Viktoria Münzker Ferus
Jeweller
/
MunichJewelleryWeek2020
Published: 03.07.2020
Viktoria Münzker
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viktoriamuenzker.eu
Brooch: Desmonema, 2020
Spruce wood, anodized titanium, silver 925, amber, lacquer.
6.5 x 6.5 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Ardent Desire, 2020
Driftwood, anodized titanium, amethyst, belemnite, silver 925, lacquer.
11.5 x 10 x 4 cm
Photo by: Viktoria Münzker Ferus
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Ring: Fuchsite Ring, 2020
Fuchsite, anodized titanium, micro-granule.
8.5 x 3.5 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: In This World, 2020
Mangrove wood, anodized titanium, amber, micro-granules, silver 925, lacquer.
12.5 x 5.5 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Terra Viridis, 2020
Mangrove wood, anodized titanium, malachite, silver 925, lacquer.
15 x 5 x 3.5 cm
Photo by: Viktoria Münzker Ferus
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Brooch: Terra Chromatica, 2020
Driftwood, anodized titanium, malachite, ruby, color enhanced, micro-granules, silver 925, lacquer.
9.5 x 11.5 x 5.5 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Cyanea, 2020
Spruce wood, anodized titanium, silver 925, pearl, jade, lacquer.
6.5 x 6.5 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Animalia, 2020
Spruce wood, anodized titanium, silver 925, bowenite, amethyst, lacquer.
6.5 x 6.5 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Aurelia, 2020
Spruce wood, anodized titanium, silver 925, garnets, zirconia, lacquer.
6 x 6 x 3 cm
From series: Terra Incognita
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Brooch: Medusae, 2020
Spruce wood, anodized titanium, silver 925, amazonites, lacquer.
12 x 6 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Tiaridae, 2020
Spruce wood, anodized titanium, silver 925, garnet, lacquer.
6 x 6 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Floresca, 2020
Spruce wood, anodized titanium, silver 925, aquamarine, lacquer.
6.5 x 6.5 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Noctiluca, 2020
Spruce wood, anodized titanium, silver 925, lacquer.
8 x 8 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Scintilla, 2020
Spruce wood, anodized titanium, silver 925, zirconia, lacquer.
6 x 6 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Terra Incognita
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Brooch: Silvanus, 2020
Mangrove wood, silver 925, citrine, tourmaline quartz, velvet, micro-granules.
12 x 7 x 5 cm
Photo by: Viktoria Münzker Ferus
From series: Mutations
Stone faceting, metal forming, soldering, mounting.
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Brooch: Floris Papilio, 2020
Plum wood, silver 925, amber, labradorite, agate, micro-granules.
15 x 7 x 3.5 cm
Photo by: Viktoria Münzker Ferus
From series: Mutations
Wood and stone carving, stone setting, metal forming, soldering, mounting.
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Brooch: White Trillium, 2020
Plum wood, silver 925, citrine, agate, amethyst, micro-granules. Wood and stone carving, faceting, stone setting, mounting.
10 x 5 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Mutations
Wood and stone carving, stone setting, metal forming, soldering, mounting.
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Bracelet: Viridis, 2019
Spruce wood, glass beads, brass, micro-granules, acryl lacquer.
14 x 14 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Austrum, 2019
Spruce and olive wood, brass, glass, ink, micro-granules, acryl lacquer.
14 x 14 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Caesium, 2019
Spruce and beech wood, brass, glass, micro-granules, gold leaf, ink, acryl lacquer.
16 x 13 x 3.5 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Sicarius, 2019
Spruce wood, glass beads, steel, micro-granules, lacquer.
13.5 x 13 x 2.5 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Luteus, 2019
Spruce wood, brass, glass, micro-granules, ink, acryl lacquer.
12.5 x 12.5 x 2.5 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Cyclamina, 2019
Spruce wood, beech wood, glass beads, brass, micro-granules, lacquer.
14 x 14 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Cyclop, 2019
Spruce wood, brass, 3 pearls, micro-granules, ink, acryl lacquer.
12 x 12 x 2.5 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Bracelet: Symphonia, 2019
Spruce and beech wood, steel, glass, ink, acryl lacquer.
14.5 x 13 x 6 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Brooch: Cycles of Nature, 2019
Brass, driftwood, disthen, ammonite, silver 925, micro-granules, ink, steel.
11 x 9 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Collar: Animal Instinct, 2019
Brass, bronze, driftwood, rubies, silver 925, rabbit skull, mother of pearl, ink, micro-granules.
27 x 18 x 7 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
The Art magazine Award at Art Jewelry Night Budapest 2019.
Nature has rules. But nature is also chaos. It has multiple possibilities. Amidst the chaos, there is harmony. The freedom of expression lies in nature. We are controlling our outer expressions. We make rules for ourselves because we want to know how far we are willing to go. We go beyond the limits and break the rules because we want to know ourselves. Animals Instinct necklace is made off traditional jewelry materials like metal or mother of pearl, but also an animal skull. The construction is inspired by the natural form of a medusa and Lillies. When you change your point of view, you will see either chaos and confusion, or you will experience creativity and communication.
Nature has rules. But nature is also chaos. It has multiple possibilities. Amidst the chaos, there is harmony. The freedom of expression lies in nature. We are controlling our outer expressions. We make rules for ourselves because we want to know how far we are willing to go. We go beyond the limits and break the rules because we want to know ourselves. Animals Instinct necklace is made off traditional jewelry materials like metal or mother of pearl, but also an animal skull. The construction is inspired by the natural form of a medusa and Lillies. When you change your point of view, you will see either chaos and confusion, or you will experience creativity and communication.
© By the author. Read Klimt02.net Copyright.
Collar: Orchid Avatar, 2019
Bronze, driftwood, emeralds, silver 925, agates, mother of pearl, micro-granules, ink.
25 x 17 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Brooch: Absentia Homine, 2019
Driftwood, brass, old glass stone, steel, ink, acryl lacquer, micro-granules.
15 x 10 x 4.5 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Brooch: Sunset, 2019
Driftwood, silver 925, steel, glass beads, micro-granules, ink, acryl lacquer.
