Yong Joo Kim

Jeweller

Published: 02.05.2017

Yong Joo Kim

: RI 02903 - Providence
UNITED STATES

: 03053 - Seoul
SOUTH KOREA

: Website Yong Joo Kim; Tumblr Yong Joo Kim; Facebook Yong Joo Kim

Mail:: meyongjookim.com

Yong Joo Kim
Brooch: Alternated Color III, 2017
Hook-and-loop fastener, thread, sterling silver
9 x 14 x 4 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Alternated Color. OP2., 2017
Hook-and-loop fastener, thread, sterling silver
20 x 34 x 6 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Crossing the chasm, 2016
Hook-and-loop fastener, thread.
27 × 47 × 5 cm
Photo by: Studio Munch
From series: Crossing the chasm
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Yong Joo Kim
Necklace: Crossing the chasm, 2016
Hook-and-loop fastener, thread, sterling silver.
22 x 24 x 4 cm
Photo by: Studio Munch
From series: Crossing the chasm
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Yong Joo Kim
Brooch: Crossing the chasm: 5.3V.1K & 3.3V.1K, 2015
Hook-and-loop fastener, thread, sterling silver
12 x 9 x 5.5 cm
Photo by: Studio Munch
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Yong Joo Kim
Brooch: Crossing the chasm: 5.3V.2K & 3.2V, 2015
Hook-and-loop fastener, thread, sterling silver
Photo by: Studio Munch
10 x 9.5 x 4.5 cm and 12.5 x 12 x 4 cm
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Yong Joo Kim
Brooch: Crossing the chasm: 6.1v & 5.1v & 4.1v & 3.1v, 2016
Hook-and-loop fastener, thread, sterling silver
10 x 14 x 5 cm
Photo by: Studio Munch
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Yong Joo Kim
Brooch: Transitions in Red XI, 2015
Hook-and-loop fastener, thread, sterling silver
Photo by: Studio Munch
10 x 7 x 4 cm (top) and 7 x 17 x 4 cm
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Yong Joo Kim
Necklace: Crossing the chasm: 6(4.3.1v.1k) & 2(5.4.1v.1k) & 3(3.2.1v.1k), 2016
Velcro hook-and-loop fastener, thread
39 x 23 x 4.5 cm
Photo by: Studio Munch
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Necklace: Transitions in Red XII, 2016
Hook-and-loop fastener, thread, sterling silver
22 x 24 x 4 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Transitions in Red II, 2015
Hook-and-loop fastener, thread
35 × 29 × 4 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Transitions in Red I, 2015
Hook-and-loop fastener, thread
35 × 25 × 3.5 cm
Photo by: Studio Munch
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Necklace: Transitions in Red I, 2015
Hook-and-loop fastener, thread
35 × 25 × 3.5 cm
Photo by: Studio Munch

(back)

