006 Teachers pedagogic studies, HAMK, Hämeenlinna, Finland
2003 The Specialized program of jewellery art (20 credit units), South Carelia Polytechnic, Lappeenranta, Finland
1999 College diploma of jewellery and stonework design, South Carelia Vocational College, Department of Crafts And Design, Lappeenranta, Finland

Working:
2012 S-T-O-N-E- workshop (with Nelli Tannerin), KORU4, Imatra | Sense of stone- workshop, Estonia Academy of Arts, Department of Jewellery and Blacksmithing, Tallinn, Estonia
2007 SEAL, workshop, Ravstedhus, Denmark
2006 Cameo today, workshop with Helena Lehtinen, KORU2, Lappeenranta, Finland
2000- > Stonework teacher, part time, Saimaa University of Applied Scienses, Lappeenranta/Imatra, Finland

Awards and grants:
2015 Working grant, Arts Promotion Center Finland
2014 Working grant, Arts Promotion Center Finland; Kymenlaakso and South Carelia
2013 Working grant, Niilo Helander Foundation
2010 Working grant, Art Council of Finland
2008 Working grant, The Finnish Cultural Foundation | Grant for tools, Art Committee of South-East Finland
2007 Working grant, The Finnish Cultural Foundation, South Carelia | Travel grant, Art Council of Finland
2006 Working grant, The Finnish Cultural Foundation, South Carelia | Travel grant, Art Council of Finland
2004 Travel grant, Art Council Finland | Working grant, Art Committee of South-East Finland
2003 Working grant, The Finnish Cultural Foundation | Grant for organizing Koru1 event (group TT, Mustonen, Heikkilä) The Finnish Cultural Foundation | Travel grant, Art Council of Finland
2002 Working grant, Art Committee of South-East Finland | Grant for carving machine, The Finnish Cultural Foundation, Unit of South Carelia
2001 Travel grant, Sleipnir (Nifca)
2000 Working grant, Art Committee of South-East Finland

Exhibitions (solo):
2015 Gallery Four, Gothenburg, Sweden
2012 Some whites, Gallery Iida, Tallinn, Estonia
2009 Valkoisesta, Gallery Louise Smit, Amsterdam, The Netherlands
2008 Blanco, Gallery Rantapaja, Lappeenranta, Finland
2004 South Carelia Art Museum, Lobbygallery
2003 Gallery Hnoss, Göteborg, Sweden
2000 Sinus, with Eija Mustonen, Crafts Museum, Lappeenranta, Finland | Gallery Marzee, Nijmegen, The Netherlands
1999 Jewellery about femininity, Design Forum window gallery, Helsinki, Finland

Exhibitions (group, selection):
2015 Hibernate-group, 84 GHz, München, Germany
2014 Hibernate-group, Gallery HOP, Tallinn, Estonia | 5th European Triennal of Contemporary Jewellery , Mons, Belgium | Mineral Art, German Gemstone Museum, Idar-Oberstein, Germany | Regard sur l’Scandinavia, Cagnes sur Mer, France, cureted by Olga Zobel
2013 Steinbeisser Jewellery Fair, Lloyd Hotel & Cultural Embassy in Amsterdam, the Netherlands | GeMANOgy, MANO Contemporary Jewellery & Object, Taiwan | Marzee Graduation Show 2013, Gallery Marzee, Nijmegen, The Netherlands | Konstfack Spring Exhibition, Konstfack, Stockholm, Sweden | LahtiJewelry; 84 GHz, München, Germany and Gallery Pont&Plas, Gent, Belgium | Galleri Marzée, Soylegalleriet, Oslo National Academy, Oslo, Norge | Meanwhile in Finland, Nutida svensk silver, Stockholm
2012 Ashes and Diamonds; Gallery Platina Stockholm, Muotohuoltamo Lahti, Finland and a Gallery Pihatto Lappeenranta, Finland | Baculum, Deutsches Jagd- und Fischereimuseum München, Germany | Mirrors & Candles, Galleria Sofie Lachaert, Tielrode, Belgium | Sence of Place, National Museum of Scotland, Edinburg
2011 Ring, The jewel forever, Gallery Hnoss, Gothenburg, Sweden | The Spirit of Stone, South Karelia Museum, Lappeenranta, Finland | Geography, SNAG conference, Seattle, USA | Silver stories, Galleri for samtidskunst, Oslo, Norway
2010 Hibernate-group, Galleria 5, Oulu, Finland | Aavistus; Tiina Rajakallio, Maria Vuorinen and Tarja Tuupanen, Gallery 84 GHz, Münich, Germany
2009 KORU3, Imatra Art Musem, Imatra, Finland | Still, Galerie Sofie Lachaert, Tielrode, Belgium
2008 Finnish Bitches, Gallery Louise Smit, Amsterdam, The Netherlands | From hand to Hand, Mudac; Lausanne, Switzerland
2007 Hnoss depended, Röhsska Museet, Göteborg, Sweden | Hibernate-group, Collect, London, England, (represented by Gallery Norsu, Hki)
2006 Kontti, Finnish Jewellery Art, Lappeenranta, Finland | Francoise van den Bosch, tijdgenoten en jong talent, CODA Museum, The Netherlands
2005 Joieria Finlandesa, FAD- galleria, Barcelona, Spain | Hibernate-group, Gallery Tactile, Geneve, Switzerland
2004 Hibernate- ryhmä, ContacT, Boston, Massachusetts, USA | Schmuck´04, München, Germany
2003 KORU 1, South-Karelia Museum, Lappeenranta, Finalnd | Hibernate- ryhmä, Galleri Metal, Copenhagen, Denmark
2002 At Beauty´s Edge, Patina Gallery, Santa Fe, USA | SOFA New York 2002 (represented by Charon Kransen Arts, NY)
2001 Jewellery, Almere´s choise, De Paviljoens, Almere, The Netherlands | Nocturnus, Muhu, Viro
2000 Talente 2000, München, Germany
1999 Graduate work, Gallery Marzee, Nijmegen, The Netherlands
1997 Alchemy, Galleria Luowa, Lappeenranta, Finland