14 x 10 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Brooch: Cycles, 2019
Beechwood, silver 925, gold 14kt, rock crystal, micro-granules, glass.
13 x 5.5 x 2.5 cm
Photo by: Viktoria Münzker Ferus
From series: Cycles of Nature
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Brooch: Lavandula, 2019
Driftwood, operculum (fishbones), wood, silver, ametrine, cotton, micro granules, glass, lacquer.
12 x 9 x 3 cm
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Brooch: Rubens, 2019
Driftwood, silver, synthetic rubies, micro granules, lacquer.
13 x 10 x 3,5 cm
Photo by: Viktoria Münzker Ferus
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Brooch: Geminus, 2019
Driftwood, silver, citrine, micro granules, lacquer.
15 x 5 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Red
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Collier: Archetype, 2018
Recycled mangrove wood, crystal, brass, micro granules, glass granules.
27 x 31 x 7 cm
Photo by: Viktoria Münzker Ferus
From series: Symbiotic connections
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Necklace: Avicennia Marina, 2018
Recycled mangrove wood, azurite, gold plated tombac chain, micro granules, gold.
9 x 11 x 5 cm, 80 cm length
Photo by: Viktoria Münzker Ferus
From series: Symbiotic connections
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Brooch: Growth, 2018
Recycled bonsai wood, copper, brass, agate, micro granules.
16 x 10 x 4 cm
Photo by: Viktoria Münzker Ferus
From series: Symbiotic connections
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Brooch: Landscape, 2018
Recycled mangrove wood, brass, micro granules, manganese oxide dendrites.
18 x 11 x 6 cm
Photo by: Viktoria Münzker Ferus
From series: Symbiotic connections
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Brooch: Barracuda, 2018
Driftwood, porcelain, iron, granules, silver.
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Brooch: Capitata Porpitida, 2017
Brass, fishbone, sea urchin, lapis lazuli, pearl.
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Brooch: Centrotus Lividus, 2017
Driftwood, sea urchin, plastic lashes, silver, carnelian, granules.
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Brooch: Ghost in a Shell, 2018
Driftwood, hollow cartridge cases, glass crystal, granules, silver.
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Brooch: Green Gold, 2018
Driftwood, silver gold plated, moss agate, fossilized coral, amber.
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Necklace: Helica, 2018
Driftwood, silver gold plated, mother of pearl, old nail, seashell, granules.
Photo by: Viktoria Münzker Ferus
From series: Microvita
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Brooch: Ceratosoma, 2017
Wood, operculum, brass, smokey quartz, lacquer, granules
Photo by: Viktoria Münzker Ferus
From series: Microvitum
Like a figment of my imagination. Reality as lifestyle is too confining. Reality is a collective feeling. Doors to the other worlds. Doors to the other perception. Doors of fantasy.
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Brooch: Ceratosoma, 2017
Wood, operculum, brass, smokey quartz, lacquer, granules
Photo by: Viktoria Münzker Ferus
From series: Microvitum
On model
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Brooch: Creation Divina, 2017
Wood, operculum, brass, silver, agate, granules, lacquer.
Photo by: Viktoria Münzker Ferus
From series: Microvitum
An infinite metamorphosis of a butterfly And life. Unrestless energy changes its form, In one moment body to spirit, In another thought to word. Word turns to act, Act turns to character.
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Brooch: Creation Divina, 2017
Wood, operculum, brass, silver, agate, granules, lacquer.
Photo by: Viktoria Münzker Ferus
From series: Microvitum
On model.
An infinite metamorphosis of a butterfly And life. Unrestless energy changes its form, In one moment body to spirit, In another thought to word. Word turns to act, Act turns to character.
© By the author. Read Klimt02.net Copyright.
Brooch: Creation Divina, 2017
Wood, operculum, brass, silver, agate, granules, lacquer.
Photo by: Viktoria Münzker Ferus
From series: Microvitum
Back view.
An infinite metamorphosis of a butterfly And life. Unrestless energy changes its form, In one moment body to spirit, In another thought to word. Word turns to act, Act turns to character.
© By the author. Read Klimt02.net Copyright.
Brooch: Cyerce, 2017
Driftwood, wood, operculum, rose quartz, silver, granules.
Photo by: Viktoria Münzker Ferus
From series: Microvitum
Materials’ metamorphose changes the colour And composition. It takes a new shape and charisma. It represents a thought of an immortal energy.
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Brooch: Cyerce, 2017
Driftwood, wood, operculum, rose quartz, silver, granules.
Photo by: Viktoria Münzker Ferus
From series: Microvitum
On model.
Materials’ metamorphose changes the colour And composition. It takes a new shape and charisma. It represents a thought of an immortal energy.
© By the author. Read Klimt02.net Copyright.
Necklace: Calmella Calvolini, 2017
Driftwood, cotton, silver, plastic beads, granules, lacquer.
Photo by: Viktoria Münzker Ferus
From series: Microvitum
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Necklace: Crystal Odyssey, 2016
Operculare, brass, rock crystal, silver, granules.
14 x 6 x 2.5 cm
Photo by: Viktoria Münzker Ferus
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Necklace: Flavius, 2016
Operculum, brass, agate, gold, granules.
11 x 5 x 2.5 cm
Photo by: Viktoria Münzker Ferus
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Necklace: Cupido Minimus, 2016
Operculum, brass, glas crystal, granules.
10 x 7 x 2.5 cm
Photo by: Viktoria Münzker Ferus
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Brooch: Aeria Memoria, 2016
Operculum, driftwood, antique nail, bronze, silver, granules.
11 x 5 x 3.5 cm
Photo by: Viktoria Münzker Ferus
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Necklace: Admiral, 2016
Operculum, bronze, glass, granules.
10 x 7 x 2 cm
Photo by: Viktoria Münzker Ferus
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Necklace: Hyacinthina, 2016
Operculum, bronze, silver, glass, granules.
11 x 8 x 2.5 cm
Photo by: Viktoria Münzker Ferus
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Necklace: Hyacinthina, 2016
Operculum, bronze, silver, glass, granules.
11 x 8 x 2.5 cm
Photo by: Viktoria Münzker Ferus
Back view.