Yong Joo Kim
Brooch: Transitions in Red III, 2014
Hook-and-loop fastener, thread, Sterling silver
11 × 7 × 4 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Transitions in Red V, 2015
Hook-and-loop fastener, thread
2 1× 19 × 4 cm
Photo by: Studio Munch
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Yong Joo Kim
Brooch: Transitions in Red VI, 2014
Hook-and-loop fastener, thread, Sterling silver
8 × 6 × 3.5 cm
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Yong Joo Kim
Ring: Transitions in Red IX, 2015
Hook-and-loop fastener, thread
5 × 6.5 × 3 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Passen, 2015
Hook-and-loop fastener, thread.
71 x 24 x 11 cm
Photo by: Studio Munch
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Yong Joo Kim
Necklace: Passen II, 2015
Hook-and-loop fastener, thread.
60 x 24 x 6 cm
Photo by: Studio Munch
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Yong Joo Kim
Bracelet: In Light of Space II, 2014
Hook-and-loop fastener, thread
14 × 12 × 11 cm / 8 × 14 × 15 cm
Photo by: Studio Munch
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Yong Joo Kim
Bracelet: In Light of Space II, 2014
Hook-and-loop fastener, thread
14 × 12 × 11 cm
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Studies in Requisite Variety: An Interview with Yong Joo Kim
Sublime Experiment
2014
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Brooch: Requisite Variety S2-EV8, 2013
Hook-loop fastener, Sterling Silver
6 x 8 x 4”
Photo Credit: Harry Gould Harvey IV
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Requisite Variety S2-EV9, 2013
Hook-loop fastener, Sterling Silver
16 x 14 x 1”
Photo Credit: Harry Gould Harvey IV
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Requisite Variety S2-EV7, 2013
Hook-loop fastener, Sterling Silver
4.5 x 14 x 4.5”
Photo Credit: Harry Gould Harvey IV
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Brooch: Requisite Variety S4-EV7, 2013
Hook-loop fastener, Sterling Silver
3 x 3 x 1”
Photo Credit: Harry Gould Harvey IV
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Requisite Variety S4-EV6, 2012
Hook and loop fastener, thread
3 x 19 x 1.25
Photo Credit: Harry Gould Harvey IV
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Bracelet: Requisite Variety S4-EV3, 2012
Hook and loop fastener, thread
4 x 4 x 2
Photo Credit: Studio Munch
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Bracelet: In light of Space, 2012
Hook and loop fastener, thread
4.5 x 6.5 x 6” each
Photo Credit: Studio Munch
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped and Linked, 2011
Hook-and-loop fastener
12 x 16 x 4”

Yong Joo, Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped and Linked, 2012
Hook-and-loop fastener
12 x 16 x 4”

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped and Attached, 2011
Hook-and-loop fastener, thread
14 x 15 x 2.5”

Yong Joo, Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped and Attached, 2012
Hook-and-loop fastener, Thread
14 x 15 x 2.5”

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped, Pressed and Attached, 2012
Hook-and-loop fastener, Thread
9 x 13.5 x 1”
Model: Olivia Culpo
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Bracelet: In Light of Space: Overlapped and Twice Spiraled (Left)/ In Light of Space: Overlapped and Once Spiraled (Right), 2012
Grey Hook-and-loop fastener, Thread
5x 5 x 7” / 5 x 5 x 7”
Model: Olivia Culpo
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Bracelet: In Light of Space: Overlapped and Raised by Six (Left)/ In Light of Space: Overlapped and Twice Spiraled (Right), 2012
Grey and Black Hook-and-loop fastener, Thread
4.5 x 4.5 x 7.5” / 5.5 x 5.5 x 6”
Model: Olivia Culpo
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Bracelet: In Light of Space: Overlapped and Raised by Four (Left)/ In Light of Space: Overlapped and Raised by Six (Right), 2012
Black Hook-and-loop fastener, Thread
4.5 x 4.5 x 7.5” / 5.5 x 5.5 x 9.5”
Model: Olivia Culpo
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped and Attached, 2011
Hook-and-loop fastener, thread
14 x 15 x 2.5”
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Twist Looped and Linked, 2011
Hook-and-loop fastener
12 x 16 x 4”
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Rounded, Aligned and Twisted #1, 2011
Hook-and-loop fastener, thread
8 x 15 x 3”
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Neckpiece: Reconfiguring the Ordinary: Aligned, Rolled and Attached, 2011
Hook-and-loop fastener, thread, sterling silver
18 x 8 x 0.5
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Yong Joo Kim
Brooch: Reconfiguring the Ordinary: Rounded, Aligned and Folded, 2011
Hook-and-loop fastener, sterling silver
3.5 x 4 x 0.5 ”
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Brooch: Reconfiguring the Ordinary: Stacked and Rolled, 2011
Hook-and-loop fastener, sterling silver
4 x 3 x 2”
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Bracelet: Reconfiguring the Ordinary: Rounded, Aligned and Twisted #2, 2011
Hook-and-loop fastener, thread
3.75 x 4 x 1”
© By the author. Read Klimt02.net Copyright.

