Published: 22.07.2020
Corrado de Meo
hotmail.comBrooch: Pathos - I, 2019
Silver, papier maché, acrylic paints, oxide.
75 x 7.5 x 1 cm
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Brooch: Pathos - II,, 2019
Silver, papier maché, acrylic paints, oxide.
7.5 x 7.5 x 1 cm
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Brooch: Rebirth, 2019
Silver, oxide, acrylic paint, fabric, wood.
9 x 7 x 0.7 cm
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Brooch: Sunset, 2019
Silver, oxide, acrylic paints, papier macheé.
9 x 3 x 0.7 cm
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Brooch: Tuscan Lands - Sunset, A.X, 2019
Silver, papier macheé, acrylic paint, oxhide.
7 x 7 x 0.8 cm
Photo by: Federico Cavicchioli
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Brooch: Tuscan Lands - Terroir 2, V.VI, 2019
Silver, oxide, papier macheé, acrylic paints.
7 x 7 x 0.7 cm
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Brooch: Tuscan Lands A.III, 2019
Polystyrene, paier macheé, silver, tar, acrylic paints.
7 x 7 x 0.8 cm
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Brooch: Tuscan Lands III.VI., 2019
Silver, papier macheé, acrylic paints.
8 x 8 x 0.7 cm
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Brooch: Tuscan Lands IV.VI., 2019
Silver, tar, acrylic paints oxide.
8 x 8 x 0.7 cm
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Brooch: Tuscan Lands V.VI., 2019
Silver, Paper, Acrylic
8 x 8 x 0.7 cm
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Brooch: Tuscan Lands VI.VI., 2019
Silver, papier macheé, acrylic paint, oxide.
8 x 8 x 0.7 cm
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Brooch: Tuscan Lands, B.VI., 2019
Silver, papier macheé, acrylic paints.
7 x 7 x 0.7 cm
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Brooch: Tuscan Lands-Sunset, A.VI, 2019
Silver, papier macheé, acrylic paint, oxide.
7 x 7 x 0.8 cm
Photo by: Federico Cavicchioli
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Brooch: PHI 0, 2017
Polystyrenes, acrylics, oxides, gold.
Ø 14 cm, height 2 cm
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Brooch: Tracce Urbane 0, 2017
Polystyrene, acrylics, oxides, silver.
11 x 9 x 2 cm
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Object: Tracce Urbane 2, 2017
Polystyrene, acrylics, oxides, silver.
5 x 13.5 x 1.5 cm
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Brooch: Tracce Urbane 3, 2017
Polystyrene, acrylics, oxides, silver.
11.5 x 8 x 1.5 cm
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Brooch: Yellow Scented Stick, 2017
Silver, oxidize, metacrylate, acrylic paint, cotton.
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Brooch: Scent Oriental Mobile, 2017
Silver, oxidize, metacrylate, acrylic paint, cotton.
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Corrado de MeoBrooch: Cerro negro, 2014
Polystyrene, nylon, acrylic paint, resin, silver
8 cm
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Corrado de MeoBrooch: The island of two volcanos, 2014
Polystyrene, nylon, acrylic paint, silveR
9x5,5 cm
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Neckpiece: Sbrush
Silver, brush, acrylic paint, resin.
6 x 7 cm
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Corrado de MeoNeckpiece: Golden waste paper ball, 2014
Polystyrene, electroformed gold, silver, oxide
4,5 cm
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Corrado de MeoRing: Carved, 2014
Electroformed silver, silver, wood, oxide
6,5 cm
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Corrado de MeoRing: Black hybrid 2, 2013
Polystyrene, madrepora, electroformed silver, silver, oxide
5,5x5 cm
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Corrado de MeoBrooch: Black hybrid, 2013
Electroformed silver, polystyrene, madrepora, oxide, silver
11x5,5 cm
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Corrado de MeoBrooch: Black, under the surface, 2014
Polystyrene, acrylic paint, resin, silver
13,5x9,5 cm
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Corrado de MeoBrooch: Shadow area, 2014
Polystyrene, electroformed silver, oxide
10x7,5 cm
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Corrado de MeoBrooch: Impressions, 2014
Electroformed silver, oxide, polystyrene
10x8 cm
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Corrado de MeoBrooch: Reflections, 2014
Polystyrene, resin, silver
8x7 cm
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Corrado de MeoBrooch: Paysage, 2013
Polystyrene, electroformed silver, acrylic paint, oxide
9x7,5 cm
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Corrado de MeoBrooch: Skin story 1 and 2, 2012
Electroformed silver and copper, polystyrene, oxide, magnet,
5,5x5 and 4 cm
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Corrado de MeoBrooch: Le vie dei canti, 2013
Polystyrene, tar, acrylic paint, silver
10x10 cm
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Corrado de MeoNeckpiece: Dormant volcano, 2014
Polystyrene, acrylic paint, resin, thread
4,5 cm
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Statement
The first cognitive act that I do in front of whatever object is the definition of its volumes and to follow its design in space and to define in its forms exposed to light; what follows is the desire to harmonize those analyzed forms within their structure, in another very complex form as that of human body.This study commits me so to compose a fundamental sector of my research that its fine is to give an unexpected lightness to those volumes using very light materials. In my jewelry, I want also to project my awareness in their process of execution, crystallizing the phases of transformation into substance in which they are made. I ask myself to point out the phases of their becoming, to discover harmony and balance present in each phase in which matter mysteriously takes form, following those laws that regulate its structure participating in the reality of all the things, in the world thatare in constant and continuous transformation.
Observingafterwards, a colored form I don’t only feel a visible emotion, because color initially belongs to the domain of unconscious, subsequently to that of reason of mind, and in taking shape expressing its sonorities becomes a global perception that speaks to our entire essence.
CV 
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