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Brooch: Nagenta Memoria, 2016
Driftwood, antique nail, silver, aventurine, granules.
12 x 2.5 x 2.5 cm
Photo by: Viktoria Münzker Ferus
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Necklace: Rotunda, 2015
Silver, porcelain, granules, synthetic stones.
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Ring: Violet, 2015
Wood, silver, granules.
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Ring: Rose Absolue, 2016
Silver, wood, granules.
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Brooch: Violina, 2016
Silver, wood, granules
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Brooch: Pretiosus Natura, 2016
Driftwood, silver, jasper, rock crystal, synthetic ruby, granules.
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Brooch: Sepia Pearl, 2016
Wood, silver, mother of pearl, granules
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Brooch: Andromeda, 2016
Wood, Silver
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Brooch: Neralia, 2016
Driftwood, silver, rock crystal, granules.
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Brooch: Acqua Ambra, 2016
Driftwood, silver, amber, granules
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Brooch: Heliopora Coerulea, 2016
Driftwood, silver, granules, synthetic topas.
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Ring: Marine, 2015
Wood, silver, granules
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Brooch: Gorgonie, 2016
Wood, onyx, silver, granules.
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Brooch: Ambrosia Nera, 2016
Driftwood, amber, silver, granules.
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Brooch: Magenta, 2016
Wood, silver, amazonite.
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Viktoria Münzker FerusNecklace: Fading, 2014
Porcelain, wood, silver, onyx
17 x 28 x 2 cm
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Viktoria Münzker FerusNecklace: Corialias, 2014
Porcelain, glass, Silver, granules, old plastic pearls
20 x 20 x 3 cm
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Viktoria Münzker FerusNecklace: Corialla, 2014
porcelain, leather, granules
8 x 4 x 2,5 cm; 70 cm long
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Viktoria Münzker FerusBrooch: Crushable, 2014
porcelain, wood, Brass, Tiger's eye
13 x 5 x 2,5 cm
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Viktoria Münzker FerusBrooch: Little Lune, 2014
Porcelain, wood, Brass, Glass stone, alpacca
10 x 6 x 2,5 cm
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Viktoria Münzker FerusNecklace: The Man with the Key is King, 2014
wood, metal foil (fake gold), porcelain, gold plated USB key (with pictures and information of the collection , metal chain
20 x 28 x 2,5 cm
Collection: Royal Psychopaths
© By the author. Read Klimt02.net Copyright.
Viktoria Münzker FerusBrooch: Shut Down/Power Button, 2014
wood, porcelain, alpacca, lapis lazuli, metal granules, strass glass, silver foil
15 x 5 x 3 cm
Collection: Royal Psychopaths
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Viktoria Münzker FerusBrooch: Quick Response Code, 2014
wood, porcelain, alpacca, QR code, silver foil, metal granules
14 x 4,5 x 3 cm
Collection: Royal Psychopaths
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Viktoria MünzkerBrooch: Cleoniceras, 2013
Bronze, amber, ammonite, agate
11 x 7 x 2 cm
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Viktoria MünzkerBrooch: White Electron, 2013
Driftwood, metal granules, amber, silver, paint, resin
13 x 4 x 3,5 cm
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Viktoria MünzkerBrooch: Ambradoris Violet, 2013
Stained driftwood, amber, gold, verdelite (green turmaline), silver, metal granules, resin
14 x 6 x 2,5 cm
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Brooch: Hexabranchus ambra, 2013
Stained driftwood - stained, amber, glass, silver, resin, metal granules
15 x 6 x 2,5 cm
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Viktoria MünzkerBrooch: Blue Drago, 2013
Stained driftwood, citrine, glass, ink, lacquer, brass, steel, matall granules
11 x 2,5 x 2 cm
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Viktoria MünzkerBrooch: Flabellina, 2013
Stained driftwood, amethyst-agate geod, alpacca, ink, resin, glass granules, metall granules
10 x 7 x 2 cm
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Viktoria MünzkerNecklace: Fryeria Rueppeli, 2013
ronze, alginate, silver, resin, glass, synthetic sapphire, glass granules
57 cm
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Viktoria MünzkerNecklace: Marina Morosa, 2013
Stained driftwood, glass and metall granules, ink, resin, glass, ruby, herkimer diamond, crab claw, pearls
61 cm
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Viktoria MünzkerBrooch: Nero d’Avola, 2013
Stained driftwood, pearls, fish scales, resin, amethyst, metal granules, brass
13 x 6 x 4 cm
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Viktoria MünzkerBrooch: 210 BC, 2012
Alginate, patinated iron paint, copal, bronze patinated, steel
9.5x5x3 cm
Cast of a warrior-miniature sculpture of the terracotta army in Xi'an (central China). Copal is natural hardened, subfossil tree resin, which is usually aged between a few decades and a few thousand years.