Yong Joo Kim
Ring: Reconfiguring the Ordinary: Rolled and Inserted, 2011
Hook-and-loop fastener, thread, sterling silver
1.25 x 1.25 x 1.25”
© By the author. Read Klimt02.net Copyright.

Outer Expression of Inner Beauty
Sublime Experiment
2012
© By the author. Read Klimt02.net Copyright.

Statement

Overview: Requisite Variety

After graduation in 2009, I was left with a limited set of tools, resources, and finances. Such limitation made me search for an inexpensive material that I could shape with my bare hands. The material I chose was pieces of grey and black hook and loop fasteners.

Making art became a method of survival. The act of making breathed meaning and reason necessary for my psychological survival. The act of sharing my work with the world provided food, clothes and shelter necessary for my physical survival.

To more consciously explore the relationship between art and survival, I decided to limit myself to merely three distinct shapes of hook and loop fasteners. I wondered if I could survive with such harsh limitations.

As I started to experiment by generating many diverse sets of forms from one or more of the three shapes, I began to see an inextricable link between survival and mastery.

Ashby's Law of Requisite Variety states that only variety can absorb variety. What he means is that, in order to master any problem or process, we have to be able to bring more variety to bear than is inherent in the situation.

Think of two jazz players improvising: one plays a certain melody and another responds with a different melody. Even when an unexpected melody is played, a master improviser has the ability to choose the most appropriate response that expresses the feeling they desire while maintaining the integrity of the ensemble. In this regard, mastery is the stage that one reaches by acquiring a sufficient variety of responses that empowers one to deal with this kind of interaction.

If the jazz players’ continuous playing is analogous to me being able to keep generating new forms, could this be what it means to survive? Could the process of survival be inextricably linked to the process of achieving mastery?

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Think of beans, straws, pins, nails, velcro, snaps, cable ties, and electric caps. These objects are not normally considered beautiful or valuable. I explore the value of such mundane objects, and discover their hidden beauty through a process of reconfiguration. Think of the velcro: a long strip of rough, bland, and industrial object, seen on shoes, bags, watches, and at the grocery store. As I pay close attention to it and its system of organization in my environment, I find new ways of looking, new ways of decomposing and composing them, and new ways of creating a relationship between it and our body. My work introduces unconventional use of familiar artifacts into a world full of conventions.

By assembling, grouping, clustering, and piling, the simple elements become complex, and give rise to the unexpected. As the wearer approaches my work, their perspective shifts and sudden realizations spark wonder, discovery, tension, joy and play. My investigation of creation, innovation, and transformation questions the definition of value, and provides a never-ending field for invention

CV

Yong Joo Kim, Seoul, South Korea.
Works and lives in Providence, RI , United States and Seoul, South Korea.

Education:
2009 MFA in Jewelry and Metalsmithing, Rhode Island School of Design (RISD) Providence, RI, U.S
2004 BFA in Arts and Crafts (Jewelry and Metalsmithing / Fiber Arts and Textile Design), Sook Myung Women’s University Seoul, Korea

Gallery Affiliation:
2013 Mobilia Gallery, Cambridge, MA, U.S.A
2013 Galerie Noel Guyomarc'h, Montreal, Canada
2011 Ornamentum Gallery, Hudson, New York, U.S
2009 Gallery HL, Seoul, South Korea

Work in Permanent Collections:
2016 Victoria and Albert Museum(V&A), London, U.K.
2015 Pureun Cultural Foundation, Seoul, South Korea
2014 Velcro Australia Inc. Permanent Collection, VA, Australia
2013 Velcro USA Inc. Permanent Collection // Manchester, NH, U.S.A
2012 Daniel Katz Private Collection // New York, NY, U.S.A | Sharon Ckarmazin Private Collection // New York, NY, U.S.A
2010 Museum of Arts and Design Permanent Collection // New York, NY, U.S. | Meredith Bernstein Private Collection // New York, NY, U.S. | Jacinta Remedios Private Collection // New York, NY, U.S.

