Liana Pattihis
Jeweller
/
Klimt02MemberFeaturedMunichJW2018
Published: 02.03.2018
Liana Pattihis
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- lianapattihis
aol.com
Brooch: Orange bloom, 2017
Various silver chains, enamel and stainless steel.
12 x 9.5 cm
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Brooch: Woldgate set of 6 Brooches, 2018
Various silver chains, enamel, stainless steel.
6.5 x 5 cm
Inspired by the 6 panel painting Woldgate by David Hockney.
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Brooch: Verde, 2017
Various silver chains, enamel, stainless steel.
14 x 8 cm
From series: Chained Interpretations
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Brooch: Emilia Winter Scene, 2017
Various silver chains, enamel, stainless steel.
14.5 x 6.5 cm
From series: Chained Interpretations
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Brooch: Emilia, 2016
Silver Ball Chain, Silver Trace Chain, Enamel, Stainless Steel
10 x 7 cm
Awarded at: Gioielli In ...Fermento 2016
From series: Chained Interpretations
Inspired by the Vineyards of the Emilia Romagna region in Italy
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Necklace: Emilia, 2016
Silver Trace Chain, Enamel
98 cm
From series: Chained Interpretations
Inspired by the Vineyards of the Emilia Romagna region in Italy.
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Necklace: Carolina, 2016
Silver cable chain, enamel.
L: 88 cm
From series: Chained Interpretations
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Brooch: Symbiosis, 2016
Silver cable chain, Silver Light Trace Chain, Enamel, Stainless Steel
11 x 7 cm
From series: Chained Interpretations
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Necklace: Mimosa Fall, 2016
Various silver chains, enamel.
L: 92cm
From series: Chained Interpretations
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Brooch: ILEX 01, 2017
Various silver chains, enamel, stainless steel
14.5 x 8 cm
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Brooch: White Splash, 2014
Silver Cable Chain, Copper Wire, Enamel, Enamel Leaves, Stainless Steel
7cm X 8cm
Fabricated
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Drawing: Original Schematic Linear Pattern for Adapted Pattern Necklace 01, 2011
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Necklace: 'Adapted Patterns' Installation Necklace 01, 2011
Silver, enamel
64 - 203 cm long
Private Collection, Museum of Arts and Design (MAD), New York
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Necklace: Splendour in the grass, Panel, 2013
Silver Cable Chain, Enamel
23cm x 52cm, L150cm
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Brooch: Splendour in the grass, Panel, 2013
Silver Cable Chain, Enamel, Stainless Steel
30 x 6 cm
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Necklace: 'Adapted Patterns' Neckline 01, 2012
Silver trace chain, enamel
97 cm long
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Necklace: 'Istos' Victoriana Choker, 2013
Silver cable chain, enamel
25 x 16.5 cm
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Brooch: Royal Blue Oval Silver, 2012
Silver light trace chain, silver cable chain, enamel, stainless steel
7.5 x 6.9 cm
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Necklace: Royal Blue Istos 01, 2012
Silver light trace chain, enamel.
88.5 cm long
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Brooch: Royal blue fine trace chain brooch 01 and 02, 'Istos' Blue on Black Long Brooch 01, 2012, 2012, 2010
5.5cm diam L17cm, , 6.5 cm diam L24.5cm, 7.5cm dia L36cm
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Necklace: Istos 01, 2010
Silver Light Trace Chain, Enamel
91 cm
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Necklace: Istos 01, 2010
Silver Light Trace Chain, Enamel
91 cm
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Necklace: Blue Single Line 01, 2010
Silver Trace Chain, Enamel
133 cm
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Brooch: Black on Blue Trace Chain, 2010
Silver Trace Chain, Copper, Enamel, Stainless Steel
Ø 6 cm
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Brooch: Shades of Black Single Link 01, 02, 03, 2009
Silver Trace Chain, enamel
8 x 5.5 cm & 7.5 x 4.5 cm
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Necklace: Coral Red Link 04, 2009
Silver Trace Chain, enamel
90 cm
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Brooch: Coral Red Diamond Chain 02, 2010
Silver Diamond Chain,Copper, Enamel, Stainless Steel
Ø4 x 16 cm
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Necklace: Coral Red Hand Knitted, 2010
Silver Trace Chain, Enamel
88 cm
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Brooch: Coral Red Snake Chain 01, 2008
Copper mesh, silver, enamel, stainless steel
ø 6 cm
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Brooch: Iris Stamens, 2005
Stainless Steel
23 cm
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Brooch: Kandinsky Reversible, 2007
Copper mesh, silver, enamel, stainless steel
ø 8 cm
Inspired by Wassily Kandinsky’s painting Yellow, Red, Blue.
(1925, Centre G. Pompidou, Paris)
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Brooch: Blue Circle, 2007
Silver, copper, enamel stainless steel
ø 8 cm
Inspired By Wassily Kandinsky’s Painting ‘Blue Circle’
(1922, New York, The Guggenheim Museum)
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Statement
The method I follow to fuse enamels on a movable base like chain, has brought about an innovative way of creating with the medium. By applying the enamel freely but purposefully, the material is allowed not only to decorate a piece, but to be instrumental in its creation, its appearance and its function.---------
The processes Liana uses in making her jewellery are ones of building and burying...The natural quality of the surface gives a feel of a much earlier age, yet buried under the enamel are anonymous, potentially unattractive, silver chains of this age of mass production. The point of delight is not only that unique, colourful and exciting pieces of jewellery are created, but that the rules of enamelling have been broken and rewritten so successfully.
/ Caroline Broadhead August 2010
———
‘Chained Interpretations’ … An on-going study
In a world revolving around social media, it is hard to imagine a day go by without our daily dose of virtual interaction. An intricate part of this process, is further facilitated by the sharing of images, which offer a glimpse into the inspirations and interests of our online ‘friends’.This latest collection is inspired by online sources and found images depicting flora and fauna specifically in wooded areas, which I find mysterious and intriguing. As with previous work from this series, images are chosen for their visual composition or specific geometrical aesthetic elements and are given a three dimensional ‘chained interpretation’, thus converting them into wearable pieces of jewellery.
Each enamel colour is fused and fired on the chain separately and the piece is constructed afterwards from the previously enamelled chain. Emphasis is given in the building-up and layering of the chains This allows the piece to evolve, with the various types of chain and colours mixing and intertwining, poetically responding to the images as if they were ‘still lives ’ , translating them into an impressionistic pixelated relief of textured 3dimensional layers.
CV 
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Liana Pattihis
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