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Viktoria MünzkerBrooch: Spumante, 2013
Stained driftwood, rock crystal with inclusions, glass, agate, copper, brass, metal granules, resin
14 x 6 x 5 cm
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Viktoria MünzkerRing: Phialina, 2013
Stained driftwood, metal granules, agate, bronze
6 x 3 x 3,5 cm
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Viktoria MünzkerBrooch: A dream, 2012
Plum wood, amber, silver, steel
13.5x3x2 cm
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Viktoria MünzkerBrooch: A dream (detail), 2012
Plum wood, amber, silver, steel
13.5x3x2 cm
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Viktoria MünzkerBrooch: Broken, 2012
Alginate, bronze, amethyst, steel, paint
6x6x3.5 cm
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Viktoria MünzkerBrooch: Broken (back view), 2012
Alginate, bronze, amethyst, steel, paint
6x6x3.5 cm
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Viktoria MünzkerBrooch: Crassicornis, 2012
Alginate, driftwood, acryl, glass, metall granules, alpaca, steel, bronze paint
4x8x12 cm
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Viktoria MünzkerBrooch: Fischsalat, 2012
Alginat, cyan ink, alpaca, steel, lacquer
4x9x12 cm
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Viktoria MünzkerBrooch: Hermits lair, 2012
Driftwood, acryl, andradite, glass and metal granules, crab shell, steel, lacquer
12x4.5x4.5 cm
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Viktoria MünzkerBrooch: Rust, 2012
Driftwood, bronze patinated, smokey quartz, iron paint
9x4x2 cm
(Private collection Bratislava, Slovakia)
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Viktoria MünzkerBrooch: Phyllidiids, 2012
Alginate, driftwood, paint, velvet powder, alpaca, amethyst, steel
10.5x7x2.5 cm
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Viktoria MünzkerBrooch: Pink lord, 2012
Driftwood, acryl, agate, alpaca, urchin prickles
3x3x14 cm
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Viktoria MünzkerBrooch: Safir, 2012
Painted coral, bronze, sapphire, wood, steel
11x1.5x1.5 cm
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Viktoria MünzkerBrooch: Lena, 2012
Alpaca patinated, bronze, silver, glass, steel, rabbit fur, coral
9x7x2 cm
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Viktoria MünzkerBrooch: Scale-over-fish, 2012
Alpaca, fish scale, cotton thread, wood stain
3x9x14 cm
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Viktoria MünzkerBrooch: Scale-over-fish (back view), 2012
Alpaca, fish scale, cotton thread, wood stain
3x9x14 cm
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Viktoria MünzkerBrooch: Bubbles-first
Wood, ink, lacquer, silver, glass, steel
5.5x4.5x2 cm
Viktoria, Münzker
Brooch: Bubbles-first
Wood, ink, lacquer, silver, glass, steel
5.5x4.5x2 cm
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Viktoria MünzkerInstallation: Bubbles of water with bubbles of air, 2012
Bubbles of water appeared in the morning on the stones, leaves and trees.
They are called dewdrops and they are beautiful. So delicate and soft, they tend to break up when you touch them. I wanted to preserve these drops of nature, caught on the wood, made of glass. They are floating on the water, with no possibility of a crash. They are now out of harm's way, closed in a bigger translucent bubble. My installation is here to protect and guard bubbles of delicate built.
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Viktoria MünzkerNecklace: Abbysal art, 2102
Driftwood, old plastic beads, red cotton thread, brass, cyan ink
40 cm
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Viktoria MünzkerNecklace: Abbysal art (detail), 2012
Driftwood, old plastic beads, red cotton thread, brass, cyan ink
40 cm
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Viktoria MünzkerBrooch: Nerolinus, 2012
Driftwood, Alpaca, Steel, Rock crystal, Graphite paint, Metal granules
12 x 3,5 x 3 cm
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Viktoria MünzkerBrooch: Chromodoris, 2012
Alginate, Rock crystal, Silver, Alpaca, Steel
8,5 x 5 x 3 cm
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Viktoria MünzkerBrooch: Sluggish, 2012
Alginate, Alpaca, Silver, Citrine, Paint, Metal granules
8,5 x 7,5 x 3 cm
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Viktoria MünzkerBrooch: Sluggish (worn), 2012
Alginate, Alpaca, Silver, Citrine, Paint, Metal granules
8,5 x 7,5 x 3 cm
photo: Jan Ferus
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Viktoria MünzkerBrooch: Deep Violet, 2012
Driftwood, Bronze, Malachite, Steel, Paint
11 x 7 x 4 cm
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Viktoria MünzkerBrooch: Deep Violet, 2012
Driftwood, Bronze, Malachite, Steel, Paint
11 x 7 x 4 cm
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Viktoria MünzkerNecklace: Splash, 2012
Alginate, Alpaca, Silver, Paint, Velvet powder, Glass stone
60 cm long, 9 x 8 x 3 cm
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Viktoria MünzkerNecklace: Splash, 2012
Alginate, Alpaca, Silver, Paint, Velvet powder, Glass stone
60 cm long, 9 x 8 x 3 cm
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Viktoria MünzkerBrooch: Tubularia Perla, 2012
Driftwood, Alpaca, Steel, Liberian Dessert Glass, Paint, Metal Granules, Plastic pearls
15 x 8 x 4,5 cm
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Viktoria MünzkerBrooch: Tubularia, 2012
Driftwood, Alpaca patinated, Steel, Synthetic Topaz, Paint, Enamel
15 x 6,5 x 4 cm
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Viktoria MünzkerBrooch: Coprinopsis, 2012
Alginate, Driftwood, Graphite paint, coloured coral, Paint, Alpaca, Steel
11,5 x 6 x 3,5 cm
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Viktoria MünzkerBrooch: Coprinopsis, 2012
Alginate, Driftwood, Graphite paint, coloured coral, Paint, Alpaca, Steel
11,5 x 6 x 3,5 cm
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Viktoria MünzkerBrooch: The blue Tunnel, 2012
Driftwood, Silver, Alpaca, Steel, Turquoise, Alginate, Citrine, Paint
14 x 7 x 3,5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: The blue Tunnel, 2012
Driftwood, Silver, Alpaca, Steel, Turquoise, Alginate, Citrine, Paint
14 x 7 x 3,5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: d`Amber, 2012
Driftwood, Silver, Amber, Paint, Steel
12,5 x 5 x 3,5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: d`Amber, 2012
Driftwood, Silver, Amber, Paint, Steel
12,5 x 5 x 3,5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: d`Amber (worn), 2012
Driftwood, Silver, Amber, Paint, Steel
12,5 x 5 x 3,5 cm
photo: Jan Ferus
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Viktoria MünzkerBrooch: d`Azur, 2012
Driftwood, Silver, Alpaca, Amber, Paint, Steel
11 x 3 x 3 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: d`Azur, 2012
Driftwood, Silver, Alpaca, Amber, Paint, Steel
11 x 3 x 3 cm
photo © Viktoria Münzker
Detail