Awards and Grants:
2016 Mari Funaki Award: Finalist, Gallery Funaki, Melbourne, Australia
2015 Special Citation Prize at the 9th Cheongju International Craft Competition, South Korea
2014 SAC Artist Awards: Winner, The Society of Arts and Crafts, Boston, MA, U.S.A // Cominelli Foundation Awards: Finalist, Cisano di San Felice del Benaco, Italy
2012 NICHE Award Winner in Jewelry: Sculpture to Wear // Sponsored by NICHE magazine, The Rosen Group
2011 Adrianna Farrelli Prize for Excellence in Fiber Art // The Philadelphia Museum of Art, PA, U.S
2010 Professional Arts Development Grants (PAD) // Rhode Island State Council on the Arts, RI | SAC Artist Awards // Top 5 finalist juried by Society of Arts and Crafts, Boston, MA
2009 LYDON Emerging Artist Award (LEAP) // finalist juried by the Society for contemporary craft, PA | Royal Marcher Scholarship, supported by Mr. H. J. Feibelman, RI | Fellowship awarded by graduate studies, Rhode Island School of Design (RISD), Providence, RI | Fellowship awarded by Jewelry and Metalsmithing, Rhode Island School of Design (RISD), Providence, RI
2008 The Bayerischer Kunstgewerbe-Verein Award (BKV) // Photo juried by Schmuckmuseum Pforzheim and Vertreter des Bayerischen Kunstgewerbe-Vereins, Bavarian Crafts Council, Munich, German | Royal Marcher Scholarship, supported by Mr. H. J. Feibelman, RI | Fellowship awarded by graduate studies, Rhode Island School of Design (RISD), Providence, RI | Fellowship awarded by Jewelry and Metalsmithing, Rhode Island School of Design (RISD), Providence, RI

Solo Exhibitions:
2017 Infinity in Finity, Bini Gallery, Melbourne, Australia
2015 Crossing the Chasm: Beyond the Threshold of Survival and Imagination by Yong Joo Kim, Seoul, South Korea
2013 Yong Joo Kim: Spotlight Mobilia Gallery, Cambridge, MA, United States
2013 Studies in Requisite Variety Hangaram Design Museum of Seoul Arts Center, Seoul, South Korea
2011 Reconfiguring the Ordinary II , Hangaram Design Museum of Seoul Arts center, Seoul, Korea
2010 Reconfiguring the Ordinary, Gallery HL, Seoul, South Korea

Two Person Exhibitions:
2015 Naturaficial: The Jewelry of Yong Joo Kim & Yoshie Enda The Gallery at Reinstein|Ross, New York, NY, U.S.A
2012 Twist : Yong Joo Kim & Aki Ichiriki Gallery C.A.J, Kyoto, Japan