Work in collections:
Design Museum, Helsinki, Finland | Rhöska Museet, Göteborg, Sweden | Franqoise van den Bosch Foundation, The Netherlands | Regional Museum, Turnov, Czech Republic | Lars ja Helena Pahlman, private collection, Finland

Memberships and confidental posts:
2015-2016 Member of National Council of Architecture, Design and Environmental Art
2005-2012 Chairwoman of Finnish Jewellery Art Association

On sale at

Events

Publications

Book: Hibernate, Helena Lehtinen, Eija Mustonen and Tarja Tuupanen. Lehtinen, Helena; Mustonen, Eija; Tuupanen, Tarja. Hibernate: Lappeenranta, 2016

Book: Open Space – Mind Maps, Positions in Contemporary Jewellery. Maurer Zilioli, Ellen. Nationalmuseum Stockholm and Arnoldsche Art Publishers: Stuttgart, 2016
Page 106-111.

Online Platform: Tarja Tuupanen: Marbles. Shih, Olivia. Art Jewelry Forum: San Francisco, 2015

Book: Itsenäisyyden ajan suomalainen koru. Ruutiainen & Co. Tammi: Helsinki, 2014
Page 331, 375-377.

Catalogue: Ashes and Diamonds. Humak university of applied sciences: Helsinki, 2012

Book: The Spirit of Stone. Hakulinen & Co. Saimaa University of Applied Scienses: Imatra, 2011
Page 80 - 83.

Catalogue: Fortelling i sølv. Kunstnerforbundet: Oslo, 2011

Catalogue: The Ring - jewel for ever. Hnoss Gallery: Gothenburg, 2010

Catalogue: KORURAL. Saimaa University of Applied Scienses: Imatra, 2010

Catalogue: KORU 3. Saimaa University of Applied Scienses: Imatra, 2009

Book: The Compendium Finale of Contemporary Jewellery Makers. Darling Publications: Cologne, 2009

Catalogue: Out of the Shell. Gallery Loupe: Montclair, 2008

Catalogue: De main á main / From Hand to Hand. Mudac-Musée de design et d’arts: Lausanne, 2008

Book: Hnoss depended. Galleri hnoss: Gotheborg, 2008

Magazine: Exhibition in Print. Metalsmith Magazine: Bethel, 2007
4/2007.

Book: Kontti. Korutaideyhdistys: Lappeenranta, 2006

Book: Schmuck 2006. GHM Gessellschaft für Handwerkmessen mbH: Munich, 2006

Book: Kontti. Korutaideyhdistys: Lappeenranta, 2006

Catalogue: Koru, Joieria Contemporània Finlandesa. Art Committee of South-East Finland: 2005

Book: Schmuck 2004. Bayerischer Handwerkstag e.V.: Munich, 2004

Book: Jewellery, The Choise of the Europarliament. Galleria Marzee: Nijmegen, 2004

Book: KORU 1. Altarriba, Antonio; Mustonen, Eija. South Carelia Polytechnic: Lappeenranta, 2003

Catalogue: Nocturnus. Liivrand and Mälk. Estonian Academy of Arts: Tallinn, 2001
Page 40 - 41.

APPRECIATE

The straight forwardness might be the most Finnish thing in my work. Tarja Tuupanen interviewed by Klimt02

Klimt02

Interview

/ 06Aug2018

News!

14 new pieces from object to jewellery consisting of readymade marble tableware or marble powder mainly, the stone has always been the primary material for Tarja.

Tarja Tuupanen