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Viktoria MünzkerBrooch: Species, 2012
Driftwood, Silver, Amethyst, Paint, Steel
11 x 6 x 3,5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Species, 2012
Driftwood, Silver, Amethyst, Paint, Steel
11 x 6 x 3,5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Species (worn), 2012
Driftwood, Silver, Amethyst, Paint, Steel
11 x 6 x 3,5 cm
photo: Jan Ferus
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Viktoria MünzkerBrooch: Nerolina, 2011
Driftwood, Inclusion Rock Crystal, Silver, Steel, Paint
12,5 x 5 x 3 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Nerolina, 2011
Driftwood, Inclusion Rock Crystal, Silver, Steel, Paint
12,5 x 5 x 3 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Spetia Violetta, 2012
Driftwood, Paint, Silver, Steel, Silver Foil, Alginate
14 x 5 x 5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Spetia Violetta, 2012
Driftwood, Paint, Silver, Steel, Silver Foil, Alginate
14 x 5 x 5 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Animalia, 2012
Driftwood, Alginate, Velvet, Paint, Silver, Alpaca, Glass crystals, Prasiolite, Steel
12 x 7 x 3 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Animalia, 2012
Driftwood, Alginate, Velvet, Paint, Silver, Alpaca, Glass crystals, Prasiolite, Steel
12 x 7 x 3 cm
photo © Viktoria Münzker
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Viktoria MünzkerBrooch: Animalia (worn), 2012
Driftwood, Alginate, Velvet, Paint, Silver, Alpaca, Glass crystals, Prasiolite, Steel
12 x 7 x 3 cm
photo: Jan Ferus
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Viktoria MünzkerBrooch: Enviro, 2010
Silver, cement, rock crystal, plaster
5 x 5 x 5 cm
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Viktoria MünzkerBrooch: From beach, 2011
Alginat, silver, citrine, pigment
8 x 5 x 3 cm
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Viktoria MünzkerBrooch: From beach, 2011
Alginat, silver, citrine, pigment
8 x 5 x 3 cm
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Viktoria MünzkerBrooch: Down in the sea, 2011
Alginate, silver, citrine, silver granules
2 x 6,7 x 8,2 cm
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Viktoria MünzkerBrooch: Nipple one, 2011
Silver, cement, shell, crab claw, steel
5 x 5 x 2,5 cm
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Viktoria MünzkerBrooch: Nipple two, 2011
Silver, cement, steel, pearl
5 x 5 x 2,5 cm
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Viktoria MünzkerBrooch: No name, 2011
Alginat, silver, steel, silver granules
4 x 5 x 5 cm
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Viktoria MünzkerBrooch: No name, 2011
Alginat, silver, steel, silver granules
4 x 5 x 5 cm
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Viktoria MünzkerNecklace: Sea dip, 2011
Alginate, silver, silver granules, cement
52 cm long x 7,5 x 7,5 cm
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Viktoria MünzkerBrooch: Slug, 2011
Alginate, silver, silver foil, amethysts, copper
3 x 9 x 7 cm
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Viktoria MünzkerNecklace: Water dip, 2011
Alginate, cement, silver, silver foil
65 cm long x 6 x 6 cm
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Viktoria MünzkerNecklace: Water dip, 2011
Alginate, cement, silver, silver foil
65 cm long x 6 x 6 cm
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Viktoria MünzkerBrooch: Cherry blossom series, 2011
Bone china, silver, steel
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Viktoria MünzkerNecklace: Cherry blossom series, 2011
Bone china, silver, pearls
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Viktoria MünzkerBrooch: Cherry blossom series, 2011
Bone china, silver, pearl
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Viktoria MünzkerNecklace: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized
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Viktoria MünzkerNecklace: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized
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Viktoria MünzkerBrooch: Cherry blossom series, 2011
Bone china, silver, steel, pearls
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Viktoria MünzkerBrooch: Cherry blossom series, 2011
Bone china, silver, steel, pink peruvian opal
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Viktoria MünzkerBrooch: Cherry blossom series, 2011
Bone china, silver, steel, pearl, oxidized
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Viktoria MünzkerBrooch: Cherry blossom series, 2011
Bone china, silver, steel, pearls, velvet powder, herkimer diamond
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, pearls, brass silver plated, oxidized
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, onyx, brass silver plated, oxidized
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized, vanadinit, coral
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized, coral, agate
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized, agate
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized, selenite, rose quarz
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, brass silver plated, oxidized, selenite, rose quarz
Detail
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Viktoria MünzkerBrooch: Cherry blossom series, 2009
Bone china, pearls, brass silver plated, oxidized
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Viktoria MünzkerNeckpiece: Unknown, 2010
Silver, rose quartz, amethyst, alginat with concrete, steel
7 x 8 x 2.5 cm, 72 cm length
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Viktoria MünzkerNeckpiece: Blue planet, 2010
Silver, azurite, alginat
7,5 x 8 x 2,5 cm, 90 cm length
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Viktoria MünzkerNeckpiece: Steinzeit, 2010
Alginat, silver, steel
9 x 7 x 3 cm, 80 cm length
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Viktoria MünzkerNeckpiece: Front/Back, 2010
Alginate, gold, silver
10 x 6 x 2 cm, 104 cm length
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Viktoria MünzkerNeckpiece: Back/Front, 2010
Alginate, gold, silver
10 x 6 x 2 cm, 104 cm length
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Viktoria MünzkerNeckpiece: Schaukel, 2010
Steel, amethyst, alginate with concrete
7 x 4,5 x 1,5 cm, 80 cm length
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Viktoria MünzkerNeckpiece: Schaukel, 2010
Steel, amethyst, alginate with concrete
7 x 4,5 x 1,5 cm, 80 cm length
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Viktoria MünzkerBrooch: Faust-Keil, 2010
Silver, steel, alginate
7,5 x 9 x 3 cm
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Viktoria MünzkerNeckpiece: Stonehenge, 2010
Alginate with concrete, sliver, velvet powder
8 x 8 x 3 cm, 80 cm length
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Viktoria MünzkerNeckpiece: Frame, 2010
Alginate, silver
8 x 7 x 5 cm, 80 cm length
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Viktoria MünzkerNeckpiece: Frame, 2010
Alginate, silver
8 x 7 x 5 cm, 80 cm length
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Viktoria MünzkerBrooch: Sediments, 2010
Steel, silver, alginate
7 x 4,5 x 1,8 cm
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Viktoria MünzkerNecklace: Untitled, 2010
Bullet case, peel-off mask, sewing
93 cm length
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Viktoria MünzkerNecklace: Untitled, 2010
Bullet case, peel-off mask, sewing
93 cm length
Detail
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Viktoria MünzkerNecklace: Untitled, 2010
Bullet case, peel-off mask, sewing
100 cm length
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Viktoria MünzkerNecklace: Untitled, 2010
Bullet case, peel-off mask, sewing
100 cm length
Detail
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Viktoria MünzkerBrooch: Untitled, 2010
Half bullet case, steel
10 x 2 cm
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Viktoria MünzkerRing: Untitled, 2010
Silver, peel-off mask, garnet, sewing
5 x 4 x 3 cm
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Viktoria MünzkerRing: Untitled, 2010
Silver, peel-off mask, garnet, sewing
5 x 4 x 3 cm
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Viktoria MünzkerRing: Untitled, 2010
Silver, peel-off mask, colored coral, plastic, sewing
9 x 6 x 3,5 cm
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Viktoria MünzkerBrooch: Untitled, 2010
Silver, peel-off mask, bullet case, velvet powder, steel, sewing
ø 5 x 3,5 cm
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Viktoria MünzkerBrooch: Untitled, 2010
Silver, peel-off mask, bullet case, velvet powder, steel, sewing
ø 5 x 3,5 cm
Detail
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Viktoria MünzkerBrooch: No way out, 2010
Silver, peel-off mask, coffin nail, steel, sewing
13 cm length
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Viktoria MünzkerBrooch: No way out, 2010
Silver, peel-off mask, coffin nail, steel, sewing
13 cm length
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Viktoria MünzkerPendant: Ring, 2010
Gold, plastic, coffin nail, velvet powder
11 x 4 cm
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Viktoria MünzkerBrooch: When I grow up, 2010
silver, bullet case, steel, velvet powder
5 x 2,5 cm
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Viktoria MünzkerNecklace: Untitled, 2010
Bullet case, peel-off mask, spinel, silk, sewing
47 x 5 x 1,5 cm
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Viktoria MünzkerNecklace: Untitled, 2010
Bullet case, peel-off mask, spinel, silk, sewing
47 x 5 x 1,5 cm
Detail
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Viktoria MünzkerNecklace: Manuel, 2010
Silk, coffin nails
72 cm length
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Viktoria MünzkerNecklace: Manuel, 2010
Silk, coffin nails
72 cm length
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Viktoria MünzkerRing: Snail Ring (Touch and Smell), 2009
Silver, coral, plastic, smokey quartz, benzoe sumatra
5,5 x 3,5 x 3,5 cm
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Viktoria MünzkerBrooch: Snail Ring (Touch and Smell), 2009
Silver, coral, plastic, smokey quartz, benzoe sumatra
5,5 x 3,5 x 3,5 cm
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Viktoria MünzkerRing: Lamp Ring (Touch and Smell), 2009
Silver, citrine, plastic, belemnites, essential oil
5,5 x 3,5 x 3,5 cm
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Viktoria MünzkerRing: Lamp Ring (Touch and Smell), 2009
Silver, citrine, plastic, belemnites, essential oil
5,5 x 3,5 x 3,5 cm
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Viktoria MünzkerRing: Squid Ring (Touch and Smell), 2009
Silver, plastic, coral, ruby, essential oil
5,5 x 3,5 x 3,5 cm
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Viktoria MünzkerRing: Squid Ring (Touch and Smell), 2009
Silver, plastic, coral, ruby, essential oil
5,5 x 3,5 x 3,5 cm
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Viktoria MünzkerPendant: Sweet Pendant (Touch and Smell), 2009
Silver, rock crystal, cement, styrax
9 x 5 x 1,5 cm
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Viktoria MünzkerBrooch: Stick Brooch (Touch and Smell), 2009
Silver, coral, belemnites
5,5 x 1,3 x 1,3 cm
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Viktoria MünzkerPendant: Deconstructive jewelry #1h, 2009
Silver, gold, peridot
8 x 5 x 0,6 cm
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Viktoria MünzkerNecklace: Sandal Necklace (Touch and Smell), 2009
Silver, belemnites, old beads, cement, sandalwood, rose quartz, silk
7,5 x 3,8 x 1,7 cm
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Viktoria MünzkerNecklace: Sumatra Necklace (Touch and Smell), 2009
Silver, cement, benzoe sumatra, amethyst geod, silk
8 x 4 x 2,2 cm
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Viktoria MünzkerEarrings: Deconstructive jewelry #1i, 2009
Silver, peridot
3,8 x 2,4 x 1,2 cm
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Viktoria MünzkerNecklace: Deconstructive jewelry #1j, 2009
Silver, gold
5 x 5 x 0,3 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, amethyst, peridot, silver, wax-perfume
7.5 x 6 x 2 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, fossil coral, red jasper, silver, wax-perfume
5 x 7 x 5.4 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, fossil coral, red jasper, silver, wax-perfume
5 x 7 x 5.4 cm
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Viktoria MünzkerPendant: The Scent of Jewellery, 2009
Wood, tiger eye cameo, tourqise, silver, gold, wax-perfume
5.1 x 3.2 x 1.6 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, rose quartz, silver, wax-perfume
8 x 4 x 1.2 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, fossil coral, red jasper, silver, wax-perfume
5 x 7 x 5.4 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, agate, silver, wax-perfume
6.2 x 3.2 x 3.2 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, malachite, found gold object with precious stones, brass, wax-perfume
8.5 x 3.5 x 2.9 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, blaufluss elephant, silver, steel, wax-perfume
12.5 x 5.4 x 3.4 cm
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Viktoria MünzkerNecklace: The Scent of Jewellery, 2009
Wood, silver, septaries, wax perfume
7.8 x 7.2 x 3 cm, chain 60 cm
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Viktoria MünzkerNecklace: The Scent of Jewellery, 2009
Wood, silver, agate, silk, wax-perfume
7.6 x 6.1 x 2.2 cm, cord 58 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, silver, steel, malachite, silk, wax perfume
3.5 x 3.5 x 1.7 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, silver, steel, agate, wax perfume
8.2 x 5.9 x 2.9 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, silver, steel, agate, wax perfume
8.2 x 5.9 x 2.9 cm
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Viktoria MünzkerBrooch: The Scent of Jewellery, 2009
