Liana Pattihis
Jeweller
/
Klimt02MemberAtMJW2018
MunichJewelleryWeek2019
Published: 12.03.2019
Liana Pattihis
aol.comBrooch: Picking up the pieces Brooch 02, 2019
Porcelain pieces from a Japanese cup and saucer set, oxidised silver chains, stainless steel, fixing agent.
12.5 x 11 x 3 cm
From series: To mend my broken heart
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Necklace: Untitled Necklace 01, 2019
Pieces from a broken wine glass, oxidized silver chain, fixing agent.
87 cm
From series: To mend my broken heart
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Brooch: Picking Up the Pieces Brooch 01, 2018
Porcelain pieces from a Japanese cup and saucer set, oxidised Silver chain, stainless Steel, fixing agent.
11 x 6 x 5 cm
From series: To mend my broken Heart
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Necklace: Japanese Scene Necklace, 2018
Porcelain plate, silver chain, enamel, fixing agent.
106 x ᴓ11 cm
From series: To mend my broken Heart
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Necklace: Untitled , 2018
1 of a set of 6 silver plated dessert forks, porcelain, silver plated dessert fork, silver chain enamel, low firing Enamel.
L86.5 x W5 cm
From series: To mend my broken Heart
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Necklace: Side by Side Necklace, 2018
Various Silver Chains, 2 Dessert forks from a set of 6 Silver Plated dessert forks, enamel.
From series: To mend my broken Heart
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Brooch: Japanese Scene, 2018
Porcelain plate, silver chain, silver, enamel, stainless steel, fixing agent.
L13 x W6cm
From series: To mend my broken Heart
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Brooch: Cynara bud, 2018
Silver chain, silver 800, enamel, stainless steel.
12.5 x 4 cm
2 of a set of 6 silver dessert spoons.
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Object: La Ginestra Spoon, 2018
Various silver chains, silver 800, enamel, stainless steel.
15 x 5 cm
1 of a set of 6 silver dessert spoons.
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Brooch: La Ginestra, 2018
Various silver chains, enamel, stainless steel.
20 x 11 cm
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Brooch: Roots Spoon, 2018
Silver chain, silver 800, enamel, stainless steel.
13 x 9 cm
3 of a set of 6 silver dessert spoons.
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Brooch: In the palm of your hand, 2018
Various silver chains, enamel, stainless steel.
10 x 6 cm
Awarded at: Gioielli in Fermento 2018 selected artist
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Brooch: Orange bloom, 2017
Various silver chains, enamel, stainless steel.
12 x 9.5 cm
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Brooch: Verde, 2017
Various silver chains, enamel, stainless steel.
14 x 8 cm
From series: Chained Interpretations
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Brooch: Emilia Winter Scene, 2017
Various silver chains, enamel, stainless steel.
14.5 x 6.5 cm
From series: Chained Interpretations
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Brooch: Emilia, 2016
Silver Ball Chain, Silver Trace Chain, Enamel, Stainless Steel.
10 x 7 cm
Awarded at: Gioielli In ...Fermento 2016
From series: Chained Interpretations
Inspired by the Vineyards of the Emilia Romagna region in Italy.
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Necklace: Emilia, 2016
Silver trace chain, enamel.
98 cm
From series: Chained Interpretations
Inspired by the Vineyards of the Emilia Romagna region in Italy.
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Necklace: Carolina, 2016
Silver cable chain, enamel.
L: 88 cm
From series: Chained Interpretations
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Brooch: Symbiosis, 2016
Silver cable chain, silver light trace chain, enamel, stainless steel.
11 x 7 cm
From series: Chained Interpretations
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Necklace: Mimosa Fall, 2016
Various silver chains, enamel.
L: 92cm
From series: Chained Interpretations
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Brooch: ILEX 01, 2017
Various silver chains, enamel, stainless steel.
14.5 x 8 cm
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Brooch: White Splash, 2014
Silver Cable Chain, Copper Wire, Enamel, Enamel Leaves, Stainless Steel
7cm X 8cm
Fabricated
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Drawing: Original Schematic Linear Pattern for Adapted Pattern Necklace 01, 2011
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Necklace: 'Adapted Patterns' Installation Necklace 01, 2011
Silver, enamel
64 - 203 cm long
Private Collection, Museum of Arts and Design (MAD), New York
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Necklace: Splendour in the grass, Panel, 2013
Silver Cable Chain, Enamel
23cm x 52cm, L150cm
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Brooch: Splendour in the grass, Panel, 2013
Silver Cable Chain, Enamel, Stainless Steel
30 x 6 cm
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Necklace: 'Adapted Patterns' Neckline 01, 2012
Silver trace chain, enamel
97 cm long
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Necklace: 'Istos' Victoriana Choker, 2013
Silver cable chain, enamel
25 x 16.5 cm
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Brooch: Royal Blue Oval Silver, 2012
Silver light trace chain, silver cable chain, enamel, stainless steel
7.5 x 6.9 cm
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Necklace: Royal Blue Istos 01, 2012
Silver light trace chain, enamel.
