Maria Rosa Franzin
Jeweller
/
Klimt02MemberAtMJW2019
Published: 22.10.2019
Earrings: Long Way, 2019
Silver, emeralds.
12 x 1 cm
Photo by: Silvano Longo
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Brooch: White House, 2019
Silver, white pigment, white coral.
5 x 4.5 cm
Photo by: Silvano Longo
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Brooch: Prism House, 2019
Silver, red pigment, red coral.
6 x 4.5 cm
Photo by: Silvano Longo
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Brooch: Casa perle, 2018
Silver, pearls.
10 x 2.5 cm
Photo by: Silvano Longo
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Necklace: Fireflies, 2018
Silver, bosso wood, pearls.
L 55cm
Photo by: Silvano Longo
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Chain: Rossa, 2018
Silver, acrylic paint, gold 999, coral.
L 100cm
Photo by: Silvano Longo
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Brooch: Casa Corallo, 2018
Silver, pigment, acrylic paint, coral.
4 x 4 cm
Photo by: Silvano Longo
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Chain: Blue, 2017
Silver, gold, acrylic paint, lapislazuli, bosso wood.
L 100cm
Photo by: Silvano Longo
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Brooch: Casa anima 8, 2016
Silver, resin, acrylic paint.
4 x 4cm
Photo by: Silvano Longo
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Brooch: Casa anima 14, 2016
Silver, resin, acrylic paint, bosso wood.
6.5 x 3 x 2 cm
Photo by: Silvano Longo
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Brooch: Casa anima 3, 2016
Silver, resin, acrylic paint.
5 x 4 x 2 cm
Photo by: Silvano Longo
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Chain: Anima, 2016
Silver, resin, acrylic paint, bosso wood.
L 100cm
Photo by: Silvano Longo
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Brooch: Nera, 2015
Silver, resin, gold.
8 x 7 cm
Photo by: Maria Rosa Franzin
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Bangle: Cerchi, 2014
Silver, gold, steel.
D 10.5cm
Photo by: Paolo Terzi
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Brooch: Due, 2014
Silver, gold 999, onyx.
9 x 5.5 cm
Photo by: Maria Rosa Franzin
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Brooch: Minimum, 2010
Silver, resin.
8 x 5 cm Each
Photo by: Maria Rosa Franzin
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Brooch: Albero, 2004
Silver, gold 999, coral.
5 x 4 cm
Photo by: Maria Rosa Franzin
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Brooch: Obscuro, 1999
Gold 999, gold 750.
8 x 6.5 cm
Photo by: Maria Rosa Franzin
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Brooch: Hartung, 1983
Gold, silver, steel.
L 44 cm
Photo by: Silvano Longo
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From 1986-2018 she has taught the goldsmith design at Pietro Selvatico in Padua, in the last three year she has held Goldsmith design courses at Beijing Institute Fashion Technology China. She lives and works in Padua. Since 2013 she has been the Chairperson AGC Association Contemporary Jewellery.
Statement
I look for a distinctive sign in my own work by observing the response of metal to heat from the fire, the signs that could emerge from action upon the surface, and materials in which lightness and flexibility could coexist and create a particular tactile effect.CV 
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