Wood, silver, steel, smoky-quartz, wax perfume
6.2 x 5.7 x 3.9 cm
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Viktoria MünzkerPendant: Pomander-Intimity, 2008
Coral, rock crystal, garnets, silver, plastic bottle
8 x 9,5 x 2,5 cm, chain 74 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1a, 2008
Silver, gold, glass
4,5 x 5,5 x 1,5 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1b, 2008
Silver, gold
4,5 x 3 x 1 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1c, 2008
Silver, gold, amethyst
3 x 5,3 x 1 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1d, 2008
Silver, gold
6,5 x 3,5 x 1 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1e, 2008
Silver, gold, topaz
3,5 x 5,3 x 1,3 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1f, 2008
Silver, gold, glass
4 x 5,2 x 2 cm
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Viktoria MünzkerBrooch: Deconstructive jewelry #1g, 2008
Silver, gold, glass
4 x 3,2 x 1,5 cm
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Viktoria MünzkerNecklace: Inferno series, 2008
Silver, onyx, peel-off masque, glass beads, copper chain
50 x 7 x 3 cm
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Viktoria MünzkerNecklace: Inferno series, 2008
Silver, chalcedony, peel-off masque, silk, copper chain, silver chain, beads
60 x 4 x 2 cm
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Viktoria MünzkerNecklace: Inferno series, 2008
Silver, agate, peel-off masque, plastic beads, silk
60 x 6 x 2,5 cm
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Viktoria MünzkerBrooch: Abundance series, 2007
Silver, amber, coral
4,5 x 7 x 2 cm
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Viktoria MünzkerPiece: Abundance series, 2007
Silver, amber, coral
7 x 2,5 x 2,5 cm and 7 x 2,5 x 1,5 cm
Ring and Brooch
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Viktoria MünzkerBrooch: Under pressure, 2008
Silver, black garnet, old beads
4 x 10 x 1,5 cm
© By the author. Read Klimt02.net Copyright.
Viktoria MünzkerPendant: ANS02, 2007
Silver, topaz
8 x 3 x 2,5 cm
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Viktoria MünzkerBrooch: Inferno series, 2008
Silver, Herkimer-diamond, peel-off masque, silk, antique brooch
8 x 7 x 3 cm
© By the author. Read Klimt02.net Copyright.
Viktoria Münzker is an artist born in Slovakia, living and working in Vienna, Austria. Graduated from AFAD Bratislava and with a Master from the same university, the artist was the first prize of the "Azur" jewellery art contest and it's a regular presence in internacional exhibitions. Her work was also published in diverse publications, such as Contemporary Jewellery Year Book 2012" and "500 New Necklaces". Viktoria Münzker is represented by galleries in Austria and also in Slovakia.
Statement
Symbiotic ConnectionsSymbiotic relationship symbolizes the interpenetration and infusion of materials and forms. The bond is created by the adaptation and addiction of species. The symbiosis creates new patterns and symbols that grow from the inside to the surface.
The jewellery pieces are made of wood, stones, metal and other materials. In the brooch Landscape and the brooch Growth, wood and stone complement and expand. Landscape jasper and agate geode, set in brass, make the recycled wood complete. Only through them becomes the piece of wood alive.
Archetype Collier connects the raw, simple shape of the recycled wood combined with brass pieces into a circle. The purity of the form is elevated with transparent Crystal. The basic structure stands for archetype and refers to the simplest, original form of a collier. So close to the body, the necklace creates a close dialogue with the human form. But it resists, clings unwilling to the movements, and thus develops a visual and tactile relationship with the wearer.
The importance of the necklace as protection lies in its position on the body between the chest and the head. The use of natural materials shows the devotion and connectivity of man to earth. His construct is a fragment of the world, regardless of the limits of the possible.
Necklaces Avicennia marina is made of mangrove wood. This wood is rich in biodiversity and act as habitats for wildlife. Inside is a habitable environment for Naturally grown azurite ball. It comes to a symbiotic growth in this salt plant.
Mangrove environment is highly dynamic and harsh and mangrove species are variously adapted to cope with these environmental conditions. It is considered as a best form of coastal bioshield since it plays a critical role in reducing the impact of cyclonic storms, hurricanes and tsunami on human lives and properties.
Red Collection
Red always present in my life and work, as the color of my hair, color of my jewelry and temperament. It is a living proof of life in all its facets with magical attributes like sustainability, willpower, courage, power and spirit. It serves physical revitalization and sexuality.
Crystal Odyssey Collection
imagine your boat drifting in the winds
towards the stars
nothing is real
everything is fantasy
kaleidoscope skies with your head in the clouds
there's a place of diamond fields
lonely hearts standing there
where are they coming from
words are a sea of green, gold and blue
follow the man next door
the sun will know
all you need is everyone
across the lane, we live a life of ease
return to the galaxy of souls
where the crystal odyssey was written
and colored with memories
The Orbis regius Collection
In the beginning, all is empty and dark. It looks like a never-ending sphere. The darkness is strong and heavy. Only a small grain from the destroyed world remains. It's floating and collecting positive energy from the space. In the right moment, at the proper place, it explodes at the speed of light. From one moment to another, the universe is full. Blending, full of light, waiting for you. Make a wish. Create the new world of light, gravid in possibilities.
To give birth to something new, something old must die. By focusing on the essentials we reach the blurred lines between natural and artificial. These relationships are the jewel in the composition of freedom and individual expression.
Sometimes we see only what we want to see. Sometimes it's enough. We want to know the truth behind things.Truth is freedom. So we ask, investigate and are curious. We want to find out how things work. We are creating a universe with the least constraint. The need to create is an elementary necessity of us all.
Desiderium ad Universum
Delicate forms and mellow colors tempt our senses and create unique desserts. I love to dive. Into the depth of the oceans, into the colours of nature, into the subconscious. Natural metamorphosis enchants me, like the transformation of tree resin into a healing stone. A precious gold-coloured tear of God seeping from the inside of a natural organism. Encloses everything that’s on its way. Insects and worms haven’t found a way out. And amber has found a way into jewellery.
Inspired by my desire for nature, hidden connections come out in the sun. Wild scenes in the night of the universe – the beauty of discovery. Riding fast on the blue road, ardent movement of a shape. Red shadows follow us, crystalize and grow on a body. An orchestra of galaxies sending signals of colorful tones swinging over the seas, breach the water surface without a splash. A taste explosion, a fabulous naked miracle of surprise, the true colour of orgiastic blossom. Planet of drops, the horizon is a geyser.
Into the Unknown
If the material character dominates in the jewelry, it is caught in the moment of fascination, even if it exposes him to extreme conditions, such as the processing by a human. By focusing on the essentials and not to external conditions, we reach the blurred lines between the natural and artificial. These relationships are the jewel in the compositions of freedom.
She poured herself a cup of coffee and sat down again to her laptop.
The "Flatworms" have brought up an idea that might work well. She has never seen anything like that, this fine, flaky body look like stripped layers of paint that were so colorful that one could hardly believe it ....... They have taken it to her heart.
Far below the horizon, in the darkness of the ocean it lives unobserved by humans. Where the light goes out and ceases to exist, romp creatures of unknown nature. They lure us in mysterious ways, open up their habitat and run off with us into their closed world.
In their habitat „live“ many algae.
Alginate is a material which is derived from algae. Mixed with water, it serves as a jelly-like mass for body forming. As a purely biological material it is safe and environmentally friendly. Process after the water evaporates and the shape shrinks and dries out. It is very easy. This ease has intrigued me. This was the moment where I have processed it and made jewelry of it. I've often changed, further carved, colored, or coated the imprint. These pieces include cement, pigments or sand. What are these objects? They are mild forms, imprints of shells, skeletons of marine organisms, parts of melted sand grains together, or the unknown nature which we cannot see. This jewellery shows how I see the real, or even the unreal. There are not really found shells, or coral skeletons, there are only three-dimensional pictures of it. And what is then what could be known only seems more real than visible things. The game played by real and not real, takes place in jewelry and the wearer's body.
The Scent of Jewellery
I always think about the connection between aroma and jewellery. How much smells influence our life and our sympathies to others - for a long time the connection is proved between pheromones and partner choice, in addition, how to smell our brain and our emotions strongly influence.
Wearing perfume like jewellery. I’ve impregnated wooden pieces (from silver fir) with oil mixture of ethereal oils and bee-wax to make a new dimension and an experience which has his origin in Pomander (or musk apple). The relation between jewellery and perfume is very narrow.
In the middle Ages the ladies and lords of the Provence carried small pendants filled with musk or amber which was called “Pomander “. Magic forces were ascribed to this pendant and one said that it protected its bearer. The pomander was worn or carried in a vase, also known by the same name, as a protection against infection in times of pestilence or merely as a useful article to mollify bad smells.
Ceremonies, Amulets, Perfumes
To reassert tribal needs and memories
You can see the jewel
But if you close your eyes
You can “only” smell it
Smells like sweet Moschus
Like memories.
Emotion is a memory of scent
Scent is a memory of emotion
The deconstructive jewelry
Silver and gold. Glass and gems. Construction and emotion. Deconstruction and structure. In and between. Forms twist their way out from the inside. They lift off the skin of the jewelry piece, exposing the structure, they create a second skin around the new volume. The structure breaks down, the surface fills up with forms that are then put under tension by being twisted to each other and to the piece. Between inside and out, original and addition, structure and facade. Pure form is interrogated in a way that reveals its twisted and splintered structure. This apparent chaos actually constructs the body of the jewelry pieces. The internal disorder produces the bar even while splitting it. It is actually constructed out of fragments of that world. The surface is a side effect of the dialogue between internal contorted geometry and external geometry.
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Jewellery is for me an object, which communicates on non-verbal level. Jewellery emits signals. The signals which originate from thought, ideas and concepts. These pulsate in the space and communicate. My main idea is to show jewellery as an object which becomes its power by wearing on human body.
I find my inspiration often in the nature. Nature has perfected her forms about milliards of years; to imitate their creations is for me natural.
I’m interested in deals with interaction between living and non-living elements and systems.
The transformation is about the symbiosis of these two systems.
The transformation of animals in art; pre-historical animals, totem animals or insects. These nature creations transform our human being. Our inner life and soul.
I was inspired by natural stones and biological forms. I have transformed the form of living animals in jewellery pieces, by using natural stones (fluorite, topaz, aragonite, lapis lazuli, aquamarine, garnet…..), amber, pearl, silver and copper.
Many people believe that abundance will come by working with certain things like candles, crystals and essences. For me is jewellery making abundance enough. Abundance is like a never-ending sea of inspiration. There are corals in the sea and golden amber pieces. I combine these in pairs and they perform a jewellery piece.
Intimacy is for me a theme, which is in jewellery still current.
Intimacy is both the ability and the choice to be close, loving and vulnerable. Intimacy requires identity development. You have to know yourself and your inner self in order to share your self with another. Knowing yourself makes it possible to stand for yourself in an intimate relationship without taking over the other or losing yourself to the other. Intimacy is present in jewelry, secret and scent. The scent of everyone is very personal and intimate. That is why I choose a pomander as an inspiration source for “Intimate Jewelry”, I’ve also made scented necklaces at my dissertation work “Paradiso/Inferno”.
Suggestions for the creation of Paradiso/Inferno were my emotional forces, experiences and internal pictures. The other side of scented Paradiso is Inferno, a place where demons of fear live. To defeat these demons signified to bring them to the surface. I have pulled down my fears symbolically from my face. Very much-repeated external cleaning of my face by a cosmetic peel-off mask (which releases the skin from impurities) has projected itself after about 60 repetitions in my inside. It was a trip through the purgatory. At the end, an amount from wafer-thin, clear skins with my facial impression remained. In these skins (masks) my fears are caught, and I can defeat them only if they become jewellery. The fear thereby loses its strength and cannot injure me anymore. I have sewn the wounds, but the scars have remained. Here I have also enclosed a few precious stones (amethyst, garnet and aquamarine) which stand for my deepest inside.
CV 
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Viktoria Münzker
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