Selected Group Exhibitions:
2017 Contemplastic2 : Contemporary Jewelry, Gallery Dam, Seoul, South Korea
2016 20 / 20 / 20, Galerie Noel Guyomarch, Montreal, Canada
2016 SOFA Chicago Represented by Galerie Noel Guyomarch, Chicago, IL, U.S.A.
2016 Make Your Movements: Korean Contemporary Objects, Korean Cultural Centre UK, London, U.K. / K11, Hong Kong
2016 China International Gallery Exposition Sponsored by Hiersun, China National Convention Center, Beijing, China
2016 品 (Poom) : Power of Gentleness, Sook Myung Women’s University Museum, Seoul, South Korea
2016 Embodied Hosted by UW-Milwaukee Jewelry & Metals, ZOOM symposium, UWM Art History Gallery, Milwaukee, WI, U.S.A.
2016 Korea NOW! Korean Crafts and Design, Bavarian National Museum, Munich, Germany
2016 Color Me This: Contemporary Art Jewelry, Turchin Center for the Visual Arts, U.S.A
2015 End of Year Exhibition, Galerie Noel Guyomarc'h, Montreal, Canada
2015 Future in Hands : 2015 Craft Trend Fair Main Exhibition curated by Kyoungrin Park, Coex A Hall, Seoul, South Korea
2015 The New Textiles: Transformed, Mobilia Gallery, Cambridge, MA, U.S.A.
2015 Future in Hands : The Main Exhibition of the Craft Trend Fair, Coex A Hall, Seoul, South Korea
2015 SOFA Chicago Represented by Galerie Noel Guyomarch, Chicago, IL
2015 KOREA NOW! Craft, Design, Fashion and Graphic Design inKorea, Musée des Arts décoratifs, Paris, France
2015 Hands+: The 9th Cheongju International Craft Biennale, Cheongju, South Korea
2015 Contemplastic, Gallery Baum, Heyri, South Korea
2015 Journey Through Time: Explorations of artful adornment and sculptural vessels through the ages, Mobilia Gallery, MA, U.S.A
2014 Remarkable Contemporary Jewellery Montreal Museum Of Fine Arts, Montreal, Canada | SAC Artist Awards Exhibition SAC Gallery, Boston, MA, U.S.A | Suspended in Green : Traveling Exhibition Galerie V&V in Vienna, Austria, Gabi Green Gallery, Munich, Germany / Lesley Craze Gallery, London, U.K | Objects of Status, Power & Adornment II Mobilia Gallery, Cambridge, MA, U.S.A
2013 Pinball Brooch Show // Harbourfront Centre, Toronto, Canada | Talente 13 // Internationale Handwerksmesse, Munich, Germany | Seams | Seems : Collaborative Exhibition, MADA Gallery, Monash University Museum of Art, Melbourne, Australia| SOFA Chicago represented by Pallate Gallery, Chicago, IL | Beijing International Jewelry Art Biennale China Millennium Monument, Beijing, China
2012 Simple matter(s) represented by The labo Matério , Maison&Object , Paris, France | Design Block, Prague, Czech Republic | International Jewelry Based on Readymades, Telemark Kunstnersentre, Skien, Norway | SOFA New York represented by Ornamentum Gallery, Park Avenue Armory, New York, NY, U.S | Sings of Life 2012, Facèré Jewelry Art Gallery, Seattle, WA, U.S | Twist, Gallery C.A.J, Kyoto, Japan | Contemporary visions of the necklace and Art for the ear / Art of the ring, Mobilia Gallery, Cambridge, MA, U.S.A | Hand Head Heart, Hidden Space, Seoul, South Korea
2011 Design Miami represented by Ornamentum Gallery, Miami, FL, U.S.A | SOFA Chicago represented by Ornamentum Gallery // Festival Hall, Navy Pier, Chicago, IL, U.S.A | Reconfiguring the Ordinary II // Hangaram Design Museum of Seoul Arts center, Seoul, Korea | Asia Top Gallery Hotel Art Fair // Grand Hyatt Hotel, Seoul, South Korea | Ten x Ten x Ten :Tieton// Mighty Tieton Warehouse Gallery, Tieton, WA, U.S.A | Pawtucket Foundation Prize Exhibition / / Pac gallery, Pawtucket, RI | Recontextualizing the Found Object // Martha Gault Gallery, Slippery Rock, PA
2010 Wrapped // Studio 20/17 Gallery, Sydney, Australia | Eccentric Fusion // Hera Gallery, Wakefield, RI | LOOT // Museum of Arts and Design, New York City, NY | Money // Hera Gallery, Wakefield, RI | Inflate / Deflate // Studio304, Providence, RI
2009 The Present : International jewelry show // Gallery HL, Seoul, South Korea | From Minimal to Bling : Contemporary Studio Jewelry // Society of Arts and Crafts, Boston, MA | To be : Determined : the first five Exhibition // Hatton Gallery, Colorado State University, CO | The 6th Cheongju International Craft // Cheongju Arts Center, Cheongju-si South Korea | Nuit Blanche // The Metal Guild of Canada , Toronto, ON, Canada | East/West Emerging Artists Exchange // Center on Contemporary Art (COCA), Seattle, WA | RISD Graduate Thesis Exhibition // Rhode Island Convention Center, providence, RI | Revolution // Society of North American Goldsmiths (SNAG), Loews Hotel, Philadelphia, PA | Present / Represent // Society of North American Goldsmiths (SNAG), Loews Hotel, Philadelphia, PA | Imaging Desire (The Aegis Biennial Exhibition) // Hite Art Institute, University of Louisville, KY
2008 Graduate Jewelry Biennial “Wear we are” // Sol Koffler Gallery, Providence, RI | 3rd Annual Intercollegiate Metals Exhibition // 100 Gallery, Herberger College of The Arts, Arizona State University, Tempe, AZ | Plastic Arts Survey // Hiller gallery, Brown University, Providence, RI | Cresting // Society of North American Goldsmiths (SNAG), Savannah College Art and Design, GA | Surge Society of North American Goldsmiths (SNAG), Savannah College Art and Design, GA
2006 Red Box // the 29th SOOM group show, INSA Art Center, Seoul, Korea | Sook Myung Art Festival // Hangarm Design Museum of Seoul Arts center, Seoul, Korea
2003 Crafts show // Artbijou Jewelry Gallery, Sejong Center, Seoul, Korea | Arts and Crafts Graduate Show // Chung pa Gallery, Sook Myung Women’s University, Seoul, Korea

Teaching Experience:
2017 Instructor, Expression and Medium I, Sook Myung Women’s University, Seoul, South Korea
2013 Critic, Introduction to jewelry, Rhode Island School of Design (RISD), Providence, RI
2012 Instructor // Jewelry and Light Metals: Intermediate, Continuing Education Class, Rhode Island School of Design (RISD), Providence, RI
2011 Instructor// Jewelry and Light Metals: The Basics, Continuing Education Class, Rhode Island School of Design (RISD), Providence, RI | Instructor// Jewelry and light metals: Intermediate Continuing Education Class, Rhode Island School of Design (RISD), Providence, RI
2010 Instructor// New Jewelry: Materials and Techniques, Continuing Education Class, Rhode Island School of Design (RISD), Providence, RI | Instructor// Jewelry Fabrication: The Basics, The Steel Yard, Providence, RI | Instructor// Jewelry and light metals : The Basics, Continuing Education Class, Rhode Island School of Design (RISD), Providence, RI
2008 -2009 Instructor// Introduction to Jewelry class, Rhode Island School of Design (RISD), Providence, RI

Speaking Engagements:
2016 Artist Lecture, Invited by Arts and Crafts Dept, Sook Myung Women’s University, Seoul, South Korea
2016 Artist Lecture, Invited by Product design Dept, Hongik University, Sejong Campus, South Korea
2015 Artist Lecture, Sook Myung Women’s University, Seoul, South Korea
2015 SNAG Conference: Impact: Looking Back, Forging Forward, Early Career Artists Talk, Boston, MA, U.S.A
2013 SOFA Chicago, SNAG Emerging Artists Lecture // Chicago, IL, U.S.A
2011 Visiting Artist Lecture and Critique // Rhode Island College, Providence, RI, U.S.A

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Yong Joo Kim

: RI 02903 - Providence
UNITED STATES

: 03053 - Seoul
SOUTH KOREA

: Website Yong Joo Kim; Tumblr Yong Joo Kim; Facebook Yong Joo Kim

Mail:: meyongjookim.com

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