88.5 cm long
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Brooch: Royal blue fine trace chain brooch 01 and 02, 'Istos' Blue on Black Long Brooch 01, 2012, 2012, 2010
5.5cm diam L17cm, , 6.5 cm diam L24.5cm, 7.5cm dia L36cm
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Necklace: Istos 01, 2010
Silver Light Trace Chain, Enamel
91 cm
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Necklace: Istos 01, 2010
Silver Light Trace Chain, Enamel
91 cm
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Necklace: Blue Single Line 01, 2010
Silver Trace Chain, Enamel
133 cm
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Brooch: Black on Blue Trace Chain, 2010
Silver Trace Chain, Copper, Enamel, Stainless Steel
Ø 6 cm
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Brooch: Shades of Black Single Link 01, 02, 03, 2009
Silver Trace Chain, enamel
8 x 5.5 cm & 7.5 x 4.5 cm
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Necklace: Coral Red Link 04, 2009
Silver Trace Chain, enamel
90 cm
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Brooch: Coral Red Diamond Chain 02, 2010
Silver Diamond Chain,Copper, Enamel, Stainless Steel
Ø4 x 16 cm
Liana, Pattihis
Brooch: Coral Red Diamond Chain, 2010
Silver Diamond Chain,Copper, Enamel, Stainless Steel
Ø4 x 15 cm
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Necklace: Coral Red Hand Knitted, 2010
Silver Trace Chain, Enamel
88 cm
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Brooch: Coral Red Snake Chain 01, 2008
Copper mesh, silver, enamel, stainless steel
ø 6 cm
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Brooch: Iris Stamens, 2005
Stainless Steel
23 cm
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Brooch: Kandinsky Reversible, 2007
Copper mesh, silver, enamel, stainless steel
ø 8 cm
Inspired by Wassily Kandinsky’s painting Yellow, Red, Blue.
(1925, Centre G. Pompidou, Paris)
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Brooch: Blue Circle, 2007
Silver, copper, enamel stainless steel
ø 8 cm
Inspired By Wassily Kandinsky’s Painting ‘Blue Circle’
(1922, New York, The Guggenheim Museum)
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Statement
The method I follow to fuse enamels on a movable base like chain, has brought about an innovative way of creating with the medium. By applying the enamel freely but purposefully, the material is allowed not only to decorate a piece, but to be instrumental in its creation, its appearance and its function.---------
The processes Liana uses in making her jewellery are ones of building and burying...The natural quality of the surface gives a feel of a much earlier age, yet buried under the enamel are anonymous, potentially unattractive, silver chains of this age of mass production. The point of delight is not only that unique, colourful and exciting pieces of jewellery are created, but that the rules of enamelling have been broken and rewritten so successfully.
/ Caroline Broadhead August 2010
———
Chained Interpretations … An on-going study
In a world revolving around social media, it is hard to imagine a day go by without our daily dose of virtual interaction. An intricate part of this process, is further facilitated by the sharing of images, which offer a glimpse into the inspirations and interests of our online ‘friends’.The collection is inspired by online sources and found images depicting flora and fauna specifically in wooded areas, which I find mysterious and intriguing. As with previous work from this series, images are chosen for their visual composition or specific geometrical aesthetic elements and are given a three dimensional ‘chained interpretation’, thus converting them into wearable pieces of jewellery.
Each enamel colour is fused and fired on the chain separately and the piece is constructed afterwards from the previously enamelled chain. Emphasis is given in the building-up and layering of the chains This allows the piece to evolve, with the various types of chain and colours mixing and intertwining, poetically responding to the images as if they were ‘still lives ’, translating them into an impressionistic pixelated relief of textured 3dimensional layers.
———
Chained Interpretations… Curious Jewellery and Objects
Images depicting flora and fauna have been a rich source of inspiration for me. Adding objects to this series has been a natural progression. Using my unwanted mass- produced silver wedding gifts, I aspire to create a collection of curious, wearable pieces and decorative objects by giving the original pieces a unique new identity and function.
/ L.P.
To mend my broken heart
To mend my broken heart, is my latest collection of jewellery and objects inspired by Kintsugi, the Japanese art of repairing broken pottery. Replacing the lacquer and powder dust used in the traditional method, with epoxy and silver or gold chain, the aim is to embrace the damaged and the imperfect by highlighting the cracks and missing pieces with the chain. The mended flaws become part of the design, offering the object a new identity. Healing the scars of the flawed and the unwanted, the object becomes purposeful and desirable again
Drawn to the philosophical interpretation of Kintsugi, that the cracks and seams are merely a symbol of an event that happened in the life of the object, rather than the cause of its destruction, the pieces are reborn, granting the object a lease of a new life. Using a selection of unwanted and damaged wedding gifts and objects collected over the years, a collection of curious, wearable pieces and decorative objects is created, whilst giving the original pieces a unique new identity and function. / L.P.